𝐄𝐱𝐩𝐥𝐨𝐫𝐚𝐭𝐢𝐨𝐧 𝐨𝐟 𝐓𝐫𝐮𝐭𝐡 🕊

🔱 STAR FORT EXPEDITION | 19 - 25 OCTOBER 2026 | SERBIA Explore two star fortresses. Enter hidden underground passages. Walk through a historic town where Marcus Aurelius once stood and where Habsburg emperors later walked. Examine forgotten history. Question the evidence. And most importantly - for the FIRST TIME, YOU become part of the investigation, alongside: MIG from Tartaria Britannica https://tartariabritannica.com LARRY from Tartaria & History Channel @TartariaHistoryChannel ANGIE DRAGONESS https://www.instagram.com/fire_cannot_kill_a_dragonn STAR FORTRESSES UNDERGROUND TUNNELS FORGOTTEN HISTORY EVIDENCE-BASED INVESTIGATION LIMITED TO 16 EXPLORERS. 📩 info@oldworldexplorers.com 🌐 oldworldexplorers.com YOU CAN READ ABOUT HISTORY. OR YOU CAN WALK THROUGH IT. APPLY NOW 🔱

⚡️🇷🇸 SERBIA: October 2026 🇷🇸⚡️ You started questioning. History. The old world. The stories we've inherited. The things that simply don't add up. And somewhere along the way, you realised... It can be lonely seeing the realm differently. Old World Explorers was created to change that. We bring together curious minds and old world souls who want to explore, question and experience the past for themselves. No convincing. No explaining yourself. Just real conversations, shared discoveries and the feeling that perhaps you've finally found your crowd. And we just happen to meet in some of the most extraordinary places in the realm. BORN FROM A SHARED JOURNEY Old World Explorers brings together Larry from the Tartaria & History Channel and Mig from Tartaria Britannica. Now we're taking those conversations out into the realm. Come explore with us. The locations bring us together. The people make the journey. FIND YOURSELF IN THE CROWD Reconnecting old world souls in extraordinary places. 🔱 oldworldexplorers.com

The Serbian Tour is now live!  Don't miss your chance to be part of this unforgettable experience. Reserve your spot today and join us for an incredible journey http://oldworldexplorers.com

Innerstanding with Devan & Aurora 🐺

https://tartariabritannica.com/the-tree-that-grew-geese/ 🔱 @TartariaBritannica

Planisphere terrestre, suivant les nouvelles observations des astronomes, 1721 Jacques Cassini, 1677-1756, cartographer http://hdl.loc.gov/loc.gmd/g3200.ct007079

Promenades Aeriennes Jardin Baujon, 1817 The 'aerial walks', a roller-coaster built in 1817 in Paris, with two tracks curving down on either side of a central tower; several figures strolling around in the foreground; in the background, at right, a mill; after Garneray; second state, after alterations and addition of a line of inscription. https://www.britishmuseum.org/collection/object/P_1899-0713-182

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families Giovanni di ser Giovanni Guidi (called Scheggia), ca. 1449 This desco da parto was painted around 1449 by Scheggia, younger brother of Masaccio, to commemorate the birth of Lorenzo de’ Medici. It is the largest known birth tray of its kind. The front depicts the Triumph of Fame. A winged allegorical figure stands atop a globe, holding a sword in one hand and a blindfolded Cupid in the other. Armored knights raise their right hands in allegiance. A panoramic landscape fills the background. The gilded rim bears the tri-colored feathers of the Medici. Most birth trays of the period showed domestic or biblical scenes. The choice of Fame as subject was deliberate, conceived as an augury of what the child was expected to become. The reverse carries the heraldic arms of the Medici and Tornabuoni families alongside the personal device of Lorenzo’s father, Piero: a diamond ring, three ostrich feathers, and the motto Semper. Always. The feathers were chosen for their stiffness. They cannot be disheveled no matter how hard the wind blows. The tray hung in Lorenzo’s private quarters until his death in 1492. https://www.metmuseum.org/art/collection/search/436516

Madonna and Child Carlo Crivelli, ca. 1480 Symbols of good and evil appear throughout this exquisitely rendered painting. While the apples and fly symbolize sin, the cucumber and goldfinch reference redemption and the soul. Flemish art may have inspired the precisely detailed style of this work, one of Crivelli’s most refined pictures. It also showcases his talent for visual tricks: viewers might be tempted to brush away the fly that appears to have landed on the painting. In the distance, the landscape is populated with turbaned figures, possibly Mamluks who in the 1480s controlled the holy city of Jerusalem. https://www.metmuseum.org/art/collection/search/436052