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Provided to YouTube by Universal Music Group 4th Of July · Soundgarden Superunknown ℗ 1994 A&M Records Released on: 2014-06-03 Studio Personnel, Mixer: Michael Beinhorn Composer Lyricist: Chris Cornell Auto-generated by YouTube.

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"Refused Are Fucking Dead" by @refusedofficial from the album 'The Shape Of Punk To Come,' available now. Purchase and Stream Here:

Lyrics Beyond ability and control we could be weekend lovers. Steal a sentence and make a catch phrase parole for our revolution. Whispered all across the street about the new cool call. Or screamed at your face like a scabs payroll. Faces like angels, licking our fingertips. We don’t have the patience to deal with it. With battered bodies and puckered lips. We don’t have the patience to deal with it. A naive young secret for the new romantics. We express ourselves in loud and fashionable ways. Yeah, get down, get down, yeah. Can I get a witness? This I gotta see. Bring it in one more time for me x2 We don’t have the patience x4 Official Site: http://officialrefused.com/​ Facebook:

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Epitaph Records is an artist-first indie label founded in Los Angeles by Bad Religion guitarist, Brett Gurewitz. Early releases from a variety of punk heavyweights helped launch the 90s punk explosion. Along the way, Epitaph has grown and evolved creatively while sticking to its mission of helping real artists make great recordings on their own terms. #Refused #Epitaph #TheShapeOfPunkToCome _______________

"Desecrator", taken from LLNN's upcoming album "UNMAKER", out September 24. Stream / download / buy here:

Video by Rasmus G. Sejersen // Unmaker, the 3rd album by Copenhagen's LLNN, is a stupefyingly unforgiving affair: abrasive and vile, at times effervescent and escharotic, and finally absolutely smothering, suffocating, terminal. LLNN burst onto the scene with 2016's critically acclaimed debut album „Loss“, a sheer display of „absolute raging rawness“, as Terrorizer put it. But there is more to their sound than that: „the wavering drone synths that are effortlessly merged with a raw hard- core-driven darkness define the subtle idiosycratic nuances of LLNN's very unsubtle, painfully overwhelming sound“ (The Sludgelord). After European tours with Bison, performances at festivals like Roskilde, Roadburn and Arctangent and a split EP with WOVOKA, LLNN returned with sophomore album „Deads“ in 2018, an album that felt more compact, yet more complex and organic all at the same time. The band further explored the coalescence of the guitar & bass - axis with keys player Ketil G. Sejersen's synth layers – a direction that is now further pursued on Unmaker. In fact, LLNN’s contemporary heaviness is not just “dense, suffocating tracks that build and crash“ or „buried vocals coming from under thick guitars and pounding drums” (Decibel): it’s also the very dominant synths that evoke the feel and vibe of dystopian, post-apocalyptic sci-fi movies, inspired by composers like Brad Fiedel, Vangalis, John Carpenter and Stanley Kubrick as much as by Sci-Fi / horror games like Silent Hill, Dead Space, Halo & Limbo. "As huge fans of classic sci-fi scores and video games we’re fascinated by how cinematic sound design can evoke certain emotions and let our imagination unfold into abstract storytelling“, says Sejersen. A recently released short film gives insight into the creation process and sound design on the new record, showcasing the process from the original sound recording to the final result, a production that took place at a blacksmith using various industrial machines. "A big part of the sound design in LLNN is initially created by field recordings, and afterwards by modulating the raw audio files in post-production“, says Sejersen. A circular metal saw was recorded and modulated — and by layering these sounds over other estranged and heavily treated recordings of industrial tools, LLNN create their sometimes eery, sometimes harsh but always thematically coherent synth-soundscapes. These sounds – essentially manipulations of the real world – orchestrate and exemplify the album's central theme: Unmaker is a tale about how technology, in combination with certain power structures, is transforming humanity, essentially affecting human values, and becoming an end in itself. A tale about how progress becomes regress, depending on the angle of the observer and the standards of appraisal. It doesn't come as a suprise that ever since their inception, LLNN have triggered the interest of movie soundtrack composers-- like the award-winning Peter Albrechtsen, known for his work on movies like „Dunkirk”, “Antichrist” or “The Girl With The Dragon Tattoo”: ”As a sound designer for movies, I love when music feels like a sonic adventure“, says Albrechtsen. „I’m obsessed with music that explores what sound can do to our body, to our mind, to our imagination. LLNN 's new album is one of the most overwhelmingly intense records I’ve heard in quite a while and the way it blends abstract ambient sounds, shattering rhythms and extreme noise is both hypnotic and powerful. The sense of sonic detail is staggering and for each spin I hear new elements, echoes, textures and my mind gets new visual associations. Sometimes it feels like the soundtracks of Apocalypse Now and Eraserhead has been melted together and blasted through a ferocious guitar amp - these songs have both a sense of impending doom and an extraordinary combination of raw energy and gritty beauty.“ Unmaker will be released in 5 different vinyl…

Spiritbox "Holy Roller" Official Music Video. Available on all streaming platforms Check out Spiritbox Merch: Palechord.com Lyrics: Holy Roller sits in the garden we fled Blood into wine, take my body instead. Holy Roller sits in the garden we fled Blood into wine, take my body instead. Holy Roller Stand To the left of me In paradise Holy Ghosts will Born of blood In seraphim To grip the Nazarene Crown of God You wear it thin To come and rapture me Stand To the left of me In paradise Holy Ghosts will Fade Into oblivion Like a blade Falling slowly Curse the holy down And when I die, you won't pray for me That's when I learn to Cut my ties And when I die, you won't pray for me That's when I learn to Cut my ties Stand To the left of me In paradise Holy Ghosts will Fade Into oblivion Like a blade Falling slowly Curse the holy down ****** This project is funded in part by FACTOR, the Government of Canada and Canada’s private radio broadcasters. Ce projet est financé en partie par FACTOR, le gouvernement du Canada et les radiodiffuseurs privés du Canada.

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This one goes out to Bailey ❤️