Python Projects

Fjord Landscape with Midnight Sun By Adelsteen Normann 1848-1918

I never felt open in any way. I would never impulsively ring people and assume that they'd want to see me, or just go 'round. I always had to sit down and think very hard before I knocked on anybody's door. And consequently, I never really knocked.

I never met you but you felt like someone I've had long walks with, in the quietest forests, on the quietest days

Disillusionment is an allegorical representation of the possibility for every human being to free themselves from sin, symbolized by the net worldly temptations take the form of a terrestrial globe while the Bible is indicated as the instrument through which to rediscover the light of virtue.

Il Desengaño 1754 The Release from Deception By Francesco Queirolo

Bones of chest, neck and head on a wooden base, with heart and blood vessels sprayed on in wax. University Museum Utrecht

Steamboat in a Storm on the North Sea By Albert Rieger 1905

One morning at the gates of the Louvre By Édouard Debat-Ponsan on the St. Bartholomew's Day massacre against the French Calvinist Protestants in 1572 By The Queen Catherine de' Medici (in black)

كان «أدولف هتلر»، دكتاتور ألمانيا من عام 1933 إلى عام 1945، رسامًا أيضًا.[1] أنتج مئات الأعمال وباع لوحاته في محاولة لكسب لقمة العيش خلال سنوات عمله في فيينا (1908-1913). على الرغم من قلة النجاح من الناحية المهنية، استمر في الرسم طوال حياته. الرأي العام على أسلوبه الفني مُختلط. لقد تم انتقاده لكونه باردًا ولا يحتوي على شعور، حيث جادل الكثيرون بأن هتلر كان لديه موهبة أكبر كمهندس معماري، وقد أظهر ذلك من خلال كيفية تعامله مع العمارة في لوحاته مُقارنة بالتفاصيل الأخرى مثل الأشجار والشُخوص. أزهار، بريشة هتلر 1909. ملكية خاصة.

Wasted in an existence that doesn't look like you, surrounded by deep alienation in the soul, with an inner cold that keeps reminding you that you never belong to anything. ­ ­ ­ ­