Editpars/آموزش ویدیو ترند

Ultra-realistic candid portrait of the same young man sitting indoors, captured in a spontaneous and natural moment. He is wearing dark sunglasses and a loose white shirt with an open collar, looking slightly to the side with a calm, introspective expression. Medium close-up composition, three-quarter side-profile angle, seated posture, relaxed body language. The subject is partially framed through soft, blurred foreground elements such as leaves and the edge of a doorway, creating natural depth and an intimate observational feeling. Warm late-afternoon sunlight entering from the side, soft highlights on the face and shirt, deep cinematic shadows, dark elegant interior background, shallow depth of field, creamy bokeh, realistic skin texture, natural facial hair, subtle film grain, muted warm color grading, premium editorial lifestyle photography, 85mm lens, f/1.8, highly detailed, photorealistic, vertical 3:4 composition. Preserve the reference person’s facial identity, hairstyle, beard, and overall appearance as accurately as possible. چنل: @editpars

هیشکی نمیفهمه این پرامپته 😌 بزارم؟👀

Advertising food photography with frozen suspension VFX, vertical 3:4, hyper-realistic, warm saturated film finish. COMPOSITION: radial and symmetrical - the subject and a cup of instant noodles occupy the exact central axis, with every floating object distributed orbitally around them. THE SUSPENSION PRINCIPLE: roughly twenty elements frozen in midair across the entire frame — plates and bowls of noodles and stews, some tilted as if spinning; transparent ICE CUBES with visible refraction; pieces of food including broccoli florets, fried morels and skewered meatballs; an orange instant-soup sachet; fragments of shattered porcelain; suspended droplets of broth; and a pair of chopsticks floating at the upper left edge. Everything is TACK SHARP, frozen by shutter speed rather than blurred by motion. MAIN SUBJECT: a young man (face of the reference person) seated behind a round table, facing forward. Eyes half-closed with an expression of pure contained pleasure. He lifts a thick bundle of NOODLES WITH CHOPSTICKS in a vertical motion connecting the cup to his mouth — this is the line of action that organizes the whole composition. He wears a plain oversized cream-beige short-sleeve t-shirt, a chunky silver cuban link chain, a silver bracelet and a wristwatch, with short dark hair and a forearm tattoo. THE NOODLE CUP: an orange instant-noodle container at the exact center of the table, with a COLUMN OF STEAM rising from it and dissipating across the upper third of the frame. THE SETTING: a traditional Chinese restaurant — red and gold PAPER LANTERNS hanging on both sides, carved wooden lattice wall panels, framed vintage illustrated posters, pale formica round tables with wooden chairs in the background. TABLE DETAILS: splashes of broth, loose chopsticks, a small dish of soy sauce, a bowl of stew, and a pendant chain left lying on the table. LIGHTING: warm restaurant light from above — golden and enveloping, with the lanterns acting as practical sources — plus a frontal key modeling the subject. Every suspended object receives exactly the same color temperature, and that consistency is what makes the whole thing believable. Gentle backlight catching the steam. Palette: dominant and heavily saturated warms — oranges, golds, ambers and reds of the restaurant and the food — with the cream t-shirt and the white porcelain as the only bright elements, and a general amber cast as if the entire image were bathed in broth. Shot on 35-50mm at table height, pure frontal, deep depth of field with everything sharp. Film grain, medium-high contrast, pushed saturation, no readable text, no logos, no brand names, 8K. چنل: @editpars

