Чувствительность к регистру
Kanalga Telegram’da o‘tish
1 035
Obunachilar
-124 soatlar
+27 kunlar
+330 kunlar
Postlar arxiv
Одновысотнасть знаков в шрифте от butterfly-stroke.
#typography #custom #typeface
Uniqlo
by KASHIWA SATO
Samurai Inc • Tokyo
Если уверенно в шрифт, то уже не обязательно ровно.
👓——> wwwwww.
#logo #identity #typeface #custom
+1Октогональ.
💥— А — положила центральный штрих на линию шрифта.
#typography
Schriftmusterblatt
[Alphabet, Schriftklasse Magdeburg]
1935
designer
Hermann Eidenbenz
(CH, 1902 - 1993)
Karton; Lithografie
Музей Дизайна Швейцарии.
#typeface #typography #typedesign
Grammo Studio
1959
designer
Siegfried Odermatt
(CH, 1926 - 2017)
#trick #cut #typography
Typography Now
by Why Not Associates
Книга с примерами актуальной типографики на моент 1991 года.
📖 ——> www.
#bookcover #typography
NSW01
by Matt Willey
“I often like things in typefaces that are, technically speaking, incorrect. I admire technical perfection in typefaces, but it’s not something I’m interested in. It can get in the way of something looking interesting.”
Дополнительно:
пример использования NYT,
eye-on-design.
#typeface #custom #typography
Минимализм в рекламе.
Всегда отдавал должное рекламе Nike, но с продукцией не сложилось.
#ad #typography
Классика. 🖤
Ralph Schraivogel
Poster, "Paul Newman, Filmpodium Zurich", 2001
Ralph Schraivogel is a celebrated contemporary Swiss poster designer, whose work often plays with curving pattern, image, and type to create ambiguous spatial effects. The poster presented here, Paul Newman, Filmpodium Zurich, evolves from a quite different design aesthetic and tradition. This compelling poster has been compared to the inventive, puzzle like, modernist posters of Paul Rand, especially Rand's Dada poster (1951) which invites reading in both a vertical and horizontal orientation.
#mask #multiply #trick #typography
