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Publicaciones publicitarias
926
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Sin datos24 horas
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+230 días

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Блиц-редизайн сайта «Уникорн»

🤡 6👍 3🔥 1
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Блиц-редизайн сайта «Уникорн»

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(также: модульные аксессуары с высокой маржой — красивый апселл для телефона с невысокой)
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https://cmf.tech/en-gb/pages/phone-1 (рад, что кто-то пробует делать прикольно и за 200 долларов)
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CMF Phone 1

CMF aims to make great design more accessible while delivering an uncompromised user experience through a focus on core product functionalities.

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> [Americans] went to the cinema 20–30 times per year. [After 1940s], attendance began its secular decline, (...) stabilizing at 4–5 [tickets] in the 1970s. (...) [Admissions] fell under the 3.50 mark in 2019. (...) 2024 is currently trending for roughly 1.8 tickets sold per American. > In 2024, the domestic box office will be in its 22nd year of sustained decline. And due to the pandemic, audiences are behaving as though they’re between 32 to 37 years into this. (...) Whereas theatrical moviegoing is down a third (in 2023 dollars) from 2019 to 2023, live entertainment is up 2% and live sports is down 8%. > The average American over two years old bought 4.31 tickets in 2009 and 3.46 in 2019, or 0.85 (−20%) fewer tickets. However, those aged 2–11 dropped by 1.2 tickets (−29%), 12–17 fell 3.00 (−38%), and 18–24 was 3.7 (−44%!). (...) There are too many other (and typically more social) media alternatives, ranging from TikTok to Fortnite. > I’m personally skeptical that 2–24-year-olds would come out in greater force if only there were more adult dramas, original tales, and “cinema.” (...) Moviegoers in those ages group used to go the theaters so often because it was an essential venue for babysitting, socializing, and dating. (...) The “job” of the movies has been substantially displaced. > Some executives say ticket prices must go way down. It’s more likely they should substantially increase to reflect the scarcity of moviegoing for the average moviegoer. (...) While rapid PVOD windows have helped some money-losing films recover their investments, this model probably just trains audiences to skip uncertain releases. > An independently operated MoviePass was always a dumb idea, but to renew frequent moviegoers, it’s clear that some form of AYCE subscription [will be] required. (...) Distributors should sell premium movie tickets that include EST entitlements or discounts (this may not increase attendance, but it should increase total revenue per customers). https://www.matthewball.co/all/movies2024
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> [Americans] went to the cinema 20–30 times per year. [After 1940s], attendance began its secular decline, (...) stabilizing at 4–5 [tickets] in the 1970s. (...) [Admissions] fell under the 3.50 mark in 2019. (...) 2024 is currently trending for roughly 1.8 tickets sold per American. > In 2024, the domestic box office will be in its 22nd year of sustained decline. And due to the pandemic, audiences are behaving as though they’re between 32 to 37 years into this decline. (...) And whereas theatrical moviegoing is down a third (in 2023 dollars) from 2019 to 2023, live entertainment is up 2% and live sports is down 8%. > The average American over two years old bought 4.31 tickets in 2009 and 3.46 in 2019, or 0.85 (−20%) fewer tickets. However, those aged 2–11 dropped by 1.2 tickets (−29%), 12–17 fell 3.00 (−38%), and 18–24 was 3.7 (−44%!). (...) There are too many other (and typically more social) media alternatives, ranging from TikTok to Fortnite. > I’m personally skeptical that 2–24-year-olds would come out in greater force if only there were more adult dramas, original tales, and “cinema.” (...) Moviegoers in those ages group used to go the theaters so often because it was an essential venue for babysitting, socializing, and dating. (...) The “job” of the movies has been substantially displaced. > Some executives say ticket prices must go way down. It’s more likely they should substantially increase to reflect the scarcity of moviegoing for the average moviegoer. (...) While rapid PVOD windows have helped some money-losing films recover their investments, this model probably just trains audiences to skip uncertain releases. > An independently operated MoviePass was always a dumb idea, but to renew frequent moviegoers, it’s clear that some form of AYCE subscription [will be] required. (...) Distributors should sell premium movie tickets that include EST entitlements or discounts (this may not increase attendance, but it should increase total revenue per customers). https://www.matthewball.co/all/movies2024
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> [Americans] went to the cinema 20–30 times per year. [After 1940s], attendance began its secular decline, (...) stabilizing at 4–5 [tickets] in the 1970s. (...) [Admissions] fell under the 3.50 mark in 2019, fell to 0.62 in 2020 and 1.26 in 2021. (...) 2024 is currently trending for roughly 1.8 tickets sold per American. > The average American over two years old bought 4.31 tickets in 2009 and 3.46 in 2019, or 0.85 (−20%) fewer tickets. However, those aged 2–11 dropped by 1.2 tickets (−29%), 12–17 fell 3.00 (−38%), and 18–24 was 3.7 (−44%!). (...) There are too many other (and typically more social) media alternatives, ranging from TikTok to Fortnite. > I’m personally skeptical that 2–24-year-olds would come out in greater force if only there were more adult dramas, original tales, and “cinema.” (...) Moviegoers in those ages group used to go the theaters so often because it was an essential venue for babysitting, socializing, and dating. (...) The “job” of the movies has been substantially displaced. > In 2024, the domestic box office will be in its 22nd year of sustained decline. And due to the pandemic, audiences are behaving as though they’re between 32 to 37 years into this decline. (...) And whereas theatrical moviegoing is down a third (in 2023 dollars) from 2019 to 2023, live entertainment is up 2% and live sports is down 8%. > Some executives say ticket prices must go way down. It’s more likely they should substantially increase to reflect the scarcity of moviegoing for the average moviegoer. (...) While rapid PVOD windows have helped some money-losing films recover their investments, this model probably just trains audiences to skip uncertain releases. > An independently operated MoviePass was always a dumb idea, but to renew frequent moviegoers, it’s clear that some form of AYCE subscription [will be] required. (...) Distributors should sell premium movie tickets that include EST entitlements or discounts (this may not increase attendance, but it should increase total revenue per customers). https://www.matthewball.co/all/movies2024
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What A Century (Plus a Pandemic) Does to Moviegoing and Why It Matters — MatthewBall.co

The box office is trouble — again. And there’s little to learn from which desert action epic thrived, why Fall Guy fell short and Inside Out 2 opened bigger than The Incredibles 2 . It’s just about time and change.

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A new form of deliberate communication for the Apple iPad. Write letters, collect stamps and make pen-pals from around the globe

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Human-Agent Interaction

Новый переписыватель текстов в Figma выглядит... клёво? Все интерфейсы по переписыванию тексто в с помощью AI выглядят ужасно: в худшем случае это окно, куда ты должен написать, как именно ты хочешь переписать текст, в ещё более чудовищном — выпадающее окно, которое предлагает тебе набор шаблонов: "профессиональнее", "житейски" и так далее. Даже вылизанный Apple Intelligent интерфейсно никуда не ушёл от этой парадигмы. А вот в фигме придумали, как сделать круто: два измерения, подробность и профессиональность, и ручка, которую ты тянешь в нужном направлении. Интуитивно понятно и очень просто, абсолютный кайф. (Шаблоны-кнопки тоже есть, но они двигают ручку, и ты понимаешь, где в этом пространстве измерений находится, например, "Образовательный текст" — и лучше понимаешь, как оно устроено).

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Fast Crimes at Lambda School

Two days after his company's downfall, Austen Allred wrote: I wish people could see how ugly it is to be envious, and how obvious it is to those around you when that's what's happening. There's not much uglier than trying to tear someone down because they achieved what you wish

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