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المخرج اندريه يبرر سرقته للمشهد ومعظم قصة فيلم Perfect Blue على أنها تكريم للمخرج ساتوشي والمضحك أن ما ذكر اسمه بالفيلم فشلون تبرير فاشل هذا، ونولان يبرر سرقته لمشاهد وقصة Paprika بأن اني چنت اكتب الفيلم من قبل ما ينزل فيلم Paprika وهذا هم تبرير فاشل.
يعني لو ما هذا المخرج ساتوشي چان هسة ماكو فيلم اسمه Inception ولا فيلم Requiem for a Dream.
Satoshi KonHe was a Japanese director most known for anime films. Kon started his career as a manga artist and editor in Young Magazine and then made his screenwriting debut with Magnetic Rose, a section of the anthology film Memories. Kon made his directorial debut film, Perfect Blue, in 1997, followed by Millennium Actress, Tokyo Godfathers, Paprika and the television series Paranoia Agent. A fifth film, The Dream Machine, was also in production at the time of his death but was cancelled afterwards. All of his works as a director were made by Studio Madhouse, where he was a staff director, along with Rintaro and Yoshiaki Kawajiri. He was a founder and part of the 15-member steering committee of the Japan Animation Creators Association (JAniCA) labor group. Satoshi Kon died of pancreatic cancer shortly before his 47th birthday. Before dying, he left a final statement on his blog.
Satoshi KonHe was a Japanese director most known for anime films. Kon started his career as a manga artist and editor in Young Magazine and then made his screenwriting debut with Magnetic Rose, a section of the anthology film Memories. Kon made his directorial debut film, Perfect Blue, in 1997, followed by Millennium Actress, Tokyo Godfathers, Paprika and the television series Paranoia Agent. A fifth film, The Dream Machine, was also in production at the time of his death but was cancelled afterwards. All of his works as a director were made by Studio Madhouse, where he was a staff director, along with Rintaro and Yoshiaki Kawajiri. He was a founder and part of the 15-member steering committee of the Japan Animation Creators Association (JAniCA) labor group. Satoshi Kon died of pancreatic cancer shortly before his 47th birthday. Before dying, he left a final statement on his blog.
هو أنت حتى تكتب لازم يكون عندك شيء أو أشياء تكتب عنها. يعني لو أنت استمعت لنصائح كبار الكتّاب لكن بنفس الوقت ما عندك شيء تكتب عنه، فبهذه الحالة كأنك ترجع سمكة ميتة للنهر على أمل أن ترجع تعيش مرة ثانية، يعني ماكو أي فائدة أبدًا.
ولهذا أول نصيحة بدأ بها هذا الكاتب هي أن تجلس وتكتب، هذا التزامك الوحيد.
وقد تبدو بديهية لكن مهمة، وهي نفس نصيحة إرنست همنغواي لما سألوه: هل يجب على الكاتب أن يلتزم بنشاط سياسي أو اجتماعي حتى ممكن يجد شيء يكتب عنه؟ في وقتها قال: لا، لأن التزام الكاتب الوحيد هو أن يجلس ويكتب فقط. أما باقي النصائح فهي تقريبًا لما بعد الكتابة.
هو أنت حتى تكتب لازم يكون عندك شيء أو أشياء تكتب عنها. يعني لو أنت استمعت لنصائح كبار الكتّاب لكن بنفس الوقت ما عندك شيء تكتب عنه، فبهذه الحالة كأنك ترجع أسماك ميتة للنهر على أمل أن ترجع تعيش مرة ثانية، يعني ماكو أي فائدة أبدًا.
ولهذا أول نصيحة بدأ بها هذا الكاتب هي أن تجلس وتكتب، هذا التزامك الوحيد. وقد تبدو بديهية لكن مهمة، وهي نفس نصيحة إرنست همنغواي لما سألوه: هل يجب على الكاتب أن يلتزم بنشاط سياسي أو اجتماعي حتى ممكن يجد شيء يكتب عنه؟ في وقتها قال: لا، لأن التزام الكاتب الوحيد هو أن يجلس ويكتب فقط. أما باقي النصائح فهي تقريبًا لما بعد الكتابة.
I have so much to say, but silence is louder when it comes to the people I truly want to talk to.
تروفونيوس شخصية من الميثولوجيا اليونانية، وكان له مزار وكهف نبوي في ليباديا. وكان الاعتقاد أن من يدخل الكهف ويخوض التجربة يخرج منه وقد تغيّر إدراكه للحياة.
“When I was young, I forgot how to laugh in the cave of Trophonius; when I was older, I opened my eyes and beheld reality, at which I began to laugh, and since then, I have not stopped laughing. I saw that the meaning of life was to secure a livelihood, and that its goal was to attain a high position; that love's rich dream was marriage with an heiress; that friendship's blessing was help in financial difficulties; that wisdom was what the majority assumed it to be; that enthusiasm consisted in making a speech; that it was courage to risk the loss of ten dollars; that kindness consisted in saying, "You are welcome," at the dinner table; that piety consisted in going to communion once a year. This I saw, and I laughed.”
Søren Kierkegaard
“What is a poet? An unhappy man who hides deep anguish in his heart, but whose lips are so formed that when the sigh and cry pass through them, it sounds like lovely music... And people flock around the poet and say: 'Sing again soon' - that is, 'May new sufferings torment your soul but your lips be fashioned as before, for the cry would only frighten us, but the music, that is blissful.”
Søren Kierkegaard, “Either/Or”.
🎧 Track: El Bahr Azra
👤 Artist: Al Massrieen
💽 Album: Modern Music (Habibi Funk 006)
📅 Date: 2017-04-28
I can't take anymore I have no more wings I can't take anymore The gates of heaven sealed Don't you hear me Don't you hear me Don't you fear me Of never coming back Do you know what it's like When heaven's hung in black I can't take anymore Our walls are black and bleed I can't take anymore No rooms here for your screams Don't you hear me Don't you hear me Don't you fear me Of never coming back Oh, no more tears please Hanging heaven black No don't you leave me to die Don't you leave me to die Don't you leave me to die No don't you leave me to die And you'll know what it's like The wailing wall of sighs Hanging heaven black And you'll know what it's like When paradise is blind When heaven's hung in black Time - How can you say That I've no time Am I blind - now you say that Heaven's blind, yeah Across the bridge of sighs, blind, time, time Oh lord, don't you leave me to die No, don't you leave me to die Don't you leave me to die No lord, don't you leave me to die And you'll know what it's like The wailing wall of sighs Hanging heaven black And you'll know what it's like When paradise is blind Painting heaven black Across the bridge of sighs Your losing heaven's light Heavens hung in black