اینو بزارم؟😍

Deadpan conceptual photograph, vertical 9:16, contextual displacement absurdity. hyper-realistic documentary style, no visible retouching — it should read as captured, not constructed. SCENE: shot from the platform looking INTO a New York City subway car, the train's open doorway acting as a frame within the frame. MAIN SUBJECT: a young man (face of the reference person) standing inside the car, leaning forward over an IRONING BOARD with his weight on his arms, head lowered in total concentration, ironing a pair of trousers as if it were the most normal thing in the world. He wears dark sunglasses indoors, dark hair combed back. OUTFIT — the central visual joke: a blue and white striped dress shirt with a slim black tie, perfectly knotted, formal from the waist up, and GRAY BOXER SHORTS from the waist down — he is in his underwear. Ironing the very trousers he is missing — with high white socks and black leather dress loafers. THE IRONING BOARD spans horizontally across almost the entire width of the frame, cutting through the composition, with a gray-green striped trouser draped and folded over it and a white and silver iron in his right hand; the electrical cord trails down to the floor, raising the impossible question of where it is plugged in — this detail is what makes the humor land. SETTING: recognizable NYC subway car interior — sliding doors with rounded windows, a framed subway system map on the wall, overhead advertising panels, a central vertical grab pole, blue seats, warning stickers on the doors, gray metal flooring with reflections, and in the lower foreground the yellow non-slip platform edge. LIGHTING: cold intense fluorescent light from inside the car, flat with no dominant direction, typical of public transit, slightly overexposing the white surfaces and creating hard reflections on the metal floor; the platform in the foreground is darker, framing and focusing the interior scene. Palette: institutional cool tones — blues and grays of the car, white shirt, gray trousers — with the yellow platform edge in the foreground as the only saturated warm accent and chromatic base; slightly desaturated grading with the greenish cast characteristic of fluorescent light. Shot on 50mm at chest height, pure frontal, deep depth of field with everything sharp, medium contrast, subtle video-frame quality. 8K.

کارو بگیر چقدر تمیزه😂 پرامپتشو بزارم؟

Surreal selfie-style scale-manipulation photograph, vertical 3:4, hyper-realistic composite, viral Instagram aesthetic, deliberately unpolished finish. COMPOSITION: Strictly symmetrical on the vertical axis, the subject centered in front of a residential doorway. The image runs by SIMULTANEOUS SCALES of the same man. GIANT HEAD and HANDS: his head and both hands rendered at arms-length selfie scale, occupying the upper third and the lateral edges of the frame. Black sleeved arms enter diagonally from the lower left and lower right corners, converging toward the center and forming an inverted V frame. His giant head is held between both palms hands pressing against his cheeks and ears. He wears a black flat-brim baseball cap with white two-line lettering on the front, thick black rectangular acetate sunglasses, and has a few days of stubble. His MOUTH IS WIDE OPEN in an exaggerated shout of shock and astonishment, chin dropped — this comic shock is the emotional engine of the image. MINIATURE BODY: the same man’s body at roughly 1/4 the scale of the head, standing on the sidewalk directly below, his neck extending just under the giant jaw so that the large head and small body align as a single bubblehead-like figure. He wears an oversized black zip-up jacket, a gray knit sweater showing at the collar, ultra-wide black jeans with a silver wallet chain hanging at the hip, high white socks, and silver-gray retro running sneakers. SETTING: A Georgian townhouse facade — a slate blue-gray painted front door with a classical pediment above, a brass letterbox and center knob, a metal house number to the right, black iron railings on both sides, cream stucco wall, and gray stone paving slabs. LIGHTING: soft diffused overcast daylight flat with no dominant direction, very faint shadows — this neutral light is what makes the montage believable, since there are no directional shadows to expose the mismatch between the two scales. Palette: dominant cool neutrals — black outfit and sunglasses, slate blue-gray door, cream wall, gray paving — with minimal accents of brass and silver; the warm skin tones of the face are the only warm element, making the head the automatic focal point. Shot on a 24mm phone front camera, evident in the distortion of the hands and the converging perspective of the arms, deep depth of field, selfie framing logic, 8k. چنل: @editpars

اینم بزارم؟😌

A cinematic low-key editorial portrait of the same adult man standing inside a vintage luxury hotel elevator. He wears a crisp white slightly unbuttoned cotton shirt and dark tailored trousers. The elevator interior is narrow and elegant, with dark brushed metal, aged mirrors, warm brass details, and a moody old-money atmosphere. He stands relaxed but commanding, one shoulder lightly touching the mirrored wall, one hand in his trouser pocket, the other resting near his collar or along the elevator frame. His expression is calm, self-assured, and subtly mysterious. The lighting is dark and sculptural, with a controlled warm overhead glow and a narrow directional side light shaping his jawline, cheekbones, shirt collar, and hands, while much of the frame falls into rich shadow. Reflections in the mirror create layered depth without distracting from his face. High-end men’s fashion editorial, quiet luxury, photorealistic skin texture, natural fabric folds, premium magazine aesthetic, visually expensive, 9:16 vertical, no text, no logos. چنل: @editpars

