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Dr EV Rapiti's Channel

Dr EV Rapiti's Channel

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In this channel I shall provide you with information and thoughts to stimulate you. Dr EV Rapiti

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— THE FOREIGN NATIONALS - not the cause for the misery of struggling citizens, we are. Dr EV Rapiti, July 1, 2026 South Africa is a country in pain. Unemployment is catastrophic, crime is suffocating, and hopelessness has become a national mood. In this climate, it is easy to find a scapegoat. Foreign nationals have become the preferred target of public frustration, accused of “taking jobs,” “running the economy,” and “destroying opportunities for locals.” But this narrative is not only false — it is destructive. It blinds us to the real causes of our misery and prevents us from confronting the failures within our own society. Foreign nationals are providing services that South Africans have been unable, unwilling, or unprepared to provide. They operate where the formal economy refuses to go. Spaza shops, micro‑traders, and convenience stores thrive in communities abandoned by formal retailers. These businesses sell essentials at prices the poor can afford, work long hours on razor‑thin margins, occupy rental spaces no South African retailer wants, and keep communities functioning where the state has collapsed. They are not displacing South Africans — they are serving South Africans. Foreign traders rent rooms from South African homeowners, often becoming the primary income source for families who would otherwise have nothing. They hire locals for security, deliveries, stock handling, and cleaning. This is not job theft. It is economic oxygen. South Africa’s education system has failed catastrophically. It does not produce artisans, entrepreneurs, or service‑sector professionals. It produces graduates who are unemployable, demotivated, and disconnected from the realities of the labour market. Foreign nationals succeed because they bring discipline, entrepreneurial drive, technical skills, and a work ethic shaped by necessity. These are qualities our system no longer cultivates. The difference in service quality between many foreign workers and many local workers is not about nationality — it is about attitude, training, and pride in work. Foreign nationals often display gratitude for opportunity, humility, professionalism, and a commitment to excellence. Too many South Africans in service roles display resentment, entitlement, poor training, and visible disdain for their jobs. This is not a moral judgement — it is a structural outcome of a failed education system and a broken work culture. As a customer, choosing a waiter who smiles and takes pride in their work is not unpatriotic. It is rational. For many young South Africans, the most accessible “career paths” are gangs, extortion networks, drug distribution, mugging and theft. These are not personal failings — they are economic outcomes of state failure. Foreign nationals do not cause this. Government failure does. For decades, the ruling party has blamed apartheid for every governance failure — even as corruption hollowed out the state. This deflection has created a convenient scapegoat: foreign nationals. It is easier to blame the shopkeeper who works 16 hours a day than the government that destroyed the education system, collapsed policing, and failed to build an inclusive economy. South Africa cannot fix unemployment by attacking the people who keep our informal economy alive. We cannot fix service quality by attacking those who take pride in their work. We cannot fix crime by attacking those who choose entrepreneurship over gangs. Foreign nationals are not the cause of our misery. They are a mirror reflecting what we have lost: discipline, entrepreneurship, resilience, and pride in work. If anything, we should be learning from them. We need to look deep into our souls to find the cause for our misery. We must stop blaming apartheid and foreign nationals for our misery - the fault lies with us and our attitude. Dr EV Rapiti July 1, 2026 Cape Town

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https://substack.com/@drevrapiti/note/p-204381660?r=z9ikb
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I sometimes wonder whether he wasn’t deeply depressed off stage, like so many great artists who drowned their sorrows in drugs and alcohol. Thank you, Freddie, for entertaining us with some of the greatest music ever created. You are a legend — your music will live forever. Those of us who heard you when you were alive are truly fortunate. To those unfamiliar with his music, I urge you to see the show. You won’t be sorry. It was not just entertainment; it was a history lesson about a great performer. Dr E.V. Rapiti Cape Town June 21 2026 Bio Dr Rapiti is a great lover of the arts. He enjoys watching great shows and is extremely disappointed by the severe decline in audience numbers to the arts alive. Arts in his words, are the essential nutrition of the soul. Without the arts, we will become soulless beings. Society's foolish obsession with social media platforms is leading to the the demise of good theatre and art. Bio Dr Rapiti is a great lover of the arts. He enjoys watching powerful productions and is deeply disappointed by the severe decline in audience numbers attending live performances. In his view, the arts are the essential nutrition of the soul. Without them, we risk becoming soulless beings. He believes that society’s foolish obsession with social media platforms is contributing to the demise of good theatre and meaningful art. For him, the stage remains one of the last sacred spaces where humanity can confront truth, beauty, and emotion without distraction. — Dr E.V. Rapiti Family Physician • Writer • Social Commentator Cape Town, South Africa www.drrapiti.com
