RAS EXAM 2026
الذهاب إلى القناة على Telegram
إظهار المزيد
📈 نظرة تحليلية على قناة تيليجرام RAS EXAM 2026
تُعد قناة RAS EXAM 2026 (@ras_prelims_26) في القطاع اللغوي الإنكليزية لاعباً نشطاً. يضم المجتمع حالياً 17 491 مشتركاً، محتلاً المرتبة 11 462 في فئة التعليم والمرتبة 24 134 في منطقة الهند.
📊 مؤشرات الجمهور والحراك
منذ تأسيسه في невідомо، حقق المشروع نمواً سريعاً وجمع 17 491 مشتركاً.
بحسب آخر البيانات بتاريخ 08 يوليو, 2026، تحافظ القناة على نشاط مستقر. خلال آخر 30 يوماً تغيّر عدد الأعضاء بمقدار 204، وفي آخر 24 ساعة بمقدار -3، مع بقاء الوصول العام مرتفعاً.
- حالة التحقق: غير موثّقة
- معدل التفاعل (ER): يبلغ متوسط تفاعل الجمهور 3.27%. وخلال أول 24 ساعة من النشر يحصد المحتوى عادةً 3.04% من ردود الفعل نسبةً إلى إجمالي المشتركين.
- وصول المنشورات: يحصل كل منشور على متوسط 572 مشاهدة. وخلال اليوم الأول يجمع عادةً 532 مشاهدة.
- التفاعلات والاستجابة: يتفاعل الجمهور بانتظام؛ متوسط التفاعلات لكل منشور يبلغ 3.
- الاهتمامات الموضوعية: يركز المحتوى على مواضيع رئيسية مثل prelim, crore, भारत, राष्ट्रीय, स्थान.
📝 الوصف وسياسة المحتوى
وصف القناة غير متوفر.
بفضل وتيرة التحديث المرتفعة (أحدث البيانات بتاريخ 09 يوليو, 2026) تحافظ القناة على حداثتها ومستوى وصول مرتفع. وتُظهر التحليلات تفاعلاً نشطاً من الجمهور، ما يجعلها نقطة تأثير مهمة ضمن فئة التعليم.
17 491
المشتركون
-324 ساعات
-527 أيام
+20430 أيام
جاري تحميل البيانات...
القنوات المماثلة
سحابة العلامات
الإشارات الواردة والصادرة
---
---
---
---
---
---
جذب المشتركين
يوليو '26
يوليو '26
+31
في 7 قنوات
يونيو '26
+1 041
في 62 قنوات
Get PRO
مايو '26
+1 692
في 37 قنوات
Get PRO
أبريل '260
في 0 قنوات
Get PRO
مارس '260
في 0 قنوات
Get PRO
فبراير '26
+2
في 1 قنوات
Get PRO
يناير '26
+439
في 27 قنوات
Get PRO
ديسمبر '25
+1
في 0 قنوات
Get PRO
نوفمبر '25
+9
في 1 قنوات
Get PRO
أكتوبر '25
+9
في 0 قنوات
Get PRO
سبتمبر '25
+40
في 0 قنوات
Get PRO
أغسطس '25
+4
في 0 قنوات
Get PRO
يوليو '25
+252
في 0 قنوات
Get PRO
يونيو '250
في 0 قنوات
Get PRO
مايو '25
+1
في 1 قنوات
Get PRO
أبريل '25
+1
في 0 قنوات
Get PRO
مارس '250
في 0 قنوات
Get PRO
فبراير '25
+291
في 0 قنوات
Get PRO
يناير '25
+432
في 0 قنوات
Get PRO
ديسمبر '24
+255
في 0 قنوات
Get PRO
نوفمبر '24
+578
في 0 قنوات
Get PRO
أكتوبر '24
+460
في 2 قنوات
Get PRO
سبتمبر '24
+901
في 1 قنوات
Get PRO
أغسطس '24
+1 051
في 0 قنوات
Get PRO
يوليو '24
+1 380
في 0 قنوات
Get PRO
يونيو '24
+1 751
في 1 قنوات
Get PRO
مايو '24
+2 760
في 0 قنوات
Get PRO
أبريل '24
+2 382
في 0 قنوات
Get PRO
مارس '24
+2 470
في 0 قنوات
Get PRO
فبراير '24
+4 099
في 0 قنوات
Get PRO
يناير '24
+4 798
