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Be Open think tank

Be Open think tank

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Creative think tank, fostering creativity and innovation. More about our projects: beopenfuture.com

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📈 Аналітичний огляд Telegram-каналу Be Open think tank

Канал Be Open think tank (@beopenfuture) у мовному сегменті Англійська є активним учасником. На даний момент спільнота об'єднує 23 932 підписників, посідаючи 1 229 місце в категорії Мистецтво та дизайн та 1 690 місце у регіоні США.

📊 Показники аудиторії та динаміка

З моменту свого створення невідомо, проект продемонстрував стрімке зростання, зібравши аудиторію у 23 932 підписників.

За останніми даними від 01 липня, 2026, канал демонструє стабільну активність. Хоча за останні 30 днів спостерігається зміна кількості учасників на -2 303, а за останні 24 години на -46, загальне охоплення залишається високим.

  • Статус верифікації: Не верифікований
  • Рівень залученості (ER): Середній показник залученості аудиторії становить 8.74%. Протягом перших 24 годин після публікації контент зазвичай збирає 8.87% реакцій від загальної кількості підписників.
  • Охоплення публікацій: В середньому кожен допис отримує 2 093 переглядів. Протягом першої доби публікація в середньому набирає 2 124 переглядів.
  • Реакції та взаємодія: Аудиторія активно підтримує контент: середня кількість реакцій на один пост – 0.
  • Тематичні інтереси: Контент зосереджений навколо ключових тем, таких як beopennews, waste, designer, structure, steel.

📝 Опис та контентна політика

Автор описує ресурс як майданчик для висловлення суб'єктивної думки:
Creative think tank, fostering creativity and innovation. More about our projects: beopenfuture.com

Завдяки високій частоті оновлень (останні дані отримано 02 липня, 2026), канал підтримує актуальність та високий рівень охоплення публікацій. Аналітика показує, що аудиторія активно взаємодіє з контентом, що робить його важливою точкою впливу в категорії Мистецтво та дизайн.

23 932
Підписники
-4624 години
-6327 днів
-2 30330 день
Архів дописів
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#BeOpenARCH Architecture firm Dhooge & Meganck has installed wooden 'House of Silence' as part of a renovation programme within and around the Church of the Exaltation of the Cross in Lampernisse, Belgium, that is hardly used for local worship anymore. The project involves the conversion of the structure into a new columbarium accompanied by a multipurpose room for intimate ceremonies and temporary exhibitions, a cemetery, and a garden. The newly introduced wooden tunnel-shaped volume provides visitors with a private room within the spacious church hall, its perforated shell leaving the relationship with the church filtered and intact while still providing acoustic intimacy. By introducing a new volume, the existing church becomes a fully covered outdoor space, so that explicitly different 'atmospheres' are obtained.

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#BeOpenARCH Designed in 1972 by architect Kisho Kurokawa, the Nakagin Capsule Tower in Tokyo is the world's first capsule architecture built for actual use. Kurokawa developed the technology to install the capsule units into a concrete core with only four high-tension bolts, as well as making the units detachable and replaceable. The capsule is designed to accommodate the individual as either an apartment or studio space. Complete with appliances and furniture, from audio system to telephone, the capsule interior is pre-assembled in a factory off-site, prior to being hoisted by crane and fastened to the concrete core shaft. Sadly, this emblematic example of metabolism architecture was demolished today due to the structure’s unsafe condition and its incompatibility with current seismic standards. Thankfully, the pods will be preserved and regenerated to become second houses and hobby-style dwellings. Ph: Denys Nevozhai

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#BeOpenARCH Last week, US studio SHoP Architects completed 111 West 57th Street in New York City, a supertall skyscraper that is both the world's skinniest and the second tallest in the Western Hemisphere. At 435 metres in height, the tower is has a height-to-width ratio of 24:1 According to the team, he structure was built with the highest strength concrete in the world. The tower accommodates one residence per floor, and houses a number of luxury amenities, such as a 25-metre swimming pool, a private dining room and a double-height fitness centre with a terrace.

