SAMPLE PACKS 🎹 SOUND KITS FOR PRODUCERS
💰 Реклама / Ads – @GetAudienceCreator 📈 Promote beats – @BeatBoosts 💬 Chat – @Producers_Chat 🔗 Channels – @LeakedSound
Ko'proq ko'rsatish📈 Telegram kanali SAMPLE PACKS 🎹 SOUND KITS FOR PRODUCERS analitikasi
SAMPLE PACKS 🎹 SOUND KITS FOR PRODUCERS (@sampleloops) Ingliz til segmentidagi kanali faol ishtirokchi. Hozirda hamjamiyat 42 923 obunachidan iborat bo'lib, Musiqi toifasida 1 620-o'rinni va Rossiya mintaqasida 14 645-o'rinni egallagan.
📊 Auditoriya ko‘rsatkichlari va dinamika
невідомо sanasidan buyon loyiha tez o‘sib, 42 923 obunachiga ega bo‘ldi.
29 Avgust, 2026 dagi oxirgi ma’lumotlarga ko‘ra kanal barqaror faollikka ega. Oxirgi 30 kunda obunachilar soni -422 ga, so‘nggi 24 soatda esa -22 ga o‘zgardi va umumiy qamrov yuqori darajada qolmoqda.
- Tasdiqlash holati: Tasdiqlanmagan
- Jalb etish (ER): Auditoriya o‘rtacha 3.42% darajada jalb etiladi. Nashrdan keyingi dastlabki 24 soatda kontent odatda umumiy obunachilar sonining 1.00% ini tashkil etuvchi reaksiyalarni to‘playdi.
- Post qamrovi: Har bir post o‘rtacha 1 467 marta ko‘riladi; birinchi sutkada odatda 431 ta ko‘rish yig‘iladi.
- Reaksiyalar va o‘zaro ta’sir: Auditoriya faol: har bir postga o‘rtacha 3 ta reaksiya keladi.
- Tematik yo‘nalishlar: Kontent loop, кит, канала, раскрутим, услугу kabi asosiy mavzularga jamlangan.
📝 Tavsif va kontent siyosati
Muallif resursni shaxsiy fikrni ifoda etish maydoni sifatida ta’riflaydi:
“💰 Реклама / Ads – @GetAudienceCreator
📈 Promote beats – @BeatBoosts
💬 Chat – @Producers_Chat
🔗 Channels – @LeakedSound”
Yuqori yangilanish chastotasi (oxirgi ma’lumot 30 Avgust, 2026 da olingan) sababli kanal doimo dolzarb va katta qamrovli bo‘lib qoladi. Analitika auditoriya kontent bilan faol hamkorlik qilishini, uni Musiqi toifasidagi muhim ta’sir nuqtasiga aylantirishini ko‘rsatadi.
15 808s 15 Claps & Snaps 2 FLPs 8 Fx & Misc 8 Hi-Hats 10 Kicks 8 Open Hi-Hats 10 Percs 25 Presets 5 Mixer Presets (Master Preset & Fx/Loop Presets) 20 VST Presets (Zenology, Omni, Nexus, Twin2) 12 Snares 50 Sounds (One-Shots) 5 Bass 10 BPM 5 Organ 5 Phrase 5 Strings 15 Synths 5 SynthFx 5 Vox
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• 808 - 22 • CLAP - 13 • FX - 8 • HH - 10 • OH - 15 • PERC - 13 • REESE - 5 • SNARE - 14 • LOOPS - 5
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DRUM SOUNDS SFX MELODIC ONE-SHOTS LOOPS EXTRAS
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100 ANALOG LAB PRESETS 100 GRANULAR KEYS 100 DRUMS 50 SOUNDSCAPES ⸙ Cymatics Lotus Presets I Use To Emulate Thermae (2) ⸙ Sound Design Videos (2)
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10x 808s 10x Claps / Snaps 10x Drumloops 10x Hihats 10x Kicks 10x Percs 5x Samples 5x Sfx 5x Vox BONUS: 10x Snares 10x Open Hats 10x Kicks 10x Bass 10x 808s 10x Fx 1x Plugin (FL STUDIO ONLY)
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LEViT∆TE is an artist who has been gaining recognition in the Seattle music scene for his eclectic and unapologetic productions. Blending gritty sound design, majestic synths, and hard-hitting rhythms, his larger-than-life music is crafted with the clear intent to impact and inspire. His “Sounds of Collapse” pack contains a collection of samples that reflect his epic sonic signature - power up your productions with LEViT∆TE’s bold sounds.
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- 20 808 - 10 Bassi - 10 Clap - 20 Hi Hat - 10 Kick - 10 Open Hats - 20 Percs - 10 Rims - 10 Risers - 20 Snares - 20 Various - 10 FX - 30+ One Shots
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25 DRUMLOOPS 25 KICKS 22 SNARES 10 PERCS 8 VOICE CHANTS 10 PERCLOOPS
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(one shots) 100 synths 95 keys 70 basses (265) (sounds) 65 textures (key labeled + time stretched) 65 earcandy (key labeled + time stretched) 40 vocals (key labeled) (170) 435 sounds total.
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Intertwined with the stochasticity of nature, the music of Alexander Panos attempts to reconcile one’s being in the world, often discussing the mechanisms of longing and becoming. This has manifested in a collage-based approach to composition which is rooted in genres such as folk and electronica yet acousmatic in form. The hard-won release of his debut album ‘Nascent’ was met with acclaim across many spheres of electronic music, and his revolutionary ‘Color Transfer’ Max for Live devices have become staple tools for many.“I care deeply about the inherent beauty of a sound without borders and its properties as a conduit for emotion. I find myself building systems in Max/MSP as part of an improvisatory sound design process that, while technical, is fundamentally gestural. ‘Lakeshore Afterimage’ is filled with the results of these explorations. Like much of my music, its sounds are inspired by the lush littoral spaces I often commune with
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