Magic Kniga (by 𝐎𝐂𝐂𝐔𝐋𝐓𝐔𝐌)

"Written by one of the leading scholars of Japanese religion, Rage and Ravage is the third installment of a milestone project in our understanding of the mythico-ritual system of esoteric Buddhism―specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual; in doing so he moves away from the usual textual, historical, and sociological approaches that constitute the “method” of current religious studies. Throughout, he engages theoretical insights drawn from structuralism, post-structuralism, and Actor-Network Theory to retrieve the “implicit pantheon” (as opposed to the “explicit orthodox pantheon”) of esoteric Japanese Buddhism (Mikkyō). In volumes one and two, The Fluid Pantheon and Protectors and Predators, Faure argued against a polarity or dichotomy between buddhas and kami by emphasizing the existence of deities that did not belong to either category, and he rejected the retrospective notion of “hybridity.” The present work makes a similar case about the reified distinction between gods and demons to show that, due to the fluid nature of the Japanese pantheon, these terms do not represent stable identities: Gods can become demons, and demons are sometimes deified. Divine protectors were often former predators, and in some instances they retained their predatory features even after being converted. After emphasizing the demonic aspects of devas as “gods or spirits of obstacles” in the earlier volumes, Faure now focuses on the deva-like or “divine” aspects of deities that have been described as “demonic.” Rage and Ravage and its companion volumes persuade readers that the gods constituted a central part of medieval Japanese religion and that the latter cannot be reduced to a simplistic confrontation, parallelism, or complementarity between some monolithic teachings known as “Buddhism” and “Shinto.” Once these reductionist labels and categories are discarded, a new and fascinating religious landscape begins to unfold."

"Rage and Ravage: Gods of Medieval Japan, Volume 3" by Bernard Faure

"Written by one of the leading scholars of Japanese religion, Protectors and Predators is the second installment of a multivolume project that promises to be a milestone in our understanding of the mythico-ritual system of esoteric Buddhism―specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual. Throughout he engages theoretical insights drawn from structuralism, post-structuralism, and Actor-Network Theory to retrieve the “implicit pantheon” (as opposed to the “explicit orthodox pantheon”) of esoteric Japanese Buddhism (Mikkyō). His work is particularly significant given its focus on the deities’ multiple and shifting representations, overlappings, and modes of actions rather than on individual characters and functions. In Protectors and Predators Faure argues that the “wild” gods of Japan were at the center of the medieval religious landscape and came together in complex webs of association not divisible into the categories of “Buddhist,” “indigenous,” or “Shinto.” Furthermore, among the most important medieval gods, certain ones had roots in Hinduism, others in Daoism and Yin-Yang thought. He displays vast knowledge of his subject and presents his research―much of it in largely unstudied material―with theoretical sophistication. His arguments and analyses assume the centrality of the iconographic record as a complement to the textual record, and so he has brought together a rich and rare collection of more than 170 color and black-and-white images. This emphasis on iconography and the ways in which it complements, supplements, or deconstructs textual orthodoxy is critical to a fuller comprehension of a set of medieval Japanese beliefs and practices and offers a corrective to the traditional division of the field into religious studies, which typically ignores the images, and art history, which oftentimes overlooks their ritual and religious meaning. Protectors and Predators and its companion volumes should persuade readers that the gods constituted a central part of medieval Japanese religion and that the latter cannot be reduced to a simplistic confrontation, parallelism, or complementarity between some monolithic teachings known as “Buddhism” and “Shinto.” Once these reductionist labels and categories are discarded, a new and fascinating religious landscape begins to unfold."

"Protectors and Predators: Gods of Medieval Japan, Volume 2" by Bernard Faure

"Written by one of the leading scholars of Japanese religion, The Fluid Pantheon is the first installment of a multivolume project that promises to be a milestone in our understanding of the mythico-ritual system of esoteric Buddhism―specifically the nature and roles of deities in the religious world of medieval Japan and beyond. Bernard Faure introduces readers to medieval Japanese religiosity and shows the centrality of the gods in religious discourse and ritual; in doing so he moves away from the usual textual, historical, and sociological approaches that constitute the “method” of current religious studies. The approach considers the gods (including buddhas and demons) as meaningful and powerful interlocutors and not merely as cyphers for social groups or projections of the human mind. Throughout he engages insights drawn from structuralism, post-structuralism, and Actor-network theory to retrieve the “implicit pantheon” (as opposed to the “explicit orthodox pantheon”) of esoteric Japanese Buddhism (Mikkyō). Through a number of case studies, Faure describes and analyzes the impressive mythological and ritual efflorescence that marked the medieval period, not only in the religious domain, but also in the political, artistic, and literary spheres. He displays vast knowledge of his subject and presents his research―much of it in largely unstudied material―with theoretical sophistication. His arguments and analyses assume the centrality of the iconographic record, and so he has brought together in this volume a rich and rare collection of more than 180 color and black-and-white images. This emphasis on iconography and the ways in which it complements, supplements, or deconstructs textual orthodoxy is critical to a fuller comprehension of a set of medieval Japanese beliefs and practices. It also offers a corrective to the traditional division of the field into religious studies, which typically ignores the images, and art history, which oftentimes overlooks their ritual and religious meaning. The Fluid Pantheon and its companion volumes should persuade readers that the gods constituted a central part of medieval Japanese religion and that the latter cannot be reduced to a simplistic confrontation, parallelism, or complementarity between some monolithic teachings known as “Buddhism” and “Shinto.” Once these reductionist labels and categories are discarded, a new and fascinating religious landscape begins to unfold."

