Dania's quantum field
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everything all at once and nothing at the same time @miserablepoetgirl196BOT Ig @daughteroffmoon @miserablepoetgirl
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Repost from بَيتُ الحِكمَةِ
قالت العرب قديماً:
من لم يعشق الخيل ويتذوّق الشِّعر ففي عروبته نظر، أعَزُّ مَكانٍ في الدُّنَى سَرْجُ سابحٍ وَخَيرُ جَليسٍ في الزّمانِ كِتابُ.
Repost from بَيتُ الحِكمَةِ
ظبيٌ غريبُ الحُسنِ بل فَرِيدُه
مُورقةٌ تحت خطاه بِيدُهُ
ذو شرفٍ إطلاقه تَقييده
أنَّى نأى حَنينه يُعيده
Repost from بَيتُ الحِكمَةِ
+1
The Fairy Book 1913
After care of Fairy Tulip
By Warwick Goble (1862-1943)
Warwick Goble (1862-1943) was a British illustrator celebrated for his exquisite watercolour illustrations, particularly for fairy tales and stories inspired by Japanese, Indian, and Arabian folklore. Goble's career began in the 1890s with black-and-white illustrations for magazines like The Strand and Pearson's Magazine, where he illustrated early science-fiction, most notably the first serialized edition of H.G. Wells's "The War of the Worlds". With the Edwardian demand for colour-plate books, he found his true strength in delicate watercolours. In 1909, he became a resident illustrator for Macmillan's Gift Books, producing his most famous works. His career was interrupted by World War I when he worked for the Woolwich Arsenal and volunteered with the Red Cross. He retired from illustration in the late 1920s.
Repost from Dania's quantum field
على أي أساس "يتحرر" الشِعر العربي من الوزن والقافية والبحر؟
أي يتحرر من "الشِعر" نفسه
الشِعر العربي تراث عريق توارثته وإشتهرت به العرب منذ فجرِ الأزمان وهي جزء لا يتجزأ من هوية الإنسان العربي الأصيل
فلا يحصلُ سوى أن يفقدَ قيمته اللغوية وكيانهُ الشِعري حينَ يسلبُه من يدعونَ أنفسهم بالمجددين الوزنَ والقافيةَ والبحرَ والتي هي المرتكز والكيان الأساسي للشِعر العربي.
Ngl when i was 15 i thought i'd be one of those niche girls who only have coffee and cigarettes as breakfast but unfortunately i don't smoke
