The Traditional Heathens

Understanding Universalism vs. Tribal Views In the context of spirituality and cultural practices, the concepts of universalism and tribal views are contrasting philosophies. Here’s a brief exploration to help you understand their key differences: - Universalism - (left) The belief that certain principles or truths are applicable to all individuals, regardless of their cultural, geographical, or social backgrounds. In a spiritual context, universalism posits that the divine or sacred is accessible to everyone and that spiritual truths are the same across all humanity. Key characteristics of universalism include: - Inclusivity: It embraces all people, promoting a sense of a global community. - Shared Ethics: It often advocates for a common set of moral or ethical standards. - Adaptability: Universalism tends to be flexible, allowing for the integration of diverse beliefs and practices. -Tribal Views - (right) Tribal views, on the other hand, are rooted in the customs, traditions, and beliefs specific to a particular group or community. These views are often closely tied to the identity and heritage of the tribe. Key characteristics include: - Exclusivity: Tribal views emphasize the unique cultural practices and beliefs of the group, often distinguishing them from others. - Specific Ethics: Moral and ethical standards are defined by the tribe’s historical and cultural context. -Tradition: There is a strong emphasis on preserving the traditions and customs handed down through generations. -Key Differences-    - Universalism seeks to unite all people under a common spiritual or ethical umbrella.    - Tribal views focus on the distinct identity and heritage of a specific group.    - Universalism tends to absorb and integrate various cultural practices.    - Tribal views aim to maintain and protect the unique traditions of the tribe.    - Universalism promotes a set of ethics believed to be applicable to everyone.    - Tribal views adhere to ethics that are specific to the tribe’s history and culture. Understanding these differences can help you identify the diverse ways in which communities and individuals approach spirituality and cultural identity. It’s essential to recognize the differences in universalist perspectives and the beautiful and unique traditions of tribal views.

Håkon the Good: A Christian King of Norway Håkon the Good, also known as Håkon Haraldsson, was a notable King of Norway in the 10th century. Born around 920, he was the youngest son of Harald Fairhair, the first King of Norway and half brother to Eric Bloodaxe. Håkon is remembered for his attempts to introduce Christianity to Norway, but he faced resistance from his subjects who were deeply rooted in their traditional Norse beliefs. Håkon’s life and reign are detailed in several medieval sources, most notably in Snorri Sturluson's Heimskringla, a collection of sagas about Norwegian kings, and Ágrip af Nóregskonungasögum (A Synopsis of the Sagas of the Kings of Norway). These texts provide a fascinating glimpse into a time when Norway was at a crossroads between paganism and Christianity. With his Christian leanings ancient customs and celebrations such as Yule, a midwinter festival were allowed to be observed but were later blended with Christmas and the date was changed from January to December 25th. His reign of peace earned him the epithet "the Good." Artwork by Peter Nicolai Arbo - 1860

Widukind: A Saxon Legacy Widukind, a legendary Saxon leader and historical figure during the Saxon Wars (772-804), led significant uprisings against Charlemagne’s efforts to conquer and Christianize the Saxons. Einhard’s "Vita Karoli Magni" and the "Royal Frankish Annals" document his pivotal role in these rebellions. In 785, Widukind's baptism marked a strategic peace agreement with Charlemagne, facilitating the integration of the Saxons into the Frankish realm while preserving Saxon lives and culture. This event is detailed in the *Royal Frankish Annals*. Later, Widukind was venerated by the Catholic Church and considered "blessed," with January 7th designated as his feast day for commemoration. Widukind’s legacy extends beyond his time as a warrior and leader; he remains a symbol of Saxon pride and resistance. His story is a reminder of the struggle to maintain cultural identity and autonomy. #germanic #thetraditionalheathens #franks #history #widukin #charlemamge #heathenry #saxon Widukind, statue by Uwe Oswald, Goldenstedt, Germany.

