Alan Rickman
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This is a fan account "Telling some tales is moving, totally unselfconscious and very funny" Alan Rickman
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| Дата | Привлечение подписчиков | Упоминания | Каналы | |
| 03 октября | 0 | |||
| 02 октября | +6 | |||
| 01 октября | +1 |
Посты канала
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Behind the scenes of “Bottle Shock“, 2007
Philippe Bergeron: “I had the pleasure and honor of working with Alan, on Bottle Shock. What a great actor. You could’t go wrong, working with him. And very funny in real life. I had asked him when the last time he auditioned for a part. And he shot me his signature glance, and said without a hint of a smile: Die Hard. That was precious.
Here are a few set photos. The girls were so excited to meet Professor Snape! Sophie is 8, and Lilia is 4.”
(Facebook, 2016)
Jean-Michel Richaud: “So blessed to have worked with Alan Rickman. Total class act.”
(Facebook, 2016)
| 2 |  +6Нет текста... | 258 |
| 3 |  +9Screening of “Bottle Shock“ followed by a discussion, Florence, 15 July 2010 | 266 |
| 4 |  +1“The main difference between playing a screen character and a stage role, Rickman says, has “to do with part of the English tradition of pantomime. To be able to work in two dimensions. We’ve all done that – come right out of Euripides, and then you find yourself playing ‘gray squirrel,’ being big and bright when necessary.”"
(‘Boston Globe Magazine’, 1991)
“After two years of rep, including squeezing himself into a squirrel’s costume for Christmas panto, Rickman hit his first lead role and his first sexually explicit love scene.”
(‘Elle’, 1992)
“Rickman spent four years working the length and breadth of England in repertory before joining the Royal Shakespeare Company in 1979. During those journeyman years, in addition to suffering the embarrassment of playing a squirrel in a Christmas pantomime and having to sing “She’s Pooped Without Her Porridge,” he appeared in a wide range of rigorous roles, in such plays as Jarry’s Ubu Rex and Brecht’s Man is Man (at the Bristol Old Vic), as well as Ibsen’s When We Dead Awaken (at the Crucible Theatre, Sheffield).”
(‘Lear’s Magazine’, 1992)
“Babes in the Woods”, Library Theatre Company, Manchester, 1974
(Elizabeth Lewis’ photos) | 313 |
| 5 |  +1The rehearsal of the play “The Winter Guest” at the West Yorkshire Playhouse, 1995 | 458 |
| 6 |  +5"Revolutionary Witness: The Preacher", 1989 | 610 |
| 7 |  +1“Truly Madly Deeply“, 1990 | 538 |
| 8 |  “The Winter Guest” interview for “The Movie Show”, Venice Film Festival, September 1997 | 434 |
| 9 |  Behind the scenes of “Mesmer“, October 1993
“15 October
A carriage ride with a coachman who learnt today how to drive . . .
Some hilarious moments. Pizza Bar lunch in full 18th C. costume.
16 October
Splat! Most of the day face down in the mud. Refreshing in an odd kind of way.
17 October
Today was a real Sunday in Sopron. Quiet streets, church bells. I didn’t go on a driving trip – I was v. well-behaved and worked. And walked – to the cemetery. A very moving place – here family is everything. The poor graves with simple home-made wooden crosses as powerful as the granite slabs. Every corner were the women. Cleaning, planting, looking after their memories.
18 October
Wet. Wet. Wet.
Cold. Cold. Cold.
Carriages, freezing hands, crane shots.
Cold banana soup for lunch.
Shorter days, earlier darkness. Home by 6.30.“
(“Madly, Deeply: The Alan Rickman diaries”) | 616 |
| 10 |  The interview about Mesmer, 1993 | 475 |
| 11 |  +3Alan’s Notes, 1979
From the archive of Neil Pearson | 671 |
| 12 |  The interview with France 24 about A Little Chaos, recorded on 10 April 2015
“As an actor, I always feel that freedom and discipline are, in a way, the same word. Then I think order and chaos have to be almost the same word. You can’t have one without the other.“ | 574 |
| 13 |  +2Photos of little Alan and his family
Unfortunately, in March of this year, Sheila, Alan’s sister, passed away. The photos were added by her family to her memorial page https://sheilainnes.muchloved.com.
If you wish to honour Sheila’s memory, the family asks that donations be made to Cancer Research UK or the Hampshire and Isle of Wight Air Ambulance.
Thank you alan_rickman1946 (inst.) for sharing these photos. | 689 |
| 14 |  +2Photos of little Alan and his family
Unfortunately, in March of this year, Sheila, Alan’s sister, passed away. The photos were added by her family to her memorial page https://sheilainnes.muchloved.com.
If you wish to honour Sheila’s memory, the family asks that donations be made to Cancer Research UK or the Hampshire and Isle of Wight Air Ambulance.
Thank you alan_rickman1946 (inst.) for sharing these photos. | 14 |
| 15 | “Alan Rickman is talking about the new production of ‘Mephisto’ in which he plays the actor Hendrick Hofgen. It’s Saturday lunchtime and he has just finished rehearsals at the Barbican, a place he seems doomed never to leave. He looks scruffy in a fashionably actorish sort of way, with straggly hair, not at all like the bullish Klaus M. Brandauer in the not-to-be-mentioned film. Yet after his triumph as the Vicomte de Valmont in “Les Liaisons Dangereuses. Rickman is on of the hottest properties in town – a consequence of playing one of the coldest of bastards. He says he returned to the RSC in order to try something bigger and in casting him as Hofgen, director Adrian Noble has certainly given him that opportunity.“
Rickman says, “Almost the whole of the play is set on various stages, so I am constantly doing things onstage that I have just done offstage.It’s as though the dross of our lives is being turned into something for the audience to watch. By the end of the play the proscenium arch has shifted from the back of the stage to the front with the audience playing itself. But what resonance it will have in the Barbican is hard to say.
English actors have all sorts of pluses but sometimes they don’t even know how to walk across the stage. An American dancer once said that “it’s a question of capturing the energy on its impulsive exit through the body.
But of course that’s very abstract. The most important thing we can do is to tell a story.”
(‘Time Out’, 1986) | 540 |
| 16 |  +5“Mephisto”, RSC Barbican Theatre, March 1986
The photographer Conrad Blakemore | 586 |
| 17 |  +3The premiere of "Bean", 5 August 1997 | 467 |
| 18 | Today sold for $22,680 | 562 |
| 19 |  Behind the scenes of “Sense and Sensibility”, May 1995 | 539 |
| 20 |  +4“11am Phyllida. Late because she went to the wrong address and then wandered up and down Westbourne Terrace looking at doors and in windows until she hit upon the right one. Still one of the most beautiful women on the planet.” (2003)
“Finished Phyllida’s new book. She has such a sly style – giving you seeming everything, but staying just out of reach. Deeply humane and funny, of course.“ (2013)
(“Madly, Deeply: The Alan Rickman diaries”) | 718 |
