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The Fascio Newsletter (Uncensored)

The Fascio Newsletter (Uncensored)

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Kanal postlari
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Matn yo'q...
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Racism In Italian Fascism Part 2 β€” Joshua Lino and The Ludwig Files Lino built a whole video like one 1932 interview book could close the Italian question, named my article at 32:02, and called the Ludwig account β€œall lies.” Then Gentile is supposed to dissolve race, stock, empire, and statute. That is not how this file works: https://fascio.substack.com/p/racism-in-italian-fascism-part-2
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Eugenicist Contributions to the American Museum of Natural History These are NYC Museum contributions from Madison Grant and+6
Eugenicist Contributions to the American Museum of Natural History These are NYC Museum contributions from Madison Grant and Henry Fairfield Osborn, two eugenicists and white Nordic American progressives from the early 20th century. Theodore Roosevelt was also connected to these people, and so was The Boone and Crocket Club. The pictures were taken by me. Read The Sociology of Madison Grant
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The History of Zionism πŸ•ŽHow far back does it really go✑️ πŸ“–Read the article on⬇️ β€”β€”β€”β€”β€”β€”β€” Substack β€”β€”β€”β€”β€”β€”β€” Patreon β€”β€”β€”β€”β€”β€”β€” πŸ“Ί
The History of Zionism πŸ•ŽHow far back does it really go✑️ πŸ“–Read the article on⬇️ β€”β€”β€”β€”β€”β€”β€” Substack β€”β€”β€”β€”β€”β€”β€” Patreon β€”β€”β€”β€”β€”β€”β€” πŸ“ΊOr watch the video on⬇️ β€”β€”β€”β€”β€”β€”β€” YouTube β€”β€”β€”β€”β€”β€”β€” Rumble β€”β€”β€”β€”β€”β€”β€” Odysee β€”β€”β€”β€”β€”β€”β€” 🩡@angrywarhawk
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Moving a bunch of my articles back into the paywall, I’ll be picking articles that weren’t made by myself and whatever I made into videos into the public domain beside a few popular ones
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https://x.com/grossedism/status/2092783904482889977?s=46
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Hasan Piker, the Democrats, Republicans, and the Zionist lobby all represent different sides of the same failure: American politics without an independent national interest. I reject both Zionism and communist internationalism. Link: https://fascio.substack.com/p/neither-hasan-piker-nor-a-zionist
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https://x.com/littoria14/status/2092442134926217453?s=46
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https://x.com/asiandawn4/status/2092385835979362322?s=46
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https://x.com/tombelaviv_/status/2092383518923882600?s=46
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Fascism is a revolutionary ideology of national rebirth that seeks a new ethical and corporative order. MAGA is restorative democratic populism operating inside the liberal system. Calling it fascist isn’t analysis, it’s just expanding the term to justify political violence against any opposition. As a fascist, I’ll say it plainly: fuck Trump and fuck MAGA. Link: https://fascio.substack.com/p/why-trump-is-not-a-fascist
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Updated a bit. https://fascio.substack.com/p/my-top-10-american-presidents?r=5getxt&utm_campaign=post&utm_medium=web
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https://x.com/de3dsoul/status/2092084549576708189?s=46
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https://x.com/WarsawErik/status/2090116785311801614/video/1?s=46
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β€œβ€¦such is the objective toward which our efforts must be directed, against the reds and reaction, and for the establishment o
β€œβ€¦such is the objective toward which our efforts must be directed, against the reds and reaction, and for the establishment of the new order in a socialist and white Europe! Long live the immense and red fascism!” Notre Europe, August 1978.
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Matn yo'q...
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The image was first created by the American cartoonist "A. Wyatt Mann" (a word play on "A white man"), a pseudonym of Nick Bougas. The image was part of a cartoon that also included a racist caricature of a black man and used these images to say: "Let's face it! A world without Jews and Blacks would be like a world without rats and cockroaches." The cartoon was first released in print in 1992 in the Third Positionist newspaper WAR, but appeared online in February 2001.
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https://x.com/politbureaucrat/status/2091327431332241866?s=46
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πŸ•Š Political cartoonist and satirist Nick Bougas has died at the age of 71. He was best known for his "racist, antisemitic, a
πŸ•Š Political cartoonist and satirist Nick Bougas has died at the age of 71. He was best known for his "racist, antisemitic, antifeminist, and homophobic cartoons." One image in particular, an cartoon of a Jewish man known as the β€œHappy Merchant,” became one of the most recognizable and widely circulated memes on the internet. More broadly, Bougas’s cartoons circulated extensively across online subcultures throughout the 1990s, 2000s, and 2010s, first in the American online sphere and later across European and global internet communities. They became recurring material in trolling culture, imageboards such as 4chan, and far-right networks around the world.
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