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Freddie Mercury, the musical, A review by Dr E V Rapiti, June 21 2026 Last night, sitting in the darkened Theatre on the Bay in Cape Town, I realised that Freddie Mercury was not merely a star; he was a storm with outstanding artistic talents and creativity. A man who lived with the recklessness of someone who believed he was immortal, yet sang with the trembling honesty of someone terrified of dying. The show did not present him as a legend carved in marble, but as a human being — brilliant, broken, daring, fragile — a man who ran towards life even as death stalked him from the shadows. The production, brilliantly choreographed and performed by some of the country’s leading choreographers and gifted singers, takes on the formidable challenge of interpreting the complex lyrics, music, and emotions of the legendary Freddie Mercury. Through an evening of vibrant dance and powerful vocals, we are offered brief but striking glimpses into the life of this extraordinary musician. What became clear was that he was an absolute perfectionist. He possessed a multitude of talents rolled into one. A composer, musician, singer, and electrifying performer, he commanded an outstanding vocal range that could effortlessly soar across octaves within a single song. He loved the stage. He was unafraid of crowds. When asked in an interview whether massive audiences intimidated him, he replied spontaneously that he loved big numbers — and that applied to everything in his life. His lyrics often left one puzzled about the real Freddie Mercury. Born in Zanzibar to Parsi parents and raised in the UK from adolescence, he carried the complexities of an immigrant identity. He lived in an era when his sexual identity was harshly judged, yet this did not deter him. He produced some of the greatest music ever written and performed with the gusto of someone who took complete command of the stage — and of the millions who watched him with hypnotic admiration. Only Freddie could create a string of seemingly meaningless sounds — “Deo, day‑oh” — and have an entire audience repeat them as if chanting a mystical mantra. He often appeared fearless, yet in other songs he revealed a lonely man, afraid of dying. In Bohemian Rhapsody, he metaphorically confesses to killing a man and accepts that he is going to die, yet in the same breath he plaintively cries that he doesn’t want to die. When he was diagnosed with AIDS, he refused to let the illness define him. He continued living his bohemian lifestyle and sang Who Wants to Live Forever, a stark contrast to his earlier admission of fearing death. He sometimes performed in female attire, but more often he appeared with a strikingly masculine image — flexing his muscles and wielding his unique short‑stick microphone as if it were an extension of his own body. One of his crowning moments was his performance at one of the greatest concerts the world has ever seen — the Live Aid concert. The event brought together some of the world’s best musicians to raise funds for children dying of hunger in Ethiopia. Performed to a packed Wembley Stadium and broadcast to over 1.9 billion people worldwide, Freddie Mercury’s breathtaking 21‑minute performance earned him the well‑deserved title of the night’s greatest performer. I am certain the crowd would have wanted this remarkable musician, singer, and showman to sing all night. In the song Somebody to Love, we see another side of this strong man. He seemed to be crying out to be loved, touched, and held. This mixed picture of his personality — ranging from daring, devil‑may‑care bravado to a lonely soul yearning for love — made it difficult to fathom who the real Freddie Mercury truly was. I salute the producers, directors, and artists of this show for taking on such an immense and complex task, giving us a tiny glimpse into the life and music of one of history’s greatest artists. Freddie epitomised the typical man who would rather struggle alone and hide his pain than find someone to confide in.
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https://open.substack.com/pub/drevrapiti/p/freddie-mercury-a-musical-by-one?r=z9ikb&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true
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This message also applies equally to single moms who juggle their roles being compassionate moms or the firm dads interchange
This message also applies equally to single moms who juggle their roles being compassionate moms or the firm dads interchangeably depending on the situation.
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https://youtube.com/shorts/8fxzUUgbYzs?si=ccy9gBAmETEtPzwD
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https://substack.com/profile/59230523-dr-ev-rapiti/note/c-275957955?r=z9ikb Please listen to prof Francis Boyle's last interview before he died mysteriously. The elderly were treated like a liability and useless appendages that the old miserable eugenist multi billionaire Gates wanted to get rid of.