یه مدل دیگه اینم عمرا کسی بفهمه هوش مصنوعی👁️ بزارم اینم پرامپتشو؟😌

A photorealistic cinematic low-key portrait of the same adult man walking alone through the corridor of a luxury hotel late at night. He wears a crisp white slightly unbuttoned shirt and dark tailored trousers. The corridor is refined and moody, with patterned carpet, dark wood paneling, warm wall sconces, brass accents, and a deep, elegant old-money atmosphere. Capture him genuinely mid-stride rather than standing still. His body is angled diagonally through the frame, one hand adjusting his cuff or lightly brushing the wall, while the other hand remains relaxed near his trouser pocket. His posture feels natural and unposed, as if he is returning to his room after a long evening. His face turns slightly to the side, not fully toward the camera, with a calm, self-contained, quietly powerful expression. The camera is placed low and close to the corridor wall, shooting upward at a diagonal angle from behind a blurred foreground element such as a doorframe or brass banister detail. The composition should feel observational and cinematic, not symmetrical. Use an 85mm lens feel for slight compression and elegant depth. Lighting is realistic and low-key: warm practical hotel lights create pools of illumination that fall unevenly across his face, shirt, and hands, while the rest of the corridor recedes into darkness. Allow a slight trace of motion in the moving leg or shirt hem, while the face remains sharp. Ultra-photorealistic realism, natural skin texture, natural body proportions, subtle under-eye texture, realistic shirt creases, controlled shadows, soft halation around practical lights, rich dark tones, premium editorial quality, like a frame from a sophisticated neo-noir feature film. Vertical 9:16, no text, no logos. چنل:@editpars

ار اون عکسایی که استوری کنی کسی نمیفهمه هوش مصنوعی 😌 بزارم پرامپتشو؟✨

Transform the uploaded person into a cinematic Spider-inspired character while preserving their exact facial identity, hairstyle, skin tone, body proportions, age, expression, and overall likeness. Replace their clothing with a premium black-and-red Spider suit featuring subtle web patterns, realistic fabric texture, and a large red spider emblem across the chest. Keep the suit realistic, skin-tight, and highly detailed without changing the person's physique. Place them inside a premium modern gaming bedroom featuring: • Black and dark gray interior • Red LED strip lighting • Gaming desk with RGB keyboard and mouse • Large monitor displaying a Spider-themed wallpaper • Gaming chair • Minimal modern bed • Spider posters • Action figure display shelves • Warm practical lighting • Dark wooden flooring Camera angle: High-angle shot from above looking downward. Pose: One hand inside pocket. Other hand naturally holding a game controller. Looking directly into the camera with a calm confident expression. Lighting: Soft cinematic lighting with deep shadows, red ambient LED glow, realistic skin tones, volumetric atmosphere, premium photography. Style: Ultra realistic Editorial fashion photography Luxury cinematic color grading Sony A7R V 85mm lens f/2 8K hyper detailed sharp focus photorealistic چنل: @editpars

بزارم پرامپت اینم؟😌

اگه باهات کات کرده اینو اینوری کن 😂 Use the uploaded image to create an ultra-realistic luxury street fashion editorial portrait, preserving the exact facial identity. Waist-up beside a premium black luxury sedan in front of a beige limestone building, wearing a fitted white dress shirt with the top four buttons open, subtle chest hair, thin gold cross chain, slicked-back wet-look hair, short stubble, black rectangular designer sunglasses, and a lit cigarette with drifting smoke. Head slightly lowered, calm old-money mafia aesthetic, blurred car foreground, soft overcast daylight, shallow DOF, 85mm f/1.8 medium-format look, muted luxury color grading, Tom Ford editorial style, photorealistic, HDR, hyper-detailed, 8K, no text, no logo, no watermark. چنل: @editpars

استمرار رو برای ما بد معنی کردن و تو ذهنمون کاشتن واسه همینه خیلیا انگیزشون از دست میدن ما همیشه سطح انرژیمون بالا نیست یه روز با 100 درصد انرژیمون کار میکنیم یه روز با 20 درصد یه روز با 50 درصد فقط مهم اینه که سطح انرژیت تو هر درصدی که بود اونروز رو مثل یه جنگ جو که اگه ادامه نده پای جونش وسطه ادامه بدی این که هر روز یا 100 درصد انرژیت بخوای ادامه بدی نشدنی و دروغی که به خودمون میگیم

خدارو شکر 🍓 از سرتون افتاد😅😌

هرچیزی که یاد گرفتی میخواستی تو ذهنت حک بشه به یکی همونو یادش بده چون باعث میشه خودت با دقت بری جزییاتشو در بیاری که هی تکرار کنی یه موقع اشتباه یادش ندی✅