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ANDMORE by Collins We redesigned their purpose, offering, company structure and brand around this strategy. From “a holding company of wholesale markets,” we pivoted IMC to be the first “omni-channel wholesale market.” We united their portfolio under a new name: Andmore — a promise of more ease, more access, more options, and more. #logo #identity

👆«Ах, да, вот, где я мог это видеть» — скажет пытливый читатель и будет прав. Busorama Medium designed by Tom Carnase for ITC: International Typeface Corporation #old_good_things

Apex by Gold Front Шрифт Herbus by Eliott Grunewald (из серии, как говорится, «где-то я такой уже видел, но не помню где»). Подробности презентации графического стиля идентификации. #custom #typeface #identity #ligatures

junge berner künstler by arnold rüdlinger this is the catalogue of a 1955 exhibition of young bernese art in the kunsthalle bern. kunsthalle director arnold rüdlinger (1919-1967) wrote the introductory text. Всё так интересно распределено по полосе. Разлёт слов и разрядка в цифрах. #typography #bookcover

Wise Custom Typeface by NaN Beginning with a redrawn logo, we collaborated with the London-based design agency to craft a modification and extension of Feliciano’s Parafina typeface for the brand – expanding its language support to 361* different scripts across Latin, Cyrillic and Greek, whilst providing countless adjusted currency symbols alongside the basic Latin set. In addition to the sans serif’s more rigorous, pragmatic functions, we also introduced a finely tuned set of custom alternates, carefully adjusting the regularity of their appearance in words and how they would integrate across a body of text. For this purpose, we developed a clever set of ligatures and contextual alternates, ensuring every letter combination and every word would look just right. The result? An original, proudly contemporary brand outfitted with a meticulous, marvellous custom tilting typeface.

Atkins Réalis Custom Typeface by NaN The type family duo offered daringly opposing personalities: GameChanger and Bienvenue. A distinctive titling sans-serif with square counters contrasting its rounded outer shapes, GameChanger creates distorted outlines visually referencing separate machined parts. Meanwhile, Bienvenue is a clear-cut, no-bullshit neo-grotesk with subtle details and a crisp legibility. Together, both families share the same proportions and weight, working harmoniously to serve Atkins Réalis human-centred technological identity. #castom #typeface #identity

Shaumont • 2010 Афиша. #multiply #trick #typography

Нарезное. 🔪 #stencil #ugly

Пирамиды египетские. #typeface #type_specimen

Pirelli Shield construction grid. Designed by Bob Noorda in the 1970's. источник (https://www.facebook.com/groups/771395196543555/) Anatomy of Logos. #logo

Узкое и широкое 👆🏻

Taku Satoh Design Office Inc. Poster / 1991

Architecture, Musée de Gajac 2023 by Philippe Apeloig #typography #trick #cut

Neues Amt Altona by Stan HEMA В освобожденное пространство между аббревиатурой и расшифровкой вставляем нечто важное. Приёмисто (пример выше). Развернуто на сайте. #logo #trick #identity

Прекрасное безобразное. По заветам старых мастеров (илл. 2) разработан шрифт (илл. 1) для Jeremiah Brent (больше примеров на сайте). Lareu & Gonzalez (авторы) Creative Design Studio based between in London & Paris #custom #typeface #ugly

Серийно. #bookcover #illustration #grid #typography

Jac Lenders An Excess of Love Grove Press Printed 1968 Обложки книг. #bookcover #graphic

Practical English Handbook Houghton-Mifflin Printed 1974 😍——>> wwwwwww. #bookcover #trick #graphic #illustration #typography

Droit by Pentagram The wordmark merges a bitmap typeface—suggesting technology and the platform’s meta quality—and a geometric, sans serif typeface that is “finished” and visible. The semi-pixelated logo is caught in flux, showing both the transformation and the final result at the same time, in a state of interchange. The partially pixelated look extends through the applications, including brand animations, stationery, signage and the website. A strong color palette of blue and black helps the brand stand out in the fintech category. Supporting typography is set in the sharp sans serif PX Grotesk (designed by Optimo). #custom #typeface #identity #logo #pentagram