متاح الآن! بحث تيليغرام 2025 — أهم رؤى العام 
Visuverse
الذهاب إلى القناة على Telegram
Immerse yourself in a vibrant visual culture! Discover artistic wonders, captivating photography, and creative inspiration that sparks your passion. Follow us for your daily dose of visual magic! 🎨📸✨
إظهار المزيد📈 نظرة تحليلية على قناة تيليجرام Visuverse
تُعد قناة Visuverse (@visualtrove) في القطاع اللغوي الإنكليزية لاعباً نشطاً. يضم المجتمع حالياً 29 650 مشتركاً، محتلاً المرتبة 920 في فئة الفن والتصميم والمرتبة 1 377 في منطقة الولايات المتحدة.
📊 مؤشرات الجمهور والحراك
منذ تأسيسه في невідомо، حقق المشروع نمواً سريعاً وجمع 29 650 مشتركاً.
بحسب آخر البيانات بتاريخ 10 يونيو, 2026، تحافظ القناة على نشاط مستقر. خلال آخر 30 يوماً تغيّر عدد الأعضاء بمقدار -18 752، وفي آخر 24 ساعة بمقدار -1 181، مع بقاء الوصول العام مرتفعاً.
- حالة التحقق: غير موثّقة
- معدل التفاعل (ER): يبلغ متوسط تفاعل الجمهور 13.67%. وخلال أول 24 ساعة من النشر يحصد المحتوى عادةً 6.10% من ردود الفعل نسبةً إلى إجمالي المشتركين.
- وصول المنشورات: يحصل كل منشور على متوسط 4 082 مشاهدة. وخلال اليوم الأول يجمع عادةً 1 821 مشاهدة.
- التفاعلات والاستجابة: يتفاعل الجمهور بانتظام؛ متوسط التفاعلات لكل منشور يبلغ 11.
- الاهتمامات الموضوعية: يركز المحتوى على مواضيع رئيسية مثل canva, visuverse, american, ivan, william.
📝 الوصف وسياسة المحتوى
يصف المؤلف القناة بأنها مساحة للتعبير عن الآراء الذاتية:
“Immerse yourself in a vibrant visual culture! Discover artistic wonders, captivating photography, and creative inspiration that sparks your passion. Follow us for your daily dose of visual magic! 🎨📸✨”
بفضل وتيرة التحديث المرتفعة (أحدث البيانات بتاريخ 11 يونيو, 2026) تحافظ القناة على حداثتها ومستوى وصول مرتفع. وتُظهر التحليلات تفاعلاً نشطاً من الجمهور، ما يجعلها نقطة تأثير مهمة ضمن فئة الفن والتصميم.
29 650
المشتركون
-1 18124 ساعات
-4 3067 أيام
-18 75230 أيام
جاري تحميل البيانات...
القنوات المماثلة
لا توجد بيانات
هل تواجه مشاكل؟ يرجى تحديث الصفحة أو الاتصال بمدير الدعم الخاص بنا.
سحابة العلامات
الإشارات الواردة والصادرة
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جذب المشتركين
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| التاريخ | نمو المشتركين | الإشارات | القنوات | |
| 11 يونيو | 0 | |||
| 10 يونيو | 0 | |||
| 09 يونيو | +64 | |||
| 08 يونيو | +95 | |||
| 07 يونيو | +25 | |||
| 06 يونيو | 0 | |||
| 05 يونيو | 0 | |||
| 04 يونيو | 0 | |||
| 03 يونيو | 0 | |||
| 02 يونيو | 0 | |||
| 01 يونيو | 0 |
منشورات القناة
| 2 |  "Portrait of Aleksandra Alekseevna Venetsianova", 1826
Artist: Alexey Grigoryevich Venetsianov
Canvas, oil; 40.4×32.6 cm
The State Tretyakov Gallery, Moscow
After his wife's death, the artist cared for his two daughters — the elder Sasha and younger Felitsata — with deep tenderness and affection, finding joy in their growth and sorrow in their illnesses:
Aleksandra showed artistic talent early on and began drawing and painting under her father’s guidance. Later, she wrote detailed memoirs about him, affectionately portraying him as a gifted, modest, noble, and wise man — deeply loved and respected by all who knew him.
Visuverse | 1 178 |
| 3 |  Landscape with a Waterfall
Dutch artist: Allaert van Everdingen (1621–1675)
Canvas, oil; 119×114 cm
National Museum, Stockholm
Visuverse | 1 329 |
| 4 |  "Sleeping", 1867
Artist: Alexander von Liezen-Mayer
Oil on canvas; 55×62.5 cm
Hungarian National Gallery, Budapest
Visuverse | 2 527 |
| 5 |  "Window", 1886
Artist: Viktor Elpidiforovich Borisov-Musatov
Canvas, oil; 62.5×47 cm
State Tretyakov Gallery, Moscow
Borisov-Musatov depicts the window of a single-story wing of a house in Saratov, where his family lived on a small square grandly named Platz-Parade. Behind the house lay a garden that, from early childhood, became a source of inspiration for the artist. Throughout his short life, he would create plein-air sketches there, later used in larger compositions.
