Lacan's Whore House
前往频道在 Telegram
Rules: 1. Desire is desire of big Other. 2. Play around big Other. 3. Enjoy your sinthome @notanaltankism
显示更多📈 Telegram 频道 Lacan's Whore House 的分析概览
频道 Lacan's Whore House (@contyteens) 英语 语言赛道中的 是活跃参与者。目前社区聚集了 11 510 名订阅者,在 政治 类别中位列第 4 466,并在 美国 地区排名第 3 065 位。
📊 受众指标与增长动态
自 невідомо 创建以来,项目保持高速增长,吸引了 11 510 名订阅者。
根据 24 十月, 2026 的最新数据,频道保持稳定运转。过去 30 天订阅人数变化为 -1,过去 24 小时变化为 4,整体触达仍然可观。
- 认证状态: 未认证
- 互动率 (ER): 平均受众互动率为 29.92%。内容发布后 24 小时内通常能获得 14.27% 的反应,占订阅者总量。
- 帖子覆盖: 每篇帖子平均可获得 3 446 次浏览,首日通常累积 1 643 次浏览。
- 互动与反馈: 受众积极参与,单帖平均反应数为 47。
📝 描述与内容策略
作者将该频道定位为表达主观观点的平台:
“Rules:
1. Desire is desire of big Other.
2. Play around big Other.
3. Enjoy your sinthome
@notanaltankism”
凭借高频更新(最新数据采集于 25 十月, 2026),频道始终保持新鲜度与高覆盖。分析显示受众积极互动,使其成为 政治 类别中的关键影响点。
11 510
订阅者
+424 小时
+17 天
-130 天
帖子存档
11 511
Anxiety is the truth of sexuality, that is, what appears each time its ebb tide washes back and lets show the sand beneath.
11 511
Repost from Lion’s Library
Jacques Lacan claimed that his theory of feminine sexuality, including the infamous proposition, "the Woman does not exist," constituted a revision of his earlier work on "the ethics of psychoanalysis." In Imagine There's No Woman, Joan Copjec shows how Freud's ragtag, nearly incoherent notion of sublimation was refashioned by Lacan to become the key term in his ethics. To trace the link between feminine being and Lacan's ethics of sublimation, Copjec argues, one must take the negative proposition about the woman's existence not as just another nominalist denunciation of thought's illusions about the existence of universals, but as recognition of the power of thought, which posits and gives birth to the difference of objects from themselves. While the relativist position currently dominant insists on the difference between my views and another's, Lacan insists on this difference within the object I see. The popular position fuels the disaffection with which we regard a world in a state of decomposition, whereas the Lacanian alternative urges our investment in a world that awaits our invention.In the book's first part, Copjec explores positive acts of invention/sublimation: Antigone's burial of her brother, the silhouettes by the young black artist Kara Walker, Cindy Sherman's Untitled Film Stills, and Stella Dallas's final gesture toward her daughter in the well-known melodrama. In the second part, the focus shifts to sublimation's adversary, the cruelly uncreative superego, as Copjec analyzes Kant's concept of radical evil, envy's corruption of liberal demands for equality and justice, and the difference between sublimation and perversion. Maintaining her focus on artistic texts, she weaves her arguments through discussions of Pasolini's Salo, the film noir classic Laura, and the Zapruder film of the Kennedy assassination.