"The Fluid Pantheon: Gods of Medieval Japan, Volume 1" by Bernard Faure

"Daily, mindful yoga practice is within your reach—no expensive classes necessary—with this classic book with over a million copies in print. Rejuvenate mind, body, and spirit with this essential 28 day yoga program. A book that both inspires and instructs, every day introducing a new 20-to-30-minute routine—for core strengthening, for weight loss, for improving posture and circulation. Includes step-by-step instructions, plus ideas on how to modify stretches for your individual needs and build up tone and strength over time. With yoga expert Richard Hittleman’s guidance, you’ll also learn to deepen and lengthen breath, release tension, and set intentions for health and healing—even quitting smoking. And by completing this accessible, intuitive program, you’ll ease into a regular, sustainable yoga practice to last you a lifetime."

"Richard Hittleman's Yoga: 28 Day Exercise Plan" by Richard Hittleman

"A hammer no mortal can lift. A flame-haired fiery storm god. A comic book alien-hero-god who defends humanity. The swastika. Even the name "Thursday" ("Thor's Day"). Despite the virtual disappearance of the indigenous Norse religion and mythology several centuries ago, modern society still regularly encounters the storm god Thor, who continues to be brought back to life in the form of literature and was recently the protagonist in a big-budget Hollywood movie. What is it about this god, out of the hundreds (if not thousands) of deities that were consigned to the dustbin of history by the world’s major religions, that so captures people’s imaginations today? A better understanding of Thor’s appeal can be found in just about every aspect of the history and evolution of the figure over the centuries, including the origins of the god, the evocative imagery used to describe him, and even the parallels between Thor and similar gods and heroes. All of this has been buffeted by literature, such as the stories about Thor found in the Prose Edda and the Poetic Edda, and the connection societies have had with Thor for hundreds of years, even up until today. This work also examines the decline and displacement of Norse mythology by Christianity, the reasons why Thor was often the last god worshiped by the Norse, and today’s remnants of Thorism, including his parallels in other faiths, his role in revived Neo-Heathenism and his appearance in other media as a hero in comics and films. Thor's popularity has historically been rivaled only by his father Odin. A one-eyed old man, with a gray cloak and a wide-brimmed hat leaning on a staff. A wanderer who appears when least expected, bringing triumph or doom. The god of prophecy, poetry and fate. A shapechanger. A sorcerer. The god Odin cuts a dramatic figure in Norse mythology and is still a part of the popular imagination. He is the inspiration for figures like J.R.R. Tolkien's Gandalf the Grey, and he still appears in modern literature as varied as Marvel Comics and Neil Gaiman's novel American Gods (2001). Alongside Thor, Odin is one of the best known Norse gods, and it’s often easy to forget that he was once at the heart of a pantheon devoutly worshiped by millions of Europeans in the Middle Ages. Odin has numerous names and titles (over 200 by one account), but his best known title is "The All-Father," the co-creator of Earth ("Midgard"), humanity and all of the creatures that inhabitant this world. He is also, importantly, the god of prophecy, ecstasy, and poetry, all roles that were closely connected in the Norse world. Along with pictures and a bibliography, you will learn about both gods like you never have before."

"Odin and Thor: The Origins, History and Religious Evolution of the Norse Gods" by Jesse Harasta and Charles River Editors

"Many people today think of Satan as a little red demon with a pointy tail and a pitchfork—but this vision of the devil developed over many centuries and would be foreign to the writers of the Old Testament, where this figure makes his first appearances. The earliest texts that mention the Satan—it is always “the Satan” in the Old Testament—portray him as an agent of Yahweh, serving as an executioner of evildoers. But over the course of time, the Satan came to be regarded more as God’s enemy than God’s agent and was blamed for a host of problems. Biblical scholar Ryan E. Stokes explains the development of the Satan tradition in the Hebrew scriptures and the writings of early Judaism, describing the interpretive and creative processes that transformed an agent of Yahweh into the archenemy of good. He explores how the idea of a heavenly Satan figure factored into the problem of evil and received the blame for all that is wrong in the world."

"The Satan: How God's Executioner Became the Enemy" by Ryan E. Stokes