Чувствительность к регистру
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Obunachilar
+124 soatlar
+37 kunlar
+430 kunlar
Postlar arxiv
Virna custom font for MTV
by Fabrizio Schiavi (Фабрицио Скьяви)
Fabricio:
As a visual aid to help me in this process I designed Virna, a headline “op-art” inspired face with the ability to create both vertical and horizontal ligatures between single words among two text lines, with the same ease of linking letters in handwriting or a linked script typeface.
👉——>> wwwww
#typography #custom #typeface
Alexander Girard Wooden Doll No. 18 (1963)
The Wooden Dolls, which Girard created for his own home in Santa Fe and made himself, are likewise inspired by his own extensive collection of works of popular art. Half decorative element, half toy, the Wooden Dolls were originally intended only for personal use. Based on originals found in the Girard Estate held by the Vitra Design Museum, the partly joyful, partly grim-looking company of dolls is now coming out as a charming enhancement to any interior.
#old_good_things #graphic #illustration
+7
«Ешь сладкого не до-сыта…»
#old_good_things #typography #illustration
HELIOT EMIL
Pushing the boundaries of creative expression, the Copenhagen–based label HELIOT EMIL explores the lines between form and function through experiments in futuristic streetwear, objects, and accessories.
#wow
DEEMER (Logo by CARLOS MAYO)
Design furniture and manufacturing studio based in Madrid which aim is to recover the values of durability, sustainability and customized production. Brand identity, custom typeface, website development and e–commerce (2019).
#logo
Pieter Roozen – Mart Warmerdam
H9lland Fe2tival: Luigi Nono, Holland Festival
Amsterdam, June 1-30, 1992 [NAGO – Nederlands Archief Grafisch Ontwerpers]
Цифры в буквы: (😍) год проведения фестиваля — в название фестиваля.
#typography #trick #logo
Rudolf Arnheim • Visual Thinking
University of California Press
Berkeley and Los Angeles
1969 • First edition
k —— ❤️
#typography #bookcover
+1
Multiply—беcпроигрышный трюк.
#multiply #trick #editorial #typography
Golgotha Atlas & Axis, typeface, basic latin (620 glyphs), 2016–…
Чередование узкого и широкого как прием типографики.
#typography #trick #typeface #editorial
Gotico-Antiqua, Proto-Roman, Hybrid, 15 typefaces, basic latin (1939 glyphs), design and production Rafael Ribas with Alexis Faudot, supervision Jérôme Knebusch & ANRT Team, 2017–2019. All fonts and specimen available here.
Проекту пять лет, но 🌟
#typeface #wow
Musée d’Orsay, custom typeface (Rafael Ribas • Styles: Roman, 858 glyphs & Italic, 854 glyphs), ad campaign & programm, parts of the global rebranding of the museum. Art direction by zoo, designers graphiques, font mastering by Jérôme Knebusch, 2023
#custom #typeface
Interlope Magazine
Rafael Ribas with Guillaume Letellier, Bureau de typographie and Jean-Marie Delbès, identity, editorial, custom typeface and ad campaign, offset printing, 2022–…
#magcover #logo #editorial #custom #typeface
Repost from EGtypo
Мало кто видел что-то из легендарной The Doves Press Bible (1902–1905) кроме страницы с леттерингом Эдварда Джонстона,
а ведь все пять томов, в отличном качестве, выложены на сайте Библиотеки Конгресса,
и там каждый разворот торжество перфекционизма Кобден-Сандерсона сотоварищи (пусть не такие эффектные, но не менее выделанные)
#TypoHistory