في 0 قنوات
Get PRO
ديسمبر '23
+1 957
في 1 قنوات
Get PRO
نوفمبر '23
+77
في 1 قنوات
Get PRO
أكتوبر '23
+41
في 0 قنوات
Get PRO
سبتمبر '23
+238
في 0 قنوات
Get PRO
أغسطس '23
+219
في 0 قنوات
Get PRO
يوليو '23
+1 417
في 0 قنوات
Get PRO
يونيو '23
+593
في 0 قنوات
Get PRO
مايو '23
+31
في 0 قنوات
Get PRO
أبريل '23
+25
في 0 قنوات
Get PRO
مارس '23
+28
في 0 قنوات
Get PRO
فبراير '23
+20
في 0 قنوات
Get PRO
يناير '23
+45
في 0 قنوات
Get PRO
ديسمبر '22
+26
في 0 قنوات
Get PRO
نوفمبر '22
+24
في 0 قنوات
Get PRO
أكتوبر '22
+18
في 0 قنوات
Get PRO
سبتمبر '22
+19
في 0 قنوات
Get PRO
أغسطس '22
+38
في 0 قنوات
Get PRO
يوليو '22
+87
في 0 قنوات
Get PRO
يونيو '22
+73
في 0 قنوات
Get PRO
مايو '22
+64
في 0 قنوات
Get PRO
أبريل '22
+46
في 0 قنوات
Get PRO
مارس '22
+19
في 0 قنوات
Get PRO
فبراير '22
+15
في 0 قنوات
Get PRO
يناير '22
+21
في 0 قنوات
Get PRO
ديسمبر '21
+33
في 0 قنوات
Get PRO
نوفمبر '21
+49
في 0 قنوات
Get PRO
أكتوبر '21
+238
في 0 قنوات
Get PRO
سبتمبر '21
+697
في 0 قنوات
Get PRO
أغسطس '21
+870
في 0 قنوات
| التاريخ | نمو المشتركين | الإشارات | القنوات | |
| 09 يوليو | 0 | |||
| 08 يوليو | 0 | |||
| 07 يوليو | 0 | |||
| 06 يوليو | 0 | |||
| 05 يوليو | 0 | |||
| 04 يوليو | 0 | |||
| 03 يوليو | +2 | |||
| 02 يوليو | +22 | |||
| 01 يوليو | +7 |
منشورات القناة
'जी-20' (G-20) बैठकों के कारण चर्चा में रहा 'शिल्पग्राम' किस झील के किनारे स्थित है, और यह किस लोक कला के संरक्षण का मुख्य केंद्र है?
| 2 | हाल ही में चर्चा में रही 'लेपर्ड सफारी' के कारण प्रसिद्ध 'झालाना-आमागढ़' क्षेत्र, अरावली के किस भौगोलिक प्रदेश का हिस्सा है और यह कछवाहा राजवंश के किस ऐतिहासिक किले के नजदीक स्थित है? | 43 |
| 3 | ✅ कालवेलिया नृत्य मुख्य रूप से राजस्थान के पश्चिमी मरुस्थलीय भाग (जैसे जैसलमेर, बाड़मेर, जोधपुर) में किया जाता है। इसे 2010 में यूनेस्को सूची में शामिल किया गया था l
📌 Kalbelia dance is primarily performed in the Western Desert Region of Rajasthan (such as Jaisalmer, Barmer, Jodhpur). It was included in the UNESCO list in 2010. | 66 |
| 4 | यूनेस्को (UNESCO) की अमूर्त सांस्कृतिक विरासत (Intangible Cultural Heritage) सूची में शामिल 'कालवेलिया नृत्य' मुख्य रूप से राजस्थान के किस भौगोलिक क्षेत्र की सपेरा जनजाति द्वारा किया जाता है? | 62 |
| 5 | A. Dholavira
Dholavira, located in the Kutch district of Gujarat
Extensive water conservation structures: Dholavira is renowned for its sophisticated water management system. It features a series of massive, stone-cut reservoirs and complex channels designed to harvest and store rainwater, which was crucial given its arid location.
