CTM Festival
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Festival for Adventurous Music and Art www.ctm-festival.de
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October 22, don’t miss Sarah Davachi, fresh off her Silver Lion win at La Biennale. Sarah will present a solo organ concert of new works from her new album The Will of Tongues with several pieces from her 2024 album The Head as Form'd in the Crier's Choir. The evening opens with a selection of Davachi's 'Interludes', a suite of consort pieces performed by a low woodwind ensemble.
Tickets
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Showcasing her new album »Ruin: It’s Not Just Music« at CTM 2027 in a special multi-channel spatial format, the harmonic expanses and intricate melodic ecologies of Kaitlyn Aurelia Smith’s earlier work remain, but beneath them now breakbeats and drum-and-bass patterns splinter through a dense strata of synthesis. At the heart of the record combustion and reconstruction converge and consume each other endlessly, a necessary release of accumulated tension through which one world might be broken open so that another may emerge glistening.
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The psyched-out aural hypnosis of Spekki Webu and Matti Vilho’s surreal visual worlds come together at CTM Festival 2027 in »Signal Transmutations,« a transmission from a realm where the machinery has begun to spore. A monolithic fungus blooms as a Tree of Life, mycelium tangled with cables and glowing interfaces. Forms and the echoes of forms emerge, submerge through the subconscious to germinate as the music drifts through states of dissoluted trance, caught inside a vast biological process.
🍄 Festival passes & tickets
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Turning toward a more immediate and intuitive compositional process, Kali Malone returns to the festival to present two radiant concerts at Gedächtniskirche of her new album »Burning Song«. Lucy Railton on cello and Stephen O’Malley on acoustic guitar join Malone’s pipe organ to play with almost singular breath. The programme will also include select compositions from Malone’s vast organ discography.
Tickets for these shows are already on sale 🔥
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ONE WEEK until the Berlin debut of the alien black metal of Krallice, opened by Rashad Becker. Don’t miss this viscerally delicious night!
⛧ Tickets ⛧
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We're delighted to have received the 2026 Kulturpreis der Berliner Clubkultur, among 32 diverse cultural initiatives recognised as part of Tag Der Clubkultur - projects we’ve had the pleasure to work with over the years including Awareness Kollective Roses of Care, Femme Bass Mafia, No_St0ne, Refuge Worldwide, and many others. We’re grateful to the Clubcommission as well as everyone who contributes to the wider ecology of music and club culture in Berlin 💫
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The citywide program by spaces and initiatives around the CTM and transmediale festivals is back! Vorspiel is looking for interested Berlin-based artists, organizers and communities to present events during 15 - 31 January 2027. Installations, performances, presentations, concerts, and other formats dedicated to digital art & culture and experimental music and sound are central to the program.
Get the full details and apply by 6 November 2026 ✌️
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The citywide program by spaces and initiatives around the CTM and transmediale festivals is back! Vorspiel is looking for interested Berlin-based artists, organizers and communities to present events during 15 - 31 January 2027. Installations, performances, presentations, concerts, and other formats dedicated to digital art & culture and experimental music and sound are central to the program.
Get the full details and apply by 6 November 2026
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We're thrilled to present Modeselektor's new album MDSLKTR at CTM 2027 in a world premiere collaboration. The album returns the duo to their foundations, digging into nearly three decades of studio sessions and unfinished ideas, renewing and repurposing them into new beginnings.
The Jan 24 performance »MDSKLTKR & Guests« will be joined by a variety of the album's guests to be announced soon, including opening sets by pop-detritus jester Kabeaushé and Berlin icon Gudrun Gut.
Tickets are now on sale 💥💥💥
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On October 13, Rashad Becker’s dense microtonal environments shape artificial voices and unstable interactions that breathe with uncanny organic life. Built almost entirely electronically from modular synthesis, narratives mapping uncharted fictional realms recur heavily in his work, ephemeral realms where no single aesthetic reign dictates form.
Rashad opens the Berlin debut of alien black metallists Krallice. Don’t miss this otherworldly aural combustion!
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Open Call: The Spatial Audio Experimentation Lab offers several days of practical experimentation and collective research, looking at the ways space can become an active element of musical composition.
Apply here by 15 October 2026.
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Announcing our first artists for CTM Festival 2027! Our first acts span global hardcore such as A.N.I., Evil Grimace, and NZIRIA; AV album premieres with Modeselektor, Dis Fig, and Kaitlyn Aurelia Smith; performances weaving through different modes of listening, concerts and commissions exploring Resynthesising the Traditional with Kuntari, Rully Shabara, Karina Utomo; new open calls and more.
Early-bird CTM Festival passes and Connect Passes for CTM + @transmediale are on sale now in limited quantities. Weekend Passes for each respective CTM Festival weekend are also on sale. Tickets to the first few events are now available, with more going on sale throughout autumn. Press accreditation is also now open ⧖
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Don't miss our free Resynthesising the Traditional: Unstable Hallucinations tonight at silent green, with Stefan Fraunberger, Dania, and Marcin Pietruszewski & Lukas de Clerck!
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𝗢𝗽𝗲𝗻 𝗖𝗮𝗹𝗹: 𝘁𝗿𝗮𝗻𝘀𝗺𝗲𝗱𝗶𝗮𝗹𝗲 𝟮𝟬𝟮𝟴 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 𝗖𝘂𝗿𝗮𝘁𝗶𝗼𝗻
Since 2025, our sister festival transmediale has invited a new curator for each edition to bring their own unique perspective and voice to the intersection of art and technology. transmediale are looking for curatorial approaches that introduce fresh questions to the field, grounded in critical reflection and political engagement. This opportunity is open to individuals or collectives with prior curatorial experience.
Deadline: 30 September, 2026
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In just one week, the blackened marrow of One Leg One Eye’s Irish doom-folk returns to Berlin, together with Bridget Ferrill's warped alien acoustics. Don't miss this night of visceralities from the trance-state dimension 👽
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Join us on 12 September for a free Resynthesising the Traditional evening of Unstable Hallucinations, curated as part of Transgressive Memory Festival 2026.
Opening the third ear, Marcin Pietruszewski & Lukas de Clerck's »Oto Aulos«resurrects and morphs the ancient double-reeded aulos. Processed by Pietruszewski as De Clerck plays and sent back into the space in altered form, the aurality of the aulos folds into itself, multiplying and acquiring dimensions beyond the pipes themselves.
› Details ☿ ⟡ ♆
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Open Call: The Resynthesising the Traditional artistic lab invites artists and practice-based researchers whose work critically examines the relationships, tensions, and intersections between the traditional and the extreme.
Apply here by 28 September 2026.610:49
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Open Call: The Resynthesising the Traditional artistic lab invites artists and practice-based researchers whose work critically examines the relationships, tensions, and intersections between the traditional and the extreme.
Apply here by 28 September 2026.
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