现已上线！2025 年 Telegram 研究 — 年度关键洞察 
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频道帖子
👀 Look! Books!
Bráulio Amado “2018 Bráulio Amado BAD Studio”
Published by Stolen Books, 2019
ISBN 978-989-54373-2-0
I wrote about one of Braulio’s projects not long ago, but he is an absolute Portuguese legend here in NYC. Happy to own one of his signed books in my collection. The book collects over 400 pages of work from the first full year of his Bad Studio, published by Stolen Books. Definitely a must-buy if you ever come across one.
| 2 |  +4Added a lot of features to my video pixel shader app. Besides things like custom text, trimming, and cell shapes, I can now add motion to each cell, which makes the whole shader feel much more dynamic. | 350 |
| 3 | Added a lot of features to my video pixel shader app. Besides things like custom text, trimming, and cell shapes, I can now add motion to each cell, which makes the whole shader feel much more dynamic. | 1 |
| 4 |  +4Ever since my Leica 28mm lens was stolen in Barcelona earlier this year, the lens I used 90% of the time on my Leica M11, while the camera itself was on me, I had to go back to my Canon with the 70–200mm f/2.8 zoom. Shooting with a zoom is so different that it takes me a while to get used to it every time. I also ended up taking my Canon on the long trip through Bangkok, Seoul, and Tokyo instead of the Leica and the 50mm lens I still have.
Not having my favorite wide-angle lens changed what I ended up photographing. At some point during the trip I thought of recording videos of the things I was photographing. It definitely looked better in my head than it turned out. Shooting video handheld on a zoom lens is a clear miss. | 387 |
| 5 | Swiss studio Studio Feixen (or rather ZweiZwei, the software label founded by them with Etter Studio), launched PenPen, a browser-based (!) vector drawing tool focused on animation. It supports seamless loops, animated patterns, dynamic shapes, and other motion-based features. Giving it a try today. | 471 |
| 6 |  +9Snapshots from Seoul | 466 |
| 7 |  +6In January 2024 I had a chance to visit The Site of Reversible Destiny in Yoro Park, Japan, which is kind of in the middle of nowhere. We were staying in Kyoto, and it took us six trains and a whole day to get there and back. But it was kind of worth it.
This place feels less like a park and more like some strange architecture experiment. Created by Shusaku Arakawa and Madeline Gins and opened in 1995, it is full of uneven ground, steep hills, strange structures, unexpected surfaces, and spaces that constantly throw off your balance. You can’t just walk there like in a park, the whole thing feels like a hike.
One of the coolest sights there is the colorful Reversible Destiny Office, added in 1997. It is a bright, maze-like structure with an uneven floor and a ceiling that mirrors the floor below it. | 466 |
| 8 | Came across a gallery in Seoul a couple of weeks ago that had a show of Korean artist Ung-Pil Byen and his SOMEONE / SOMETHING series. | 490 |
| 9 | Came across this video on Instagram about a music genre called ‘slurm core’. It’s a type of music production where the music is pitched down and fast while missing every other part matching the beat. There’s an entire subreddit dedicated to it.
I opened Ableton and tried the technique described in the video. I dragged Beck’s Everybody’s Gotta Learn Sometime and with 5 clicks had this banger! | 520 |
| 10 | Photography in motion by Charly G. Such a simple idea but visually it is so impactful!
Also technically seems like a simple thing to do. I imagine just filming the 10 seconds video of the scene with camera fixed on a tripod. Then the person comes into the frame and you take a photo. You cut out a person from the background and bring it as PNG layer over the video in After Effects. | 602 |
| 11 |  +1As I was taking these two photos of a building in Seoul two weeks ago, I was sure I would not be able to merge them together. The street was so narrow, and the top part of the building was way too skewed. But I was wrong. Definitely a painful one to stitch together. No AI, all by hand. AI still sucks at this. | 548 |
| 12 |  +6Finally had some time to test and play with Codex from OpenAI. It’s quite nice, and much better than the AI agents I used before, where it would tell you which files to create and what code to paste where, hoping it would all somehow come together. Now it just gets access to the folders, creates the full file structure, and makes changes wherever needed. I also gave it access to a Figma file, and it built the whole design, including custom sliders, custom dropdowns, and interactive component states, pretty much on the first try, which was impressive. I know people already use Claude Design, but I only have a basic ChatGPT subscription, and Codex is the only tool I have right now.
Made this ASCII pixel shader tool for videos with easily swappable colors. Took just one evening. | 595 |
| 13 | Picked up a random book in a store simply because it felt nice in my hand and looked beautifully designed. Then I noticed these strange paragraph breaks, something I do not think I had seen before.
So of course I went to the last pages to check who designed it, and of course it was Irma Boom. | 702 |
| 14 | ![The power of pictograms 🍗🐠 [Source]](data:image/jpeg;base64,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){kind=small} The power of pictograms 🍗🐠
[Source] | 723 |
| 15 |  +3Yesterday I finally got a chance to visit Morioka Shoten Ginza in Tokyo.
It is a super tiny bookstore founded by Yoshiyuki Morioka in 2015, built around the idea of issatsu, isshitsu, “one room, one book.” It is literally a tiny room that sells only one book at a time, usually for a week, and turns the whole space into a small exhibition around it.
Right now they are showing a photography book by the Japanese photographer Kijima Takashi, featuring his images of New York from the 1960s. | 648 |
| 16 |  +6Work by Magali Brueder | 718 |
| 17 | 1-Bit Symphony (2010) by Tristan Perich is a music album released as a small electronic object inside a CD case. Instead of containing an actual CD recording, the case holds a hand-assembled circuit and a microchip that plays the piece live through a headphone jack.
The whole composition is built using 1-bit audio, the simplest form of digital sound, just on and off signals. I love this example because the format, the technology, and the composition are all the same thing.
[Video source] | 838 |
| 18 |  +9People of Seoul 🇰🇷 all last week | 585 |
| 19 | A photography project titled “Time is Money
” by New York-based Yuri Yurenev, recently featured in Harper’s Magazine.
The photographer asked different people how long it takes them to earn one dollar, then photographed them at work using a shutter speed set to that exact duration. The result is that the camera setting becomes part of the concept itself.
A house cleaner takes 120 seconds to earn one dollar, so the exposure is set to 120 seconds, and the person almost disappears from the image because the shutter stays open so long. A shoe cleaner needs 60 seconds, so the exposure is 60 seconds.
A very nice way to connect the idea directly to the mechanics of photography.
[1] House Cleaner, 120 Seconds
[2] Sex Worker, 3.6 Seconds
[3] Resident Doctor, 95 Seconds
[4] City Council Woman, 100 Seconds
[5] Dry Cleaner, 60 Seconds
[6] Notary Public, 244 Seconds
[7] Shoe Shiner, 60 Seconds
[8] Butcher, 144 Seconds | 3 043 |
| 20 |  +2Milkhall posters (2022) by Agata Yamaguchi (Collé studio) | 600 |
