Be Open think tank

الذهاب إلى القناة على Telegram

Creative think tank, fostering creativity and innovation. More about our projects: beopenfuture.com

📈 نظرة تحليلية على قناة تيليجرام Be Open think tank

تُعد قناة Be Open think tank (@beopenfuture) في القطاع اللغوي الإنكليزية لاعباً نشطاً. يضم المجتمع حالياً 25 570 مشتركاً، محتلاً المرتبة 1 106 في فئة الفن والتصميم والمرتبة 1 599 في منطقة الولايات المتحدة.

📊 مؤشرات الجمهور والحراك

منذ تأسيسه في невідомо، حقق المشروع نمواً سريعاً وجمع 25 570 مشتركاً.

بحسب آخر البيانات بتاريخ 20 يونيو, 2026، تحافظ القناة على نشاط مستقر. خلال آخر 30 يوماً تغيّر عدد الأعضاء بمقدار -1 240، وفي آخر 24 ساعة بمقدار -220، مع بقاء الوصول العام مرتفعاً.

حالة التحقق: غير موثّقة
معدل التفاعل (ER): يبلغ متوسط تفاعل الجمهور 8.19‎%. وخلال أول 24 ساعة من النشر يحصد المحتوى عادةً 8.12‎% من ردود الفعل نسبةً إلى إجمالي المشتركين.
وصول المنشورات: يحصل كل منشور على متوسط 2 114 مشاهدة. وخلال اليوم الأول يجمع عادةً 2 096 مشاهدة.
التفاعلات والاستجابة: يتفاعل الجمهور بانتظام؛ متوسط التفاعلات لكل منشور يبلغ 0.
الاهتمامات الموضوعية: يركز المحتوى على مواضيع رئيسية مثل beopennews, waste, designer, structure, steel.

📝 الوصف وسياسة المحتوى

يصف المؤلف القناة بأنها مساحة للتعبير عن الآراء الذاتية:
“Creative think tank, fostering creativity and innovation. More about our projects: beopenfuture.com”

بفضل وتيرة التحديث المرتفعة (أحدث البيانات بتاريخ 21 يونيو, 2026) تحافظ القناة على حداثتها ومستوى وصول مرتفع. وتُظهر التحليلات تفاعلاً نشطاً من الجمهور، ما يجعلها نقطة تأثير مهمة ضمن فئة الفن والتصميم.

25 570

المشتركون

-22024 ساعات

-3807 أيام

-1 24030 أيام

2 114

عرض المشاهدات

~ 2 09624 ساعات

~ 2 09848 ساعات

8.19%

معدل المشاركة

~ 1

المشاركات في اليوم

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أرشيف المشاركات

25 176

Megan Ginn, a recent Fashion Design graduate from Birmingham City University, specializes in sustainable fashion, blending traditional Irish influences with cutting-edge biomaterial innovation. Her project draws inspiration from Aran knitwear and incorporates a unique algae-based biomaterial she developed to fuse wool to fabric. This bio-textile is not only distinctive in appearance but also transformative—it can be reheated and reshaped, allowing garments to evolve with each wearer. Employing zero-waste pattern cutting and one-of-a-kind designs, Megan proves that eco-conscious fashion can be both cool and chic. #BeOpenDESIGN

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#BeOpenNEWS #BeOpenART BE OPEN Art launches the third stage of its 2025 regional competition, focusing on South America and associated territories. From July to September, 20 emerging artists from the region will be featured monthly, with public voting selecting the Regional Artist of the Month. One of them will become the Artist of the Region and receive a €500 prize in early October, alongside a special Founder’s Choice award. The competition will include artists from Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Guyana, Paraguay, Peru, Suriname, Uruguay, and Venezuela, as well as the Falkland Islands, South Georgia and the South Sandwich Islands, and French Guiana. The initiative aims to spotlight young talent whose work reflects their regional and cultural identity, giving them global visibility and support.

25 176

#BeOpenART #BeOpenNEWS Aidan McNeillage, a New Zealand-born artist, has been announced as BE OPEN Art’s Regional Artist of the Month for June in the Oceania stage of the 2025 competition. Aidan has recently completed his MFA at the Elam School of Fine Arts, University of Auckland. His artistic practice is rooted in exploring themes of identity, memory, and the complexities of familial relationships. Aidan's work has resonated with the visitors of the BE OPEN online gallery for its emotional depth and conceptual strength. Aidan follows April’s winner, Huriana Kopeke-Te Aho of Aotearoa (New Zealand), and May’s winner, Tania Calvo (Vanuatu), completing the trio of monthly winners. All three are now in the running to be named Regional Artist for Oceania, a title that comes with a €3,000 prize. The final selection will be announced in July, as BE OPEN continues its mission to support young artists through visibility, opportunity, and cross-cultural exchange.

