Ahror
All opinions are my own, credit to authors is given when their words are shared here. acceptthyself.com
Ko'proq ko'rsatishπ Telegram kanali Ahror analitikasi
Ahror (@acceptthyself) Ingliz til segmentidagi kanali faol ishtirokchi. Hozirda hamjamiyat 63 267 obunachidan iborat bo'lib, Kitoblar toifasida 347-o'rinni va Xalqaro mintaqasida 528-o'rinni egallagan.
π Auditoriya koβrsatkichlari va dinamika
Π½Π΅Π²ΡΠ΄ΠΎΠΌΠΎ sanasidan buyon loyiha tez oβsib, 63 267 obunachiga ega boβldi.
27 Oktabr, 2026 dagi oxirgi maβlumotlarga koβra kanal barqaror faollikka ega. Oxirgi 30 kunda obunachilar soni 4 676 ga, soβnggi 24 soatda esa 226 ga oβzgardi va umumiy qamrov yuqori darajada qolmoqda.
- Tasdiqlash holati: Tasdiqlanmagan
- Jalb etish (ER): Auditoriya oβrtacha 18.79% darajada jalb etiladi. Nashrdan keyingi dastlabki 24 soatda kontent odatda umumiy obunachilar sonining 5.14% ini tashkil etuvchi reaksiyalarni toβplaydi.
- Post qamrovi: Har bir post oβrtacha 11 863 marta koβriladi; birinchi sutkada odatda 3 242 ta koβrish yigβiladi.
- Reaksiyalar va oβzaro taβsir: Auditoriya faol: har bir postga oβrtacha 82 ta reaksiya keladi.
- Tematik yoβnalishlar: Kontent dad, feeling, millisecond, amygdala, samurai kabi asosiy mavzularga jamlangan.
π Tavsif va kontent siyosati
Muallif resursni shaxsiy fikrni ifoda etish maydoni sifatida taβriflaydi:
βAll opinions are my own, credit to authors is given when their words are shared here.
acceptthyself.comβ
Yuqori yangilanish chastotasi (oxirgi maβlumot 28 Oktabr, 2026 da olingan) sababli kanal doimo dolzarb va katta qamrovli boβlib qoladi. Analitika auditoriya kontent bilan faol hamkorlik qilishini, uni Kitoblar toifasidagi muhim taβsir nuqtasiga aylantirishini koβrsatadi.
The human race has to learn how to leave the world alone and let what is called the natural homeostasis, that is the self-balancing process of nature, take care of the mess. Now, how are we going to do that? This is Japanese ceremonial tea. It's good on a cold day. See, our problem is we don't really know how to stop. We've got something started and we see it's going in a wrong direction. And I think the difficulty is, to borrow an old Chinese saying, that when the wrong man uses the right means, the right means work in the wrong way. In other words, there's something wrong with the way we think. And while that is there, everything we do will be a mess.
Alright, this has been a big book in terms of teaching morality (what's right and wrong), redemption, unresolved past guilts, it has it all, and this book messes you up on its own way, it's one of those stories that stays with you, not because it's all about sunshine and good things/vibes, but because it's brutally honest about how messed up some people can be, and how hard it is to truly make things right after you screwed up the things, it's in the past, the train has already passed. Author says that characters are made up and fictional but deep down we all know how much truth lies beneath it, it's about Amir a kid who grows up in Afghanistan, and his best friend, Hassan, who's also his servant, they're very close but there's this imbalance because of their social classes... Amir is a Pashtun, the dominant and priviliged group, and Hassan is a Hazara who are looked down upon. This big difference is always there throughout the novel, always lurking in the background, even when they're flying kites and having fun. The big thing, turning point in plot happens in kite-flying tournament. Amir wins, which is a huge deal for him, but to really win, he needs Hassan to run and get the last kite that fell, being a loyal friend he goes after it, but he runs into these awful bullies, led by this "nazi" kid named Assef, he assaults Hassan and Amir witnesses it all, but he's too scared to do anything and just runs away like a coward, and that moment of cowardice haunts Amir for the rest of his life. He feels so guilty that he can't even stand to be around Hassan anymore...and he even frame things up to make Hassan, to show him as a thief in the house, Hassan and his father will leave. It's a terrible thing to do, which is driven by Amir's inability to face his own guilt... Years later, Amir gets a chance to maybe make all the things right. He goes back to his birthplace from States, which is now a war-torn, dangerous place, to rescue Hasan's son, Sohrab. The ending isn't perfectly happy, orphanage, Sohrab's cutting his wrist, and then silence... the main takeaway is here how choices we make, mostly the bad ones, can shape our lives for more years to come. That's it.βοΈ 4.4/5 Let's summarize the 10th week in the comments dear readers)
Another obligatory book that we were supposed to read (from Uni), not my own choice. What Maugham wanted to show here is the superficial and dark sides of the performants in the theatre as far as I know, main protagonist is Julia, I didn't like this character too much to be honest, at the beginning she's very naΓ―ve, affectionate and a loyal lover to Michael when they first met during performance. As they get older, they have a child Roger, then there's war, Michael participates in it for about 4-5 years, and as he comes back Julia sees him as more manly, reserved and grown spiritually and for that superficial reason she stops loving him, she thinks he lost the spirit of his youth, and from this point onward we see the true face of Julia, a manipulative, deceptive and infidel, to fulfill her needs she starts having affairs with various different men, and then a young man called Tom, to validate herself that she is still young (or pretending to be) sort of hiding it from her husband and others. She gets questioned by her son Roger at the end, and he speaks to her that she is not her authentic self, the world is a stage for her she plays the role of a good actress to get what she wants from everyone, deceptive, manipulative, selfish and etc. I get it that Maugham didn't show her as a good character, but instead wanted to show the inside world of people who are in theatre.βοΈ 3.1/5 Time to recap the 9th Week folks)
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