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Constellations — A Brilliant, Soul‑Stirring Play About Love, Loss and the Choices We Make A review by Dr EV Rapiti — June 14, 2026 Nick Payne’s brilliant play Constellations, directed with finesse by Jay Pather and superbly performed by Mark Elderkin and Mwenya Kwabe, is 90 minutes of sheer delight. It is currently running at the Baxter Theatre until June 21.The story follows two characters — Mark as a gentle, grounded beekeeper and Mwenya as a brilliant quantum physicist — as they navigate the many possible versions of their relationship. Payne’s script uses the idea of the multiverse to explore how couples vary in the way they deal with the ordinary and extraordinary events that shape a life together: how they meet, fall in love, marry, drift apart, betray each other, reconcile, and ultimately confront the devastating reality of an incurable cancer diagnosis. What makes this production exceptional is how truthfully it captures the emotional spectrum of real relationships. The play contrasts couples who respond to infidelity or impending loss with anger, chaos, and despair, against those who face the same storms with calm acceptance, maturity, and grace. It is a mirror held up to the audience — a reminder that while we cannot control life’s events, we can choose how we respond to them. I would highly recommend that couples see this show. You will leave with a deeper understanding of how you deal with the challenges in your own life — and how you should deal with them. Couples must learn to listen and reflect before jumping to conclusions and making hasty decisions that they will regret later. It is a masterclass in responding rather than reacting, in choosing presence over panic, and in embracing life on life’s terms. A well‑deserved five stars. Dr EV Rapiti Cape Town June 14, 2026
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https://youtube.com/shorts/m19xgux4wWI?si=QY3PspJEBIXP5gn5 An interesting talk on the role of the food we eat and the risk of cancer
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A university cannot impose a risk it cannot quantify. An employer cannot dictate a medical intervention it cannot medically justify. Mandates without accountability are coercion — not public health. THE ROLE OF VARIANTS: OMICRON ENDED THE PANDEMIC The shift from crisis to endemicity did not occur because of mandates or messaging. It occurred because: Omicron was more transmissible but less severe.A large portion of the population had immunity — from infection, vaccination, or both.This is not a controversial statement. It is an epidemiological fact. Yet authorities continued to credit policy rather than biology. THE PUBLIC DESERVES ACCOUNTABILITY — NOT SILENCE This is not a call for vengeance. It is a call for justice. Public health leaders made sweeping claims: “Safe for everyone.”“ Stops infection.” “Stops transmission.”“ "No serious side effects.” " Natural immunity doesn’t count.” These statements were not supported by evidence at the time they were made. Some were later proven false.When leaders misinform the public — intentionally or through negligence — they must be held accountable. Not punished. Not persecuted. But accountable. THE PATH FORWARD: TRANSPARENCY, NOT BLIND TRUST I no longer accept the assurances of authorities who refuse to show their data. Trust must be rebuilt through: Independent autopsy programs Transparent safety monitoring Open access to raw data Ending liability shields Ending financial incentives for doctors Recognising natural immunity Respecting parental choice Ending institutional mandates Separating regulators from patent holders These are not radical demands. They are the minimum ethical standards of modern medicine. I STAND BY THIS BECAUSE PATIENTS DESERVE THE TRUTH I am prepared to stand for what I believe in — not because it is easy, but because it is necessary. Medicine is not a religion. Science is not a priesthood. And trust is not a blank cheque. If authorities want to regain the confidence of the public, they must do the one thing they have avoided from the beginning: Show us the evidence. Until then, the public is justified in withholding trust. Dr EV Rapiti June 8, 2026 Cape Town ABOUT THE AUTHOR Dr Ellapen V. Rapiti qualified as a medical doctor nearly fifty years ago. From his earliest days as a student — and even earlier, as a young man growing up in a politically turbulent South Africa — he questioned everything. He has always believed that medicine must be scientific, logical, transparent, and free of ideological pressure.For Dr Rapiti, ethical medical practice requires:the free flow of information,open debate,honest disagreement, andthe absence of conflicts of interest.He is deeply disappointed that modern medicine has drifted toward a dogmatic, authoritarian culture, where dissenting clinicians are silenced, punished, or struck off the roll for challenging official narratives. As a result, public confidence in the medical profession has plummeted.Dr Rapiti believes this crisis of trust must be urgently addressed. He holds government agencies, medical boards, and funders responsible for undermining the independence of doctors — restricting their ability to treat patients ethically, logically, and without interference.He continues to advocate for a return to patient‑centred, evidence‑based, and ethically grounded medicine, where doctors are free to think, question, and act in the best interests of those they serve.
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