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Rave was a UK monthly fan music magazine that covered the pop music scene and mod subculture of the Swinging Sixties in the United Kingdom from 1964 to 1971. It was based in London, and internationally distributed in Europe and Canada.
#magcover #editorial
Довольно смело скомпановано (январь 1952 года) ❤️
#magcover #editorial
+1
German foundry TIGHTYPE have crafted a neo-grotesk type family in both solid and stencil versions, taking inspiration from 20th-century grotesks such as Gothic No. 124, Times Gothic and Modern Gothic, as well as the industrial aesthetics of stencil fonts and the lettering found on 90s rave posters.
#stencil #typeface #logico
Обратный контраст, узкий с широкими круглыми, лигатура «es», ромбик-точка.
#typedesign #logico
Wästberg _
by SDL
Lighting company Wästberg emerged from a young Swedish man’s precocious insight — that man had been deprived of private spheres in a misguided pursuit of efficiency and standardisation.
Минимализм ⚫️
#logo #identity
Sigma _
The art of engineering.
Engineering for art.
SDL
#custom #typeface #identity
Сверхплотно ❤️
Exhibition catalogue for Museum Boymans Van Beuningen,
design: Benno Wissing • 1963
#bookcover #typography #trick #ligatures
+1
Geertjan van Oostende Veenbrand,
design Karel Martens • 1993
#typography #bookcover
Geertjan van Oostende Veenbrand,
design Karel Martens • 1993
#typography #bookcover
Open Works by Hrvoje Grubisic
Open Works was a week-long cultural program created as part of Zagreb Design Week 2025. Developed and hosted inside Holographik Space — our creative hub in the center of Zagreb — the initiative combined design, architecture, fashion, music, and film through talks, workshops, screenings, and performances. Holographik Studio was responsible for the branding, visual identity, and full organization of the program, curating a platform that highlighted independent voices and connected creative communities.
#logo #identity
