Editpars/آموزش ویدیو ترند

A full-body fashion campaign photograph of a man with the face from the reference photo standing centered in a studio, carrying a real fishing rod laid horizontally across his shoulders with the reel mounted and visible at the right end, and eight sneakers hanging from the rod by their laces and heel loops like the day's catch — all eight are low-top retro running sneakers in the exact same silhouette as the pair he is wearing, with padded collars, suede and mesh uppers, contrasting side overlay panels and slim sporty soles, each pair in its own colorway, hanging in pairs and threes, each at a slightly different rotation so none of them sits perfectly plumb, with the butter-yellow and caramel-orange pairs grouped on the left side and the leather-brown and grey pairs on the right, their side panels in white or black to echo his own pair, leaving the center clear for his torso and face; his pose is the classic yoke carry, arms relaxed and open with both hands gripping the rod, forearms vertical, shoulders loaded, forming a wide cross silhouette that fills the upper third of the frame, his head turned about thirty degrees toward camera-right so his face reads in three-quarter view, eyes directed off-camera toward the right edge of the frame, chin level and expression calm and composed; his hair is a messy textured black crop with a tousled fringe, he wears dark rectangular black acetate sunglasses with fully opaque black lenses, and an oversized heather-grey acid-washed crew-neck sweatshirt with dropped shoulders and exposed dark contrast seams running along the shoulder and sleeves, a distressed graffiti-style black graphic across the chest rendered as abstract marks with no readable letters, and a black-and-white airbrushed flame print rising from the hem and the sleeves; cuffed with a heavy ribbed knit collar on the flame tips, layered silver necklaces stacked at the collar — a fine chain, a ball chain and a longer chain with a small cross pendant — a compact black nylon crossbody bag worn high on the chest with a thin black strap cutting diagonally across the sweatshirt, very baggy knee-length black denim shorts cut wide and falling just past the knee with drift drape and a single white-outlined gothic cross appliqué on the left leg, white ribbed mid-calf crew socks pulled up straight, and clean white low-top retro running sneakers with black side overlay panels and white laces; no logos or readable text; the background is a coved studio cyclorama painted with a stylized cloud sky in teal blue-green, the clouds diffuse and desaturated like an old painted photographic backdrop, floor and wall blending in one continuous sweep with a soft radial gradient lightening the area directly behind him; lighting is one large soft frontal source raised slightly and close to the camera axis, readable in the short shadow falling directly under him, the gentle modeling of the face with no hard shadows, a soft curved highlight across the glossy black sunglasses lenses, the soft sheen on the airbrushed flame and the small glints on the silver chains, and the even illumination across every hanging sneaker, with broad fill and a touch of backlight separating the shoulder and hair from the cyan, and a short soft contact shadow under the soles with a denser white-blue and lower core right at the outsole so the figure is grounded rather than floating; camera is a vertical 2:3 frame, full body with air above and below, 50–85mm lens at chest height, no distortion so the fishing rod reads as a straight line parallel to...