Arminius: The Liberator of Germania Throughout history, few figures exemplify the spirit of resistance and freedom like Arminius, the chieftain of the Cherusci tribe. Known to the Romans as Arminius and to the Germanic peoples as Hermann, his legacy is immortalized in the decisive Battle of the Teutoburg Forest in 9 AD. Arminius was born around 18 BC into the Cherusci tribe and was raised as a Roman military commander. This experience gave him a profound understanding of Roman tactics and strategies. However, his loyalty ultimately lay with his homeland. When the Romans sought to subjugate the Germanic tribes, Arminius seized the opportunity to unite his people and resist. The Battle of the Teutoburg Forest marked the pinnacle of his life. Utilizing his intimate knowledge of Roman military practices, Arminius orchestrated a brilliant ambush that decimated three Roman legions led by Publius Quinctilius Varus. This victory not only halted Roman expansion into Germania but also inspired the Germanic tribes to cherish their autonomy and cultural identity. Our knowledge of Arminius comes primarily from Roman historians such as Tacitus, Velleius Paterculus, and Cassius Dio. Tacitus, in his "Annals," praises Arminius for his strategic genius and leadership. Cassius Dio provides a detailed account of the battle and its aftermath, while Velleius Paterculus, writing from a Roman perspective, labels Arminius a traitor. Despite his triumphs, Arminius faced internal strife and was ultimately assassinated by members of his own tribe around 21 AD as he attempted to unify the Germanic tribes under one ruler. Nevertheless, for the Germanic people, Arminius is not just a historical figure but a symbol of national pride and freedom. Art work: Rückkehr Hermanns des Cheruskers aus der Schlacht am Teutoburger Wald Date: 1890

Sverd i Fjell: Remembering The King Who United Norway Sverd i fjell, or "Swords in Rock," is a monumental sculpture created by Norwegian sculptor Fritz Røed, unveiled by King Olav V in 1983. Located on the shores of Hafrsfjord near Stavanger, the monument commemorates the Battle of Hafrsfjord around 872 AD, where Harald Fairhair is traditionally credited with uniting Norway into a single kingdom. The sculpture features three giant swords, with the largest symbolizing the victorious Harald, and the two smaller swords representing the defeated kings, signifying the end of internal conflicts. The Battle of Hafrsfjord is traditionally seen as marking the consolidation of smaller kingdoms into a unified Norway under Harald Fairhair, laying the foundation for the nation. The swords are planted in rock to symbolize everlasting peace. This battle is a symbol of unity and expresses the strength and resilience of the Norse people. Sverd i fjell stands as a reminder of the Norse warriors who shaped Norway's future. It is a source of national pride and a popular tourist destination, encapsulating the spirit of Norwegian unity, peace, and Viking heritage. Visitors from around the world come to see this striking tribute and reflect on its historical significance. #thetraditionalheathens #norway #heritage #culture #norse #scandanavian #viking

Jordanes History of the Goths - De origine actibusque Getarum Jordanes was a 6th-century historian whose writings provide a view into the world of the Gothic people. Born around 480 CE, Jordanes was of Gothic descent and later became a notarius, or secretary, to a Roman military commander. His most notable work, "Getica" or "The Origin and Deeds of the Goths," was written around 551 CE. Jordanes was a Gothic-Roman historian who, despite his relatively modest background, managed to compose one of the most comprehensive accounts of the Gothic tribes. He wrote "Getica" based on the now-lost work of Cassiodorus, along with oral traditions and his own knowledge. "Getica" is a historical text that chronicles the origins, migrations, and wars of the Gothic people. Jordanes traces the Goths' lineage back to the legendary island of Scandza (Scandinavia) and their subsequent migration southward. He documents their interactions with various civilizations, including the Romans, and details key events such as the Gothic War. Jordanes also provides insights into the religious practices of the Goths. He describes their worship of multiple deities, rituals, and the importance of omens and prophecies. This documentation is crucial for understanding the spiritual and cultural life of the Goths before their conversion to Christianity. While Jordanes' "Getica" is a historical record, it is important to recognize that his work is not without errors. His reliance on oral traditions and the lost writings of Cassiodorus means that some accounts may be exaggerated or inaccurate. Despite these limitations, "Getica" remains valuable for understanding the identity and heritage of the Gothic people and their legacy in Europe.   Image: Goths crossing a river, impression by French painter Évariste Vital Luminais