The Signboard: Archaeologists discovered a unique inscription consisting of ten large-sized symbols of the Indus script, often referred to as the "Dholavira Signboard." It is one of the longest and most significant examples of Indus script found in one place.
Cylindrical seals: While square and rectangular seals are standard across the Indus Valley Civilization, Dholavira (along with a few other sites like Kalibangan) yielded Indus-type cylindrical seals, indicating potential cultural and trade linkages with Mesopotamia, where cylindrical seals were the norm.
Why the others don't fit perfectly
Lothal is most famous for its artificial dockyard, bead-making factory, and double burials.
Harappa is noted for its row of granaries, workmen's quarters, and R-37 cemetery.
Banawali (Haryana) is best known for a high quantity of barley and a terracotta model of a plough. | 72 |
| 6 | Codes | 39 |
| 7 | Q38
Consider the following archaeological findings,
1.Cylindrical seals
2.A unique signboard with large Indus script symbols
3.Extensive water conservation structures
The above are most closely associated with
A. Dholavira
B. Lothal
C. Harappa
D. Banawali | 42 |
| 8 | Answer: (A) Vayu Purana
Explanation
The Vayu Purana is one of the 18 Mahapuranas and is considered an important source for the historical geography of ancient India. In its Bhuvanakosha (geographical section), it describes various regions, rivers, mountains, and sacred places across the Indian subcontinent.
The Vayu Purana specifically mentions:
Kalinga – An ancient kingdom extending over present-day coastal Odisha and northern Andhra Pradesh.
Odra (Odra Desha) – The land inhabited by the Odra tribe, regarded as the nucleus of present-day Odisha.
Baitarani River – A sacred river of Odisha, revered in Hindu tradition and believed to help the departed soul cross to the afterlife.
Goddess Viraja (Biraja) – The presiding deity of the Biraja Temple at Jajpur, one of the important Shakti Peethas.
The Purana groups these geographical and religious features together while describing the sacred landscape of ancient Odisha. Hence, Vayu Purana is the correct answer.
Other options
(B) Manu Smriti
Primarily a Dharmashastra dealing with social laws, duties (dharma), varna system, inheritance, marriage, and legal principles.
It is not a geographical text and does not describe Kalinga, Odra, Baitarani, and Viraja together.
(C) Mahabharata
Mentions Kalinga, Odra, and other kingdoms in connection with political events and the Kurukshetra War.
However, it does not mention Kalinga, Odra, Baitarani River, and Goddess Viraja together as a single geographical-religious description. | 42 |
| 9 | Options | 40 |
| 10 | Q19 | 39 |
| 11 | The correct option is (d) I, II and III.
Indus Valley Civilization (Harappan Culture):
* Statement I is correct: Harappan craftsmen used a wide variety of stones to make beads. This included semi-precious stones like carnelian (a beautiful red stone), jasper, crystal, quartz, and softer stones like steatite. They also used metals like gold, bronze, and copper, as well as shell, faience, and terracotta.
* Statement II is correct: Beads were made in numerous geometric shapes depending on the material. Common shapes included cylindrical, barrel-shaped, disc-shaped, spherical, and segmented. Some were decorated by painting or incising designs onto them.
* Statement III is correct: Harappans used specialized drilling technology. Archaeologists have discovered distinct, specialized stone drills at major bead-making craft centers like Chanhudaro, Lothal, and Dholavira, which were used to pierce holes through the beads.
## Material Selection & Sourcing
* Steatite Usage: Very soft stone, easily worked into varied shapes.
* Micro-Beads: Made using paste from ground steatite molded into shape.
* Carnelian Color: Yellow raw material fired to get its rich red color.
* Lapis Lazuli: Highly valued blue stone sourced from Shortughai, Afghanistan.
