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Philippe Grandrieux is the director of numerous documentary-essays and two features, Sombre (1999) and La Vie nouvelle (2002). These two features constitute the most advanced point of cinematic research, representing for today what the films of Jean Epstein were for the 1920s and ’30s or Philippe...

A film of volatile emotions that provides no catharsis, John Cassavetes’s exploration of masculinity finds the director at his most existential and abstract.

Nicole Brenez is an essential figure in film criticism and contemporary cinema studies. Her analytical and passionate approach to cinema, emerging from her extraordinary creative freedom, has earned her the respect and admiration of critics all over the world. Her widely followed work has never ceased to highlight the exciting challenges of engaged cinema, the kind that commits to artistic investigation as well as to the urgent social and political issues that concern us all.