Alan Rickman
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This is a fan account "Telling some tales is moving, totally unselfconscious and very funny" Alan Rickman
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Посты канала
Queen Elizabeth II opens new RADA building and chatting to people including Alan Rickman, Ralph Fiennes, Juliet Stevenson, alongside Richard Attenborough (RADA President) and other.
London, 29 November 2000
| 2 |  +1~ 2002-2003 | 462 |
| 3 |  The 51st Golden Globe Awards, 22 January 1994
“Table tennis by the pool with Jon Amici (I can’t keep up with the roller coaster of his amours) and then a swim.
Trip to the clothes shops (somewhat deserted) to buy something to wear tonight. Found and bought something to wear not tonight.
So it’s off to the Golden Globes. An award show and all that that suggests. Genuinely funny speeches from the Seinfeld crew . . .”
(“Madly, Deeply: The Alan Rickman diaries”) | 452 |
| 4 |  “Michael Collins” interview, October 1996 | 408 |
| 5 |  +4BAM Next Society Dinner at the River Cafe, New York, 24 January 2011 | 515 |
| 6 |  +3BAM Next Society Dinner at the River Cafe, New York, 24 January 2011 | 1 |
| 7 |  +9Behind the scenes and outtakes of “Bob Roberts”, 1991
“In his latest film, the political satire Bob Roberts, Rickman is Lukas Hart III, venal campaign manager to the eponymous Roberts, a reactionary folk singer who gets elected to the Senate. Roberts is played by Tim Robbins, who also directed the film.
“The people behind candidates tend to be transparent,” says Robbins. “I was interested in casting someone who was a cross between Dr. Strangelove and William Casey. I don’t like safe actors, which is why I chose Alan, who has the courage to make bold choices and chew on the scenery a little bit. He’s also got a whimsy to him when he plays evil that’s very seductive.
I’d like to play opposite him in a movie about competing psychopaths. I’d like to try and out-psychopath Alan Rickman.”
The movie was a sensation at this year’s Cannes Film Festival, where the critic for the trade paper Variety described Rickman as “ferociously good.””
(‘Lear’s Magazine’, 1992)
Credit: timrobbins.cоm | 745 |
| 8 |  “Alan Rickman admits to being "bemused" by the attention which Barchester has suddenly earned him.
"I'm sure it's true of every successful actor - there's one a part which comes along and opens door," he says.
"And yet, in a funny way, playing Slope was like a wonderful holiday. It was such a rich character that you could just take a great big dive into it.
"There were only two weeks' - rehearsals before going on location, compared to other things where you have maybe eight weeks, so decisions had to be made very quickly about how to play it. Perhaps sometimes that's the best way to work."
But, when he was offered the part, he almost turned it down.
"I knew when I read it that it was a wonderful part," he says. "It took me rather a long time to accept it because I could see the potential danger that, after playing it, I'd never be offered any other sort of part. But in the end, it was too good to say no.”
(‘The Standard’, January 1983) | 570 |
| 9 |  +3Behind the scenes of “Bottle Shock“, 2007
Philippe Bergeron: “I had the pleasure and honor of working with Alan, on Bottle Shock. What a great actor. You could’t go wrong, working with him. And very funny in real life. I had asked him when the last time he auditioned for a part. And he shot me his signature glance, and said without a hint of a smile: Die Hard. That was precious.
Here are a few set photos. The girls were so excited to meet Professor Snape! Sophie is 8, and Lilia is 4.”
(Facebook, 2016)
Jean-Michel Richaud: “So blessed to have worked with Alan Rickman. Total class act.”
(Facebook, 2016) | 664 |
| 10 |  +6Нет текста... | 526 |
| 11 |  +9Screening of “Bottle Shock“ followed by a discussion, Florence, 15 July 2010 | 427 |
| 12 |  +1“The main difference between playing a screen character and a stage role, Rickman says, has “to do with part of the English tradition of pantomime. To be able to work in two dimensions. We’ve all done that – come right out of Euripides, and then you find yourself playing ‘gray squirrel,’ being big and bright when necessary.”"
(‘Boston Globe Magazine’, 1991)
“After two years of rep, including squeezing himself into a squirrel’s costume for Christmas panto, Rickman hit his first lead role and his first sexually explicit love scene.”
(‘Elle’, 1992)
“Rickman spent four years working the length and breadth of England in repertory before joining the Royal Shakespeare Company in 1979. During those journeyman years, in addition to suffering the embarrassment of playing a squirrel in a Christmas pantomime and having to sing “She’s Pooped Without Her Porridge,” he appeared in a wide range of rigorous roles, in such plays as Jarry’s Ubu Rex and Brecht’s Man is Man (at the Bristol Old Vic), as well as Ibsen’s When We Dead Awaken (at the Crucible Theatre, Sheffield).”
(‘Lear’s Magazine’, 1992)
“Babes in the Woods”, Library Theatre Company, Manchester, 1974
(Elizabeth Lewis’ photos) | 375 |
| 13 |  +1The rehearsal of the play “The Winter Guest” at the West Yorkshire Playhouse, 1995 | 475 |
| 14 |  +5"Revolutionary Witness: The Preacher", 1989 | 610 |
| 15 |  +1“Truly Madly Deeply“, 1990 | 538 |
| 16 |  “The Winter Guest” interview for “The Movie Show”, Venice Film Festival, September 1997 | 434 |
| 17 |  Behind the scenes of “Mesmer“, October 1993
“15 October
A carriage ride with a coachman who learnt today how to drive . . .
Some hilarious moments. Pizza Bar lunch in full 18th C. costume.
16 October
Splat! Most of the day face down in the mud. Refreshing in an odd kind of way.
17 October
Today was a real Sunday in Sopron. Quiet streets, church bells. I didn’t go on a driving trip – I was v. well-behaved and worked. And walked – to the cemetery. A very moving place – here family is everything. The poor graves with simple home-made wooden crosses as powerful as the granite slabs. Every corner were the women. Cleaning, planting, looking after their memories.
18 October
Wet. Wet. Wet.
Cold. Cold. Cold.
Carriages, freezing hands, crane shots.
Cold banana soup for lunch.
Shorter days, earlier darkness. Home by 6.30.“
(“Madly, Deeply: The Alan Rickman diaries”) | 616 |
| 18 |  The interview about Mesmer, 1993 | 475 |
| 19 |  +3Alan’s Notes, 1979
From the archive of Neil Pearson | 671 |
| 20 |  The interview with France 24 about A Little Chaos, recorded on 10 April 2015
“As an actor, I always feel that freedom and discipline are, in a way, the same word. Then I think order and chaos have to be almost the same word. You can’t have one without the other.“ | 574 |