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#BeOpenDESIGN The GoDonut MiNi by product designer Nina Seyedabadi is a donut-shaped device that lets the user prop their phone up on nearly any flat surface and is small enough to fit on a keychain. There is a groove running down its body that can accommodate smartphones up to a half-inch thick, in either landscape or portrait mode, while the donut’s circular shape serves as a stable base. Measuring only 2 inches in diameter, the patented design is small enough to fit in a handbag even in a pocket. It comes with its own steel carabiner and a protective case and is available in a variety of vivid colours. More smartphone stand designs in our blog

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#BeOpenDESIGN Perhaps, every kid back in the 1980s has been fantasizing about a hoverboard, a device that takes the form of skateboards without wheels, floating softly above the ground, as shown in the cult Back to the Future science fiction movie. Back in 2015, Japanese car brand Lexus unveiled Slide, a board which uses magnetic fields to levitate. The device incorporates two cryostats – chambers designed to keep a "superconducting" material at -197 degrees Celsius using liquid nitrogen, which expels a magnetic field. When used in a specially built magnetic skatepark in Barcelona, the repulsion that occurs between the board and the track causes magnetic levitation. This force is strong enough to allow the rider to stand and even jump on the board. More real-life counterparts of the Back to the Future technologies in our blog

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#BeOpenARCH The Wandering Walls retreat designed in a remote location in Taiwan‘s Pingtung county by the local studio XRANGE Architects blurs the boundaries between architecture and landscape. Inspired by the raw beauty of the natural surroundings, the structure is built from cast-in-place concrete, the material chosen for its climatic endurance, ease of transport and storage on site. The minimal palette of materials defines the entire architecture. “Wandering” throughout like flowing ribbons, its rugged curvaceous walls are “both structure and form, inside and outside, exterior and interior all at once.”

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#BeOpenARCH Design team of Christian Brink (A.C.B.), Lipinski Architects, and Tobias Laukenmann has won the competition for the new World Heritage Center as part of Urnes Stave Church in Norway. Located between the harbor and the millennium-old church, their design concept, Urneskilen, comprises of a wedge-shaped wooden building appearing as if it cuts into the sloping site, blending subtly into the surroundings. This solution enabled the architects to deliver an excellent counterpoint to the vertical expression of the Stave Church without overshadowing it. The museum is intended to be built with locally harvested wood and resources, which will give it a very low carbon footprint.

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#BeOpenDESIGN In response to the EU's aims to be net-zero by 2050, a team of students at the Institute for Advanced Architecture of Catalonia (IAAC), led by Vicente Guallard and Daniel Ibañez, directors of the Masters programme in Advanced Ecological Buildings and Biocities, has designed a prototype Solar Greenhouse. The project is intended for energy generation and food production with a "zero kilometre" philosophy, which is normally used to describe food that is produced and eaten locally, and thus has travelled zero kilometres. Constructed in Barcelona's Serra de Collserola Natural Park, the timber-frame structure is designed to be scalable and adaptable to a variety of settings, in both rural and urban areas. It features two levels and is topped by glass panels and solar panels. While the lower level is used for germination, the upper level contains cultivation spaces. Glass louvres of the building provide natural light and ventilation. The water, substrate and building materials are obtained from the surroundings, allowing the food grown to jump directly from production to consumption, without the need of a supply chain.

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#BeOpenDESIGN British designer Sebastian Cox has created a treehouse in the grounds of Harewood House, a country estate with more than 100 acres in West Yorkshire, as a contribution to this year’s Harewood Biennial. Named Sylvascope, the project comprises a woodland management strategy for the particular patch of woodland with an ambition to create a more biodiverse environment for wildlife via facilitating the growth of brambles and herbs. The material palette for the structure includes Douglas fir and larch wood elements, a byproduct of the woodland management, combined using a variety of woodwork techniques. Larch strips were woven to create the walls, while the curved strips surrounding the base have a rough bark edge.

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#BeOpenDESIGN Concerned by the rapid depopulation and super-aging society in Japan’s rural areas, local designer Takuto Ohta has launched Common Neglect Material (CNM) project that focuses on repurposing disused objects found in abandoned towns into bespoke public furniture, including chairs, benches and stools. A CNM is a unique object no longer owned by anyone but is now consciously repurposed and dropped in one of those marginal towns for people to interact with or rest on. The list of materials Ohta uses for his creations includes bright-yellow fish fish containers, tangled fishing nets, PVC pipes, buoys and floats rolling in the nets, and other things left behind after huge refrigeration facilities next to the fishing port in the Kishu area of Mie Prefecture were abandoned.