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“shiny, shiny, shiny boots of leather, whiplash girl child in the dark, comes in bells, your servant, don't forsake him, strike, dear mistress, and cure his heart, downy sins of streetlight fancies, chase the costumes she shall wear, ermine furs adorn the imperious, severin, severin awaits you there, I am tired, I am weary, I could sleep for a thousand years, a thousand dreams that would awake me, different colors made of tears, kiss the boot of shiny, shiny leather, shiny leather in the dark, tongue of thongs, the belt that does await you, strike, dear mistress, and cure his heart, severin, severin, speak so slightly, severin, down on your bended knee, taste the whip, in love not given lightly, taste the whip, now bleed for me, I am tired, I am weary, I could sleep for a thousand years, a thousand dreams that would awake me, different colors made of tears, shiny, shiny, shiny boots of leather, whiplash girl child in the dark, severin, your servant comes in bells, please don't forsake him, strike, dear mistress, and cure his heart.”
“blueberries for breakfast, love in the afternoon, butterflies in my trousers, under the august moon, blueberries for breakfast, love in the afternoon, butterflies in my trousers, under the august moon, drive you to the airport, ait till it's time to go, I've checked the weather report, they say it will not snow and all the planes can come and go, but I think the ceiling is too low, so you can't go, blueberries for breakfast, love in the afternoon, butterflies in my trousers, under the august moon, new york fire, burning just a little too bright, manhattan firefly, never make it through the night, somehow she came out alright, through the darkness, see her light, shining bright, blueberries for breakfast, love in the afternoon, butterflies in my trousers, under the august moon, I'm gonna have to call the cops, if you don't leave me alone, stop waiting at the bus stop, trying to walk me home, the fbi, the cia, you know they'll never leave you alone and I will cut you to the bone, blueberries for breakfast, love in the afternoon, butterflies in my trousers, under the august moon, blueberries for breakfast, love in the afternoon, butterflies in my trousers, under the august moon, blueberries for breakfast, love in the afternoon.”
“you don't want much at all, a six-seater and an adderall, I tried to catch a ride, doors open suicide, I tried to get your attention, but you were too busy looking at the passing lights, I heard the static in your heart, 'cause you're just a stereo boy, stereo boy, I changed the station, but my pain, it still remained, 'cause you're just a stereo boy, stereo boy, you want just what you said, a fast life and an empty head, I tried to catch a ride, doors open suicide, look at me, I'll let you drive mе off the edge, if I can land in your oils, I hеard the static in your heart, 'cause you're just a stereo boy, stereo boy, I changed the station, but my pain, it still remained, 'cause you're just a stereo boy, stereo boy, I heard the static in your heart and fell apart, 'cause you're just a stereo boy, stereo boy, I changed the station, but my pain, it still remained, 'cause you're just a stereo boy, stereo boy."
“And thus the heart will break. Yet brokenly live on.”
— Lord Byron, from Childe Harold's Pilgrimage
“tied to the tracks and the train's just coming, strapped to the wing with the engine running, you say that this wasn't in your plan, don't mess around with the demolition man, tied to the chair and the bomb is ticking, this situation was not of your picking, you say that this wasn't in your plan, don't mess around with the demolition man, I'm a walking nightmare, an arsenal of doom, I kill conversation as I walk into the room, I'm a three line whip, I'm the sort of thing they ban, I'm a walking disaster, I'm a demolition man, I'm a walking nightmare, an arsenal of doom, I kill conversation as I walk into the room, I'm a three line whip, I'm the sort of thing they ban, I'm a walking disaster, I'm a demolition man, you come to me like a moth to the flame, it's love you need, but I don't play that game, you kept on coming, you should have ran, I'm nobody's friend, I'm a demolition man, I'm a walking nightmare, an arsenal of doom, I kill conversation as I walk into the room, I'm a three line whip, I'm the sort of thing they ban, I'm a walking disaster, I'm a demolition man, demolition man.”
“if you ever get close to a human and human behaviour, be ready, be ready to get confused, there's definitely, definitely, definitely no logic to human behaviour, but yet so, yet so irresistible, and there is no map, they're terribly, terribly, terribly moody, human behaviour, then all of a sudden turn happy, but to get involved in the exchange of human emotions, is ever so, ever so satisfying, and there is no map, human behaviour, human, human, human behaviour, human, human, human behaviour, human behaviour, human, human, and there is no map, and a compass wouldn't help at all, human behaviour, human, human, human behaviour, human, human behaviour, human, human, human behaviour, human, human, there's definitely, definitely, definitely no logic, human behaviour, human, human behaviour, human, human behaviour, human, there's definitely, definitely, definitely no logic, human, human, human, human.”
زمانی که بلو ولوت رو تماشا کردم، اصلاً متوجه ارزشش نشدم. توی لترباکسد بهش یه ریتینگ افتضاح دادم و گفتم اورریتده، که دیوانگی محضه. آثار لینچ مثل شراب کهنهان، با گذر زمان بهتر و بهتر میشن و ارزش واقعیشون بعد از مدتی برای آدم آشکار میشه.
you know someone is truly an art person when they weave cinema, music, and aesthetics together. in lynch’s case, his strong passion for art shows itself through the mastery of his craft.
