ℜᴀᴠᴇɴ ℭʟᴜʙ
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کلاب کلاغ های مرده. Call me Raven/Jacque (ژاک) Non-binary • they/them 🏳🌈 I do NOT support homophobia, transphobia, AI 'art', misogyny or this regime so go fuck yourself. Anon: @RavenClub_bot
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Yeah I drew this than I remembered I should drew in the other art style... Well I don't care I'll draw in different art styles
370
Fuck it. Forward this, show me your oc and I'll draw them in magma like this or smth
Limit : till I go sleep (yes I KNOW it's middle of the night and no one is awake but anyways)
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OMG, it's FNAF: Sister Location time. The GOAT. Seriously, this was the first game where Scott finally had enough money to hire real voice actors — and the voice actors? PURE GOLD. If you haven’t played the game yet, do it. It’s straight FIRE. 🗣🔥
Anyway, back to the timeline.
The game starts with the voice of a British gentleman (his voice is so evil and hot, I swear), explaining the anatomy of an animatronic. Then we hear a little girl’s voice complaining that “her daddy won’t let her see her.”
Fast-forward to Michael’s adulthood. After a childhood full of trauma and depression, it’s finally his freedom era… or so he thought. It only takes a few minutes before Daddy Afton calls him for another job. He has to go underground — literally — into William’s secret testing facility, the place where he continued his experiments after splitting from Henry.
(Probably the police caught Henry instead of William, OR they just had the messiest breakup ever. 💔)
In the FNAF universe, when a soul mixes with metal, it creates “remnant,” but let’s NOT open that hole because we’ll be here for 500 years.
So poor Michael goes down there, completely oblivious to the fact that these animatronics are bat-shit crazy. They were literally made to KIDNAP CHILDREN so William-the-motherfucker could experiment on remnant. OH MY GOD, WILLIAM.
We follow Michael as he does whatever HandUnit tells him to do. Each animatronic has its own room. And every damn time we go to Circus Baby’s room, she’s NOT THERE — just her voice, telling us about her past. (And Heather’s voice? Absolutely stunning and calming.)
Circus Baby starts manipulating Michael. At the end of the third/fourth night, we get attacked by Funtime Foxy, and the animatronics kidnap us. When we wake up, we’re inside a springlock suit. Some say it’s Circus Baby, some say it’s not, some say William is a complete idiot who reused springlocks again even though Baby is FULL OF machinery. No one knows. FNAF fans are feral.
ANYWAY, on night five, Baby convinces Michael to take her chip and follow her voice to the exit. (This is the dumbest decision this man ever makes.)
We end up in the “Scooping Room,” which Baby mentioned earlier. There’s a giant mechanical scooper, animatronic parts everywhere… and yeah. It literally scoops Michael. As in pulls out every organ. Every. Single. One.
And the weirdest part? Earlier animatronics that got scooped have tangled themselves together into a creature… and they use Michael’s skin to escape the facility.
LIKE??? WHY NOT JUST USE THE ELEVATOR?? WHY DOES MICHAEL NOT RUN???
THEY ARE ALL STUPID OMG.
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And then we get to : The Two Important Minigames
1. Ice Cream Minigame
We follow pixelated Circus Baby giving cakes to children. If we do it correctly, the music starts to stretch and distort. A little girl approaches. Circus Baby’s stomach opens and reveals a handle holding an ice cream. The ice cream drops, the claw grabs the girl, and the screen goes black with her screams echoing.
What does this tell us?
Elizabeth Afton was a stubborn little shit who didn’t listen to her father and got eaten.
2. Michael Afton’s Minigame (Post-Scoop)
We see Michael walking around his neighborhood.
– In the first scene, he looks normal.
– In the second, his skin looks sickly, slightly green, neighbors staring at him.
– In the last scene, he’s completely purple and barely functioning. When the scene ends, he bursts into a mess of wires and eyes — the leftover parts of the animatronics inside him.
This creature is later known as Ennard.