The artist meticulously and precisely renders on canvas everything his eye observes — the lush greenery of plants adorned with white, red, and pink blooms, the slightly ajar bluish shutters, the open white window frames, and the parted lace curtains revealing the view within the window's opening.
Visuverse | 2 480 |
| 6 |  "Paeonies in the Garden," 1894
Danish artist: Peter Thomsen-Petersen (1861–1926)
Wood panel, oil
Private collection
Visuverse | 2 545 |
| 7 |  "Terrace at Saint-Adresse", 1867
Artist: Oscar-Claude Monet
Canvas, oil; 98×130 cm
The Metropolitan Museum of Art, New York
The painting’s composition stands out for its high vantage point and lack of a central focus. On the right foreground, seated in a chair, is the artist’s father, Adolphe. Slightly to the left, with her back to the viewer and sheltered under an umbrella, sits a woman—either Monet’s aunt, Madame Lecadre, or his sister, Sophie. In front of them, alongside a young man, stands Monet’s cousin, Jeanne Marguerite. The expanse of sea is dotted with sailing vessels of various sizes. Together with the band of sky—divided into cloudy and clear sections—half the canvas is taken up by the terrace itself, adorned with vibrant gladioli and nasturtiums. The play of colors is enhanced by two flags, placed just asymmetrically on either side of the terrace.
Visuverse | 3 696 |
| 8 |  "Marble Steps Leading to the Church of Santa Maria in Aracoeli in Rome", 1816
Artist: Christoffer Wilhelm Eckersberg
Oil on canvas; 32.5×36.5 cm
The Statens Museum for Kunst, Copenhagen
Visuverse | 3 703 |
| 9 |  Sunset
American artist: Frederick Judd Waugh (American, 1861–1940)
Canvas, oil; 76.2×101.6 cm
Private collection
Visuverse | 4 161 |
| 10 |  "Roses. Marie Krøyer in a wicker lounge chair in Mrs. Bendixen's garden", 1893
Danish artist: Peder Severin Krøyer (Peder Severin Krøyer, 1851 – 1909)
Canvas, oil; 67.5×76.5 cm
Skagens Museum, Skagen
Visuverse | 4 113 |
| 11 |  "Sunnyside", 1868
American artist: John George Brown (1831–1913)
Oil on canvas; 76.8×50.8 cm
Private collection
Visuverse | 3 831 |
| 12 |  "Chinese Coat", 1923
American artist: Leslie Prince Thompson (1880–1963)
Canvas, oil; 142.2×116.8 cm
Private collection
Visuverse | 4 492 |
| 13 |  "Wood Engraver," 1882
American artist: Charles Frederic Ulrich (1858–1908)
Wood panel, oil; 47.3×25.7 cm
Private collection
Visuverse | 4 157 |
| 14 |  "The Gentleman's Right," 1874
Artist: Vasily Dmitrievich Polenov | 120×174 cm | State Tretyakov Gallery, Moscow
A well-fed noble steps into his courtyard, smirking as he eyes three young women brought for his amusement. One blushes, obedient; one stares with quiet disdain; the third remains naïve. Their families are held back by soldiers. Above, the chaplain and the lord’s friend exchange mocking glances—surely he won’t take all three; some will be left for them.
— From a letter by Polenov to Professor Fyodor Chizhov, a close friend of his father, describing the painting.
#art #history #painting
Visuverse | 3 887 |
| 15 |  "Breakfast," 1880
Artist: Mary Hayllar
Canvas, oil; 19×24 cm
Private collection
Visuverse | 3 707 |
| 16 |  "Breakers", 1873
Artist: Fyodor Alexandrovich Vasiliev
Canvas, oil; 136×221 cm
Shattering against your granite knees,
With every wave—I rise again!
Hail to the foam—the joyous foam—
The towering foam of the sea!
Marina Ivanovna Tsvetaeva
Visuverse | 3 312 |
| 17 |  "Mother, Daughter, and Granddaughter Knitting," 1897
Danish artist: Georg Achen (1860–1912)
Oil on canvas; 71×78.8 cm
Private collection
Visuverse | 3 133 |
| 18 |  "Domestic Worries"
German artist: Rudolf Epp (1834–1910)
Canvas, oil; 95×73 cm
Private collection
Visuverse | 2 838 |
| 19 |  Figures in an interior with a palm garden outside the window
American artist: Edwin Lord Weeks (1849–1903)
Oil on canvas; 81.28×100.33 cm
Private collection
Visuverse | 2 443 |
| 20 |  "Deer by the Lake," 1880s
American painter Albert Bierstadt (1830–1902)
Oil on canvas; 77.2×113.1 cm
Yale University Art Gallery, New Haven
Visuverse | 2 032 |
