Aether Force

In this podcast Ibrahim Karim will discuss the importance of Bio Geometry in Architecture. https://www.youtube.com/watch?v=YF3t90bp7n8 https://t.me/bio_architecture www.bioveda.co www.patreon.com/alosha_zoya

Descent of Light - Arthur Young, Rudolf Steiner and the Reflexive Universe - by Formscapes https://youtu.be/U2WzAr6w6NI?si=lLiXna0iwgvnPROd

Art and Science: The Effect of Eurythmy on Plants and Plant Substances - https://srmk.goetheanum.org/fileadmin/srmk/XRBRE/RbE63.pdf - Article on pages 4-6 "Initially the main question was whether – and if so, how - plants react to eurythmy, and led to the following results: 1) that the morphology of the plants changes after eurythmy treatments 2) that the degree of change and the specific reaction depends on the type of plant used in the study (Baumgartner-Durrer, Baumgartner, & Heusser, 2007). Between 2002 & 2010 most of the experiments were conducted in a laboratory, where several hundred cress plants were treated, examined and then evaluated, using mathematical methods; since 2010 the emphasis has been placed on experiments that allowed a direct, sense-perceptible relationship of human beings to the plants to develop. The main criterion for the choice of plants used up till now has been their flavour and their shape. A further question is whether the plants only react when they are treated directly or whether the effect of eurythmy can be passed on to a medium such as water, for example, which is later given to the plants. It is of interest on the one hand whether the water takes up and passes on the effects again; on the other hand whether this will create an important basis for the practical use of eurythmy treatments in the future."

Changing the taste of apples by eurythmic treatments https://www.degruyter.com/document/doi/10.1515/opag-2019-0045/pdf "Eurythmy is a performing art based on anthroposophy which tries to make non-visible forces visible by human movements. According to the concept of anthroposophy a eurythmist is capable to come into an exchange with the life forces of organisms through his movements. In a field experiment – executed by the Institute ArteNova in cooperation with an apple farmer – a eurythmist treated trees of two apple varieties with a sequence of eurythmic gestures to observe the impact on the fruit quality. The apples showed no differences in the laboratory test of sugar content and firmness. In the sensory test, significant differences could be found in several parameters like freshness, crunchiness or the total judgement. The results present a basic effect of human movements on the taste of plants. Furthermore, it was possible to find appropriate movements for pre-determined aims. Eurythmic movements could be seen as a possible method for agricultural systems which refuse pesticides and other synthetic substances. Follow-up experiments with different varieties, fruits, and places should verify the effects. "

Can Plants Sense Humans? Using Plants as Biosensors to Detect the Presence of Eurythmic Gestures https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10422342/ "This paper describes the preliminary results of measuring the impact of human body movements on plants. The scope of this project is to investigate if a plant perceives human activity in its vicinity. In particular, we analyze the influence of eurythmic gestures of human actors on lettuce and beans. In an eight-week experiment, we exposed rows of lettuce and beans to weekly eurythmic movements (similar to Qi Gong) of a eurythmist, while at the same time measuring changes in voltage between the roots and leaves of lettuce and beans using the plant spikerbox. We compared this experimental group of vegetables to a control group of vegetables whose voltage differential was also measured while not being exposed to eurythmy. We placed a plant spikerbox connected to lettuce or beans in the vegetable plot while the eurythmist was performing their gestures about 2 m away; a second spikerbox was connected to a control plant 20 m away. Using t-tests, we found a clear difference between the experimental and the control group, which was also verified with a machine learning model. In other words, the vegetables showed a noticeably different pattern in electric potentials in response to eurythmic gestures."

Rudolf Steiner developed Eurythmy, a form of body movement which mimic the motion of the etheric body. These movements serve to strengthen the etheric body with resonance to planetary and zodiacal impulses and their expressions through the spoken word. This was taught to serve as a main counterbalances against the deleterious effects of technology against our etheric body. Here are several papers on the effects of Eurythmic motion on plant growth. Most of the papers are in German so I will have to find a way to translate. https://institut-artenova.ch/publikationen/#Artikel

A few suggested reading for Spiritual Science - by Joel Wendt : https://thecollectiveimagination.com/2019/05/20/letters-about-magic/ - A gospel of physics: “Man or Matter”, by Ernst Lehrs; - A gospel of organic chemistry: “The Nature of Substance”, by Rudolf Hauschka; - A gospel of “The Plant” (two volumes): Gerbert Grohmann; - A gospel of water: “Sensitive Chaos”, by Theodore Schwenk; - A gospel of “Man and Mammals”: towards a biology of form”, Wolfgang Schad; - A gospel of the soul: “On Becoming an Alchemist – a guide for the modern magician”, by Catherine MacCoun; - a gospel of the imagination: “Poetic Diction”, by Owen Barfield; for starters.

A few suggested Readings for Spiritual Science - by Joel Wendt : https://thecollectiveimagination.com/2019/05/20/letters-about-magic/ - A gospel of physics: “Man or Matter”, by Ernst Lehrs; - A gospel of organic chemistry: “The Nature of Substance”, by Rudolf Hauschka; - A gospel of “The Plant” (two volumes): Gerbert Grohmann; - A gospel of Water: “Sensitive Chaos”, by Theodore Schwenk; - A gospel of “Man and Mammals”: towards a biology of form”, Wolfgang Schad; - A gospel of the soul: “On Becoming an Alchemist – a guide for the modern magician”, by Catherine MacCoun; - A gospel of the imagination: “Poetic Diction”, by Owen Barfield