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clairo's literally the most person i've ever seen in my whole life. her eyes, hair and every little thing about is the prettiest thing i've ever seen.
زمانی که فیلم رو دیدم متوجه انقدر محبوب و موفق بودناش نشدم، تا اینکه با یه فردی صحبت کردم که گفت این فیلم توی زمان خودش خیلی نوآوری داشته و دلیل اهمیتاش به شکستن دیوار چهارم، شخصیت پردازی زن، روایت غیرخطی و نوآوری های فرمی هست. اینها در حال حاضر به چشم نمیان چون طی پنجاه سال اخیر همه از این فیلم الهام گرفتن و به همین دلیل این نوآوریها برای نسلهای بعد کمتر به چشم میان.
“Kiss me goodbye, pushing out before I sleep, can't you see I try, swimming the same deep water as you is hard, the shallow drowned lose less than we, you breathe the strangest twist upon your lips, and we shall be together, and we shall be together, kiss me goodbye, bow your head and join with me, and face pushed deep reflections meet, the strangest twist upon your lips, and disappear the ripples clear, and laughing break against your feet, and laughing break the mirror sweet, so we shall be together, so we shall be together, kiss me goodbye pushing out before I sleep, it's lower now and slower now, the strangest twist upon your lips, but I don't see and I don't feel, but tightly hold up silently, my hands before my fading eyes, and in my eyes your smile, the very last thing before I go, the very last thing before I go, the very last thing before I go, I will kiss you, I will kiss you, I will kiss you forever on nights like this, I will kiss you, I will kiss you, and we shall be together.”
“This is the worst I've been since I've been home, tried to quit, been a week, need a quick pull, this is the worst I've been since I've been old, stealing bottles from the basement, hard to recreate the way I felt when I was seventeen, I'll keep trying if it kills me, baby, suburbia feels the same as it used to, park the bike, wipe the sweat, what's it come to? I'm facing the summer of my senior, all the bridges I crossed are burned, I'll be honest, I wasn't perfect, I'll be honest, you weren't either, I draw my line in the sand, the sand, coming from a high on the first of July, I couldn't read your mind, I couldn't read your mind, haven't thought for a while, really can't deny that I think about the time, I think about the time, I crossed your mind, I crossed your mind, I crossed your mind.”
“Sweetness, sweetness, I was only joking when I said, I'd like to smash every tooth in your head, sweetness, sweetness, I was only joking when I said by rights you should be bludgeoned in your bed, and now I know how joan of arc felt, now I know how joan of arc felt, as the flames rose to her roman nose, and her walkman started to melt, bigmouth, bigmouth, bigmouth strikes again, and I've got no right to take my place with the human race, bigmouth, bigmouth, bigmouth strikes again, and I've got no right to take my place with the human race, and now I know how joan of arc felt, now I know how joan of arc felt, as the flames rose to her roman nose, and her hearing aid started to melt, bigmouth, bigmouth, bigmouth strikes again, and I've got no right to take my place with the human race, bigmouth, bigmouth, bigmouth strikes again, and I've got no right to take my place with the human race, bigmouth, bigmouth, bigmouth strikes again, and I've got no right to take my place with the human race, bigmouth, bigmouth, bigmouth strikes again, and I've got no right to take my place with the human race.”
توی پیش گفتار کلی چاسر، شخصیت مادر روحانی یا راهبهٔ دنیای کنتربری تیلز رو ساده، فروتن و در تبسم باحیا توصیف میکنه که توی پاورق کتاب راجع بهش نوشته خندیدن برای راهبهها مکروه بود و مقررات و عرف صومعهها ایجاب میکرد که راهبهها خندهی خود رو مهار کنند و در صورت خندیدن این کارشان بیصدا باشد. سرکلاس زیاد درباره ویژگیهای چاسر که اون رو از نویسندههای هم دورهاش جدا میکنه صحبت کردیم و چاسر در کنار هوش و ذکاوت تیزی که داشته انسانیت و درک بالایی هم داشته. خیلی دوستاش دارم.
“Ther was also a nonne, a prioresse, that of hir smylyng was ful symple and coy; hire gretteste ooth was but by seinte loy; and she was cleped madame Eglentyne.”
— The Canterbury Tales, by Geoffrey Chaucer
“Threading, the glacier head, looking hard for moments of shine from twilight to twilight, aurora, goddess sparkle, shoot me beyond this suffer, the need is great, aurora, aurora, goddess sparkle, a mountain shade suggests your shape, I tumbled down, on my knees, fill the mouth with snow, the way it melts, I wish to melt into you, aurora, spark the sun off, spark the sun off, spark the sun off, spark the sun off, spark the sun off, spark the sun off, spark the sun off for me.”