The Oseberg Ship: Viking Craftsmanship Unearthed The Oseberg Ship, discovered in 1903 in a burial mound at the Oseberg farm in Norway, stands as one of the most significant archaeological finds from the Viking Age. Unearthed in 1904-1905, this preserved vessel provides a fascinating glimpse into the cultural practices of the Vikings. Believed to have been built around 820 AD, the Oseberg Ship shows the advanced shipbuilding techniques of the Viking era. Made primarily of oak with an elegantly curved bow and stern, showcasing the artistic craftsmanship of its builders. Its clinker-built construction, where planks overlap one another, contributed to the ship's durability and seaworthiness, allowing it to navigate both coastal waters and the open sea. The ship served as a burial vessel for two women of high status, often referred to as the Oseberg Queen and her companion. The rich grave goods found within, including textiles, household items, animal remains, and cannabis seeds reflect the importance of these women and provide insight into the burial customs and societal structure of the time. The elaborate burial signifies the belief in an afterlife where the deceased required the same comforts and status symbols as in their earthly existence. The Oseberg Ship is more than just a burial artifact; it is a cultural treasure that offers a window into the Viking Age. The beautifully intricate carvings adorning the ship, including depictions of animals and interlacing patterns, highlight the symbolic artistry of the Vikings. These carvings, alongside the preserved artifacts found on board, such as tapestries and idols, indicate a sophisticated culture with a strong appreciation for art and craftsmanship. Today, the Oseberg Ship continues to captivate historians, archaeologists, and enthusiasts of Viking culture. It stands as a symbol of the ingenuity and maritime dominance of the Vikings, reminding us of their significant contributions to history. The ship is housed in the Viking Ship Museum in Oslo, where it attracts thousands of visitors each year, eager to witness firsthand the legacy of the Norse seafarers. The Oseberg Ship remains a powerful link to our past, offering invaluable insights into the lives, beliefs, and artistry of the Viking Age. Its discovery and preservation highlight the importance of archaeological endeavors in uncovering and understanding the complexity of our history. #germanic #oseberg #viking #lore #archaeology #norse #burial #thetraditionalheathens #culture

Voluspa 27. I know of the horn | of Heimdall, hidden Under the high-reaching | holy tree; On it there pours | from Valfather's pledge A mighty stream: | would you know yet more?

The Odin Statue in Hanover Germany: The Odin statue, part of the renowned Edda Frieze by Wilhelm Engelhard, was erected in 1902 behind the Museum of Lower Saxony in Hanover, Germany. Created from limestone, this monumental piece, along with statues of Thor and the Valkyries, showcases Engelhard’s profound dedication to Norse mythology. Unfortunately during the tragic events of World War II the statue was heavily damaged. In 1943 it was later removed and underwent extensive restoration before being reinstalled in 1987. Engelhard's masterwork, the Edda Frieze, initially created in plaster for Marienburg Palace and later planned in marble for Welfenschloss, depicted vivid scenes from Norse mythology. The frieze, consisting of 18 presentations, captures the essence of the myths, portraying heroic battles, the welcoming of fallen warriors into Valhalla, and the climactic events of Ragnarök. Engelhard’s work has remained a significant cultural artifact, reflecting the enduring legacy of Germanic mythology among the people of Germany. The Odin statue and the frieze it accompanies are testaments to the deeply rooted mythological heritage they embody. These works continue to inspire and educate, standing as monumental links to the past for the world to see. For a deeper dive into the history and detailed illustrations of Engelhard's work, visit the full article [here](https://www.germanicmythology.com/works/EngelhardEddaFrieze.html). #odin #germanic #norse #norsemythology #heritage #Æsir #art #germany