داداش با ی استایل نوین🌝

A vertical street-style photograph of a man with the face from the reference photo sitting on the top rail of a new untreated wood patio fence outside an Italian pizzeria, one leg bent up on the rail and the other hanging down, shoulders back and chin slightly lifted with the posture of someone posing for attention and knowing it — he wears a black paisley-print bandana tied tightly over his head covering his hair with the knot and tails at the back, dark wraparound sunglasses with fully opaque black lenses and thin black frames hiding his eyes completely, an oversized heavyweight black hoodie with the hood down bunched behind the neck, bold red raglan panels running from the collar over the shoulders and down the outer sleeves, a red abstract oval emblem embroidered on the chest with no readable letters, a kangaroo pocket and long ribbed cuffs pushed slightly up, a black leather belt with rows of silver grommets and a silver wallet chain with a small keyring hanging at the left hip, very wide washed charcoal-gray denim jeans with heavy fading and whiskering, a large red and white gothic tribal embroidery climbing up the outer right leg from hem to hip, the fabric pooling and breaking over the shoes, and black leather low-top skate sneakers with cream rubber soles, with chunky silver rings on several fingers and a link bracelet; entering the frame from all four corners are four pairs of hands in extreme foreground holding up phones, every hand loaded with jewelry — thick silver rings set with turquoise and onyx stones, link bracelets, steel watches, and fine-line tattoos on the back of one hand — each phone tilted at a slightly different angle and showing a live camera interface with the white shutter button and control bar, and crucially each screen display him photographed from that phone's own exact position, so the upper-left phone shows him from above and to the left and the lower-right phone shows him from below and to the right, four genuinely different framings rather than one duplicated image; the hands and phones sit outside the focal plane and read soft and defocused while he stays sharp, each screen carrying its own brightness and its own surface reflection, with contact shadows and occlusion where the fingers wrap them, the phone bodies heavy black with simple raised side buttons and no brand marks; behind him at street level an Italian pizzeria storefront with a green-white-red striped awning, black-framed plate-glass windows, plain unbranded menu boards, wooden planters with ornamental grass and white flowers, a red patio umbrella and outdoor furniture at the right, brick at the right edge and blue sky with clouds at the upper right; no logos, no brand marks and no readable text anywhere; lighting is hard direct sun from above and slightly behind camera-right, readable in the short defined shadows under the rail, the steep contrast between the sunlit facade and the dark window interiors, the hard speculars on the phone backs, wallet chain and the glossy black sunglasses lenses, and the visible texture of the faded denim and the embroidery thread catching the sun, with bright bounce coming back up off the pale concrete sidewalk opening the shadows under his face, and his own shadow falling down and to the left across the rail and pavement; camera is a vertical 3:4 frame, 28–35mm lens at the seated subject's chest height, shot in the aesthetic of a modern phone camera — processed high dynamic range, aggressively sharpening, artificially lifted shadows — with shallow simulated depth of field pulling the hands out of focus, high subject crisp, and the background slightly soft; high-contrast saturated grade with open shadows, reds and greens pushed hard, blacks kept deep but detailed so the hoodie and bandana don't crush; palette is black and charcoal denim dominant across the hoodie, bandana, jeans and sneakers at about 30 percent, aggressively red across the hoodie panels, embroidery, awning and umbrella at 25 percent, pale wood and concrete at 20 percent, foliage and awning greens at 15 percent, and چنل:

حاجی گنگش بالاست 😎

نمونه کار هنرجو وایرالیت 🥇 @editpars

با این پرامپت میتونی همچین عکس هایی برای حوضه کاریت درست کنی 😎 : 3D clay-style [ ] playfully interacting with oversized hot-gold luxury letters outlined in black spelling “[ ]”. Set in a miniature fashion photography studio. Bright polished styling, cinematic depth, soft shadows, macro photography, shallow DOF3:4 چنل: @editpars

Minimalist cinematic low-angle portrait of a stylish young man photographed from below against a vast pale overcast white-gray sky, positioned diagonally along the lower-left edge. He has messy curly dark hair and wears narrow black sunglasses, a dark brown oversized puffer jacket over a black shirt, silver chain necklaces with pendant, and large black over-ear headphones resting around his neck. His face is partially shadowed, looking upward with a calm distant expression. Huge clean negative space fills most of the frame. Small centered black serif text near the upper-middle reads: “Do What Makes You HAPPY”. Muted neutral tones, soft natural daylight, subtle film grain, minimalist street-fashion aesthetic. Preserve the exact extreme low angle, diagonal composition, outfit, accessories, sky, typography and placement. Strict 4:5 Instagram post, 1080×1350. چنل: @editpars

