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The Third of May 1808, circa 1814. Painted by Francisco Goya. "The Third of May 1808" is housed in the Museo del Prado in Madrid. This work memorializes the Spanish resistance to Napoleon’s armies during the 1808 occupation in the Peninsular War. Goya proposed the creation of this painting to the provisional government of Spain following the expulsion of French forces and the reinstatement of King Ferdinand VII. It was created alongside its companion piece, "The Second of May 1808" (also known as "The Charge of the Mamelukes"), both of which are of the same dimensions and share thematic elements.

Orphaned, circa 1891. Painted by Nikolay Kasatkin.

Prayer Over The Grave, circa 1895. Painte by László Mednyánszky.

We live in the Mystery that we have Violated, circa 1930. Painted by Tito Giacinto Fuga.

The Appearance, circa 1890. Painted by Karl Wilhelm Diefenbach.

Spiritualism, circa 1892. Illustration by Hans Baluschek.

Scene of Horror. Painted by Ladislav Mednyánszky (1852-1919).

The Magical Mirror, circa 1853. Painted by Edward Henry Corbould.

A Moonlight Phantasy, circa 1930. Painted by Hilda Hechle.

Landscape on the Moon, circa 1947. Painted by William Robinson.

Destruction of Leviathan, circa 1862. Illustration by Gustave Doré.

Water with Swans by Moonlight, circa 1900. Painted by Ferdinand Keller.

She Made Herself into a Cat, circa 1920. Painted by Arthur Rackham. Historical Artworks

Water Nymph, circa 1905. Painted by Marian Wawrzeniecki. Historical Artworks

Mocking of Christ, circa 1617. Painted by Gerard van Honthorst. Historical Artworks

Saint Michael the Archangel, circa 1650. Painted by Francesco del Cossa. This painting is a dramatic depiction of Saint Michael the Archangel, often portrayed as a warrior angel in Christian iconography. Saint Michael is known for his battle against evil, typically shown as him defeating Satan, often represented as a dragon or a demonic figure. In this particular work, Saint Michael is seen in mid-air, his wings outstretched, with a bold, defiant expression as he wields a sword or spear, symbolizing the fight against darkness. The defeated figure below represents evil being vanquished. The use of chiaroscuro, the strong contrast between light and dark, adds to the intensity and drama of the scene. This painting exemplifies the Baroque era's focus on movement, detail, and emotional intensity.

Party of Mobilization Day, circa 1936. Painted by Daniel Sabater y Salabert (1888-1951). Historical Artworks

The Virgin of Darkness. Painted Jean François De Boever (1872 - 1949). Historical Artworks

Country House by Moonlight. Painted by Wilfred Bosworth Jenkins (1857-1936). Historical Artworks

Monster of Lake Tagua, circa 1784. Painted by unknown artist. Historical Artworks