* Shell Sourcing: Collected from coastal settlements like Balakot and Nageshwar.
## Manufacturing Processes
* Chipping & Flaking: Rough stones chipped into smaller, manageable nodules.
* Grinding & Polishing: Rough shapes rubbed down to create smooth surfaces.
* Final Drilling: Last step in the production chain to finish the bead.
* Discarded Waste: Leftover stone chips help archaeologists locate workshop sites.
* Mass Production: Chanhudaro was fully dedicated to specialized craft manufacturing.
------------------------------
If you want to keep reviewing, I can:
* Test you with more MCQs on Harappan society
* Break down Harappan pottery styles
* Detail weights and measures used in trade
Let me know how you would like to proceed. | 38 |
| 12 | Options | 39 |
| 13 | Q5 | 39 |
| 14 | Explanation:
Pit-dwellings are the most distinctive feature of the Neolithic culture in the Kashmir Valley ( Burzahom and Gufkral ) These were circular or oval pits dug into the ground, featuring plastered mud walls and post-holes for supporting thatched roofs. They provided essential protection against the harsh, cold climate of the region.
Major Neolithic Sites and Traits:
* Burzahom (Kashmir): Pit-dwellings; unique ritual of burying dogs with their masters.
* Gufkral (Kashmir): "Cave of the potter"; known for agriculture and animal husbandry.
* Mehrgarh (Pakistan): Earliest Neolithic site; mud-brick houses; early evidence of cotton and wheat.
* Chirand (Bihar): Notable for a large collection of bone tools, especially those made from deer antlers.
* Koldihwa (Uttar Pradesh): Provides some of the earliest evidence of rice cultivation in the world.
* Piklihal / Maski (Karnataka): Known for ash mounds, which were sites of ritualistic cattle dung burning.
* Daojali Hading (Assam): Discovery of jadeite (likely from China) and polished stone tools. | 38 |
| 15 | Options | 44 |
| 16 | Q1 | 45 |
| 17 | Day 4
9th July- Ancient History- IVC & Vedic Period
#Ancient_History
#IVC
#Vedic_Period
#ancient
#history | 45 |
| 18 | *4th Grade चयनित imp सूचना।*✅ | 1 |
| 19 | Explanation:
A. Banabhatta → 2. Harshacharita and Kadambari
Banabhatta (also known as Bana) was the court poet (Asthana Kavi) of Emperor Harshavardhana in the 7th century CE. He authored Harshacharita (a biography/prose romance detailing Harsha's early life and rise to power) and Kadambari (a famous romantic novel in Sanskrit prose). These are his two major works.
B. Hiuen Tsang (Xuanzang) → 1. Si-Yu-Ki (Records of the Western World)
Hiuen Tsang (Xuanzang), the famous Chinese Buddhist pilgrim and traveler, visited India during Harsha's reign (c. 629–645 CE) and stayed at his court. His travel account is titled Si-Yu-Ki (Buddhist Records of the Western World), which provides detailed descriptions of Indian society, religion (especially Buddhism), geography, and Harsha's administration.
C. Harshavardhana → 3. Priyadarshika, Ratnavali, Nagananda
Harshavardhana (Harsha), the 7th-century ruler of northern India (r. 606–647 CE), was a patron of literature and himself a playwright. He composed three Sanskrit dramas: Priyadarshika (a natika about love and intrigue), Ratnavali (a romantic comedy involving King Udayana), and Nagananda (a play with Buddhist themes centered on self-sacrifice and the joy of serpents).
D. Pulakeshin II → 4. Aihole inscription mentioning defeat of Harsha
Pulakeshin II, the Chalukya king of Vatapi (Badami), fought against Harshavardhana in the Battle of Narmada (c. 618–619 CE) and halted Harsha's southward expansion. This victory is prominently recorded in the Aihole inscription (also called Aihole Prashasti), composed by his court poet Ravikirti in 634–635 CE. The inscription poetically describes how Harsha's "mirth" (harsha) melted away in fear as his elephant corps was defeated. | 275 |
| 20 | Codes | 254 |
