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Strawberry Western
by R-n-M Studio
«Strawberry Western is an independent fashion label by Kisa Shiga, blending Harajuku street style with kitsch Americana. We developed an identity that captures this eclectic mix, centered on a circular motif that runs through the logotype, a pair of custom typefaces, and a playful graphic system. The logotype draws inspiration from “Western” wood-type aesthetics while using round countershapes to hint at strawberries.»
#custom #typedesign #typeface #typography #identity
Getaway
by R-n-W Studio
• Creative Direction
• Strategy
• Identity
• Typeface Design
• Web Design
• Print
• Motion
#custom #typedesign #typeface #typography #identity
Banker’s Anchor: Triad Glyphs (Copyright © R&M, 2025)
#custom #typedesign
Monotype Neographik ad, Penrose Annual, Vol. 64, 1971
Stephen Coles:
The most recent prominent appearance was for the 2007 rebrand of The New Museum.
If you like it, but need something more proper, see Berton Hasebe’s Review.
As far as I know, Robert Barbor never designed another typeface. In fact, I can find no information about him at all.
#typography #specimen
Harold Bell Wright
The Calling of Dan Matthews (ca. 1909, reprint edition, A. L. Burt Company, New York)
#typography #bookcover
Путь от логотипов и иконок к модульной типографической системе для Muse Group
(Collins • MUSE Group • Contrast Foundry)
«Концепцию шрифта разработала Инджила Самад Али—благодаря её задумке ритм и характер Muse Group превращаются в выразительную типографику. Вместе с Ребекой Арсе и Ником Эйсом она сформировала общее креативное направление проекта. Contrast Foundry занялась реализацией и превратила идею в функциональную типографическую систему.»
#typography #custom #typeface #typedesign #identity
+2
Willy Fleckhaus
one of europe’s first and most notable art directors didn’t come from a design background: willy fleckhaus was a journalist who decided that magazines could do better visually and spent a lifetime masterfully pursuing his chosen mission.
#typography