کاریو بکن که خوشحالت می‌کنه 🫠

🔴فرصت همکاری با آکادمی ادیت پارس🔴 به یک دستیار تدوینگر و فیلمبردار احتیاج داریم کاری که باید انجام بده توانایی انجام ادیت های ساده فیلمبرداری ساده انجام بده 🌕تمام وقت حضوری 📍محدوده اقدسیه تهران لطفا نمونه کار به ایدی زیر ارسال کنید👇 @eeditpars @eeditpars

Minimalist vintage cinematic poster of a young man sitting alone on the edge of a corrugated industrial rooftop, photographed from a dramatic low angle against a vast empty gray sky. He wears a tan-brown suede fringe jacket over a patterned shirt, dark trousers, white socks and worn brown sneakers, one knee raised, one leg hanging down, head tilted upward with a distant reflective expression. Muted warm brown-gray tones, heavy analog film grain, soft faded contrast and melancholic 1970s aesthetic. Large negative space above with centered small white uppercase text “LOSING SOMEONE SPECIAL CHANGES YOU A LOT”. Small white handwritten signature "Arudra.Eswar" at the bottom center. Preserve the exact pose, framing, outfit, rooftop, colors, grain and typography placement. Strict 4:5 Instagram post, 1080×1350.

نمونه کار هنرجو وایرالیت 🥇 @editpars

Minimalist cinematic low-angle portrait of a young man against a vast deep teal-blue sky, wearing a white cable-knit sweater with dark green striped collar and cuffs. Both arms raised loosely above his head, hands open, messy dark hair, face partially covered by dramatic natural shadow. Warm direct sunlight, muted vintage analog color grading, heavy fine film grain, calm moody aesthetic and large negative space. Centered upper white uppercase text reads “THIS PART OF MY LIFE IS CALLED PEACE.” with tiny “ARUDRA.ESWAR” at the bottom center. Preserve the exact pose, framing, outfit, shadows, colors and typography placement. Strict 4:5 Instagram post, 1080×1350.

Minimalist cinematic low-angle portrait of a young man against a vast deep teal-blue sky, wearing a white cable-knit sweater with dark green striped collar and cuffs. Both arms raised loosely above his head, hands open, messy dark hair, face partially covered by dramatic natural shadow. Warm direct sunlight, muted vintage analog color grading, heavy fine film grain, calm moody aesthetic and large negative space. Centered upper white uppercase text reads “THIS PART OF MY LIFE IS CALLED PEACE.” with tiny “ARUDRA.ESWAR” at the bottom center. Preserve the exact pose, framing, outfit, shadows, colors and typography placement. Strict 4:5 Instagram post, 1080×1350.

بزارم ؟

نمونه کار هنرجو وایرالیت 🥇 @editpars

🔴فرصت همکاری با آکادمی ادیت پارس🔴 ما در آکادمی ادیت پارس برای تکمیل تیم فروشمان به یک مشاور و فروشنده تلفنی حرفه ای نیازمندیم📞 تجربه فروش تلفنی داشته باشه☎️ با روابط عمومی بالا🎙️ محدوده اقدسیه تهران📍 حضوری تمام وقت آشنایی با تکنیک های فروش و مذاکره ترجیحا شرق تهران لطفا رزومتون رو به آیدی زیر بفرستین👇 @eeditpars

Minimalist surreal cinematic portrait of a young man leaning through the pointed peak of a stark white geometric wall, both arms hanging naturally down the front. He wears a plain black short-sleeve T-shirt, silver bracelets and rings, with messy voluminous dark hair, gazing thoughtfully toward the upper-left. Vast deep teal-blue sky fills most of the frame with strong negative space, warm direct sunlight, hard elongated shadows, muted vintage film grain and dreamy analog color grading. Small centered white uppercase text near the top reads “ONLY MY DREAM KEEPS ME ALIVE”, with tiny “Arudra.Eswar” at the bottom center. Preserve the exact composition, pose, architecture, colors, typography placement and lighting. Strict 4:5 Instagram post, 1080×1350.

بزارم اینم؟