๐๐ฎ๐๐ฐ๐ฎ๐ฑ๐ฒ ๐๐ฎ๐๐ฒ๐ป
[ROLEโnot affiliated with the real one] Her spirit embodies an alluring harmony that resonates ceaselessly across infinity, imprinting its mesmerizing reverberation in the atmosphere. ๐ก. @bampbina ๐ก. @tearapissed
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devin-booker-phoenix-suns.mp40.83 KB
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โ
Wearing CHANEL
Photographed by @darren_mcdonald
Styled by @jilliandavison
Hair by @michmcquillan
Makeup by @victoriabaron
Nails by @cindyvellisnailstylist
IMG_4881.MP412.46 MB
Sometime over the course of last summer, I reinvented myself. I was in Brisbane shooting Boy Swallows Universe, the new Netflix adaptation of Trent Dalton's best-selling debut novel, in which I play Frankie Bell, the young mother of lead characters Eli and Gus. "It was probably more abstract research than I've ever done?"
I tell BAZAAR "It just felt so important to me to do this right and to honour these characters. I was doing all this research about people who'd faced adversity and overcome hardships. It was almost like a six-month vacation for my mind, because I would go to work and then, at night, I was nourishing myself with positivity from the podcasts and books that were so important to me for shaping the character of Frankie. But then I took on all those messages subliminally. I kind of came out of it as this really evolved version of myself."
In my Harper's BAZAAR Australia/New Zealand cover story, I open up about the role that could be, if not career-defining, then at the very least the switch to make the film industry sit up and take notice of me. Find out more in our January issue, hitting newsstands on December 21.
ะคะพัะพ ะฝะตะดะพัััะฟะฝะพะะพะบะฐะทะฐัั ะฒ Telegram
ใ
คใ
คใ
ค๐๐๐ ๐
๐ผ๐๐๐ผ๐๐ ๐พ๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐ผ๐๐๐๐โ๐ ๐ฝ๐ผ๐๐ผ๐ผ๐ ๐ผ๐๐๐๐๐ผ๐๐๐ผ
Sometime over the course of last summer, I reinvented myself. I was in Brisbane shooting Boy Swallows Universe, the new Netflix adaptation of Trent Dalton's best-selling debut novel, in which I play Frankie Bell, the young mother of lead characters Eli and Gus. "It was probably more abstract research than I've ever done?"
I tell BAZAAR "It just felt so important to me to do this right and to honour these characters. I was doing all this research about people who'd faced adversity and overcome hardships. It was almost like a six-month vacation for my mind, because I would go to work and then, at night, I was nourishing myself with positivity from the podcasts and books that were so important to me for shaping the character of Frankie. But then I took on all those messages subliminally. I kind of came out of it as this really evolved version of myself."
In my Harper's BAZAAR Australia/New Zealand cover story, I open up about the role that could be, if not career-defining, then at the very least the switch to make the film industry sit up and take notice of me. Find out more in our January issue, hitting newsstands on December 21.
ะัะฑะตัะธัะต ะดััะณะพะน ัะฐัะธั
ะะฐั ัะตะบััะธะน ัะฐัะธัะฝัะน ะฟะปะฐะฝ ะฟะพะทะฒะพะปัะตั ะฟะพัะผะพััะตัั ะฐะฝะฐะปะธัะธะบั ัะพะปัะบะพ 5 ะบะฐะฝะฐะปะพะฒ. ะงัะพะฑั ะฟะพะปััะธัั ะฑะพะปััะต, ะฒัะฑะตัะธัะต ะดััะณะพะน ะฟะปะฐะฝ.