25 176

#BeOpenDESIGN Donatas Žukauskas’s TRIPOD Tables transform recycled paper pulp and cardboard into sturdy, wood-like side tables that combine sustainability with striking natural textures. Through innovative material experimentation, Žukauskas creates a durable composite that mimics the strength and tactile richness of wood while offering slight elasticity to resist damage. The mottled surfaces and minimalist tripod forms deliver both aesthetic appeal and practical longevity, making these eco-friendly tables a compelling alternative to traditional furniture that emphasizes environmental responsibility without sacrificing style or function. More furniture made of paper pulp on our blog.beopenfuture.com #BeOpenDESIGN

25 176

#BeOpenDESIGN Tokyo-based designer Tsujio Ippei @tsujio_ippei explores the intersection of graphic design, material texture, and visual humor with Bakermee, a series of wrapping papers that visually and tactilely reference baked goods. The collection includes three distinct A2 sheets—each patterned after a different type of bread—and is designed to fit various shapes and package sizes. What distinguishes the project is not only its playful visual language but also the use of coarse-textured paper to evoke the tactile feel of real crusts, enhancing the illusion. Credits: instagram.com/tsujio_ippei/ #BeOpenDESIGN

25 176

#BeOpenDESIGN Halfgrid is a visionary urban transport concept by Bulgaria-based Half Company that reimagines personal mobility through a network of AI-powered, one-person capsules suspended on static cables above city streets. Designed to bypass ground-level congestion, each pod can be summoned via an app, offering direct, silent, and emissions-free travel to any destination within the grid. Unlike traditional cable cars, Halfgrid allows for independent routing and individual scheduling, merging the convenience of ridesharing with the efficiency of aerial transit. It’s a futuristic yet plausible response to traffic-choked cities, blending smart design with scalable infrastructure. More cutting-edge public transportation concepts on our blog.

25 176

#BeOpenARCH The 2025 Serpentine Pavilion, A Capsule in Time by Bangladeshi architect Marina Tabassum, is a serene, light-filled structure that explores impermanence, community, and architectural afterlife. Composed of four arched glulam timber “half-capsules” arranged around a central courtyard, the pavilion invites natural light and airflow through translucent polycarbonate panels inspired by South Asian ceremonial tents. Designed from the outset to be dismantled and repurposed as a library, the pavilion emphasizes sustainability not just in materials but in intent, offering a quiet yet powerful model of architecture as both a seasonal gathering space and a future civic resource. Explore the most talked-about Serpentine pavilions of the last decade on our blog.

25 176

#BeOpenART Artist Cheng Tsung FENG revitalizes the traditional Taiwanese craft of fish trap weaving through a community-driven art project in Taichung. Inviting hundreds of local participants with no prior experience, he led workshops to teach the intricate bamboo weaving technique, resulting in over two hundred woven fish trap baskets. These baskets, each tagged with the maker’s personal wishes, were assembled into a large-scale installation for the Taiwan Lantern Festival, symbolizing unity and cultural heritage. After the festival, the baskets were returned to their creators, inspiring new uses and preserving the craft not only as a tangible art form but as a shared, embodied cultural memory that bridges past traditions with contemporary life.

25 176

#BeOpenDESIGN Rana Rmeily’s See Yourself Window is a playful yet thoughtful 3D-printed device designed to ease the transition from virtual to in-person interactions post-lockdown. Inspired by the self-view windows on video calls, the lightweight gadget hooks onto the ear and features a small mirror—available in round or rectangular shapes—to let users see themselves during real-life conversations. Customizable for comfort and adjustability, it subtly mirrors our digital habits while promoting physical social re-engagement. Once no longer needed, it can be repurposed as a compact vanity mirror, blending functionality with a touch of humor and reflection.

25 176

#BeOpenARCH Designed by Switzerland-based Mexican architect Rubén Valdez, Spiritual Enclosure is a contemplative circular structure set in the desert of Todos Santos, Mexico. Commissioned by Paradero Hotels as a non-religious ceremonial space, the sunken concrete ring subtly emerges from the terrain, framing the sky and distant mountains. Accessed through a gradually turning ramp, the space fosters a slow, reflective entry. Inside, raw materials, wooden benches, and a polished obsidian disc—referencing Mesoamerican spiritual tools—anchor the minimal interior. Oriented east to west, the enclosure uses shifting light and shadow to mark time, reinforcing its quiet connection to place and ritual.

25 176

#BeOpenARCH Byró Architekti, a Czech architecture studio, has designed the Garden Pavilion, a compact wooden outbuilding in Prague, using the footprint of a former dilapidated cottage as a reference point. Positioned at the end of a garden near the Vltava River, the pavilion serves as a seasonal retreat and shelter, featuring a foldable polycarbonate wall concealed behind charred timber shutters. This operable facade, managed via a system of pulleys and counterweights, allows the structure to open toward the landscape, blending interior and exterior while offering protection from the elements. Clad in blackened timber using the traditional Japanese Shou Sugi Ban technique, the pavilion’s exterior references surrounding dark-toned cottages. Inside, a restrained material palette of plaster and wood defines the space, which includes a mezzanine sleeping loft and integrated shelving. Sustainable features such as photovoltaic panels and thoughtful daylighting complete the minimalist, garden-oriented design.

25 176

#BOArtLimitless #BeOpenNEWS We are excited to announce that Sanah Rauf, a 27-year-old disabled artist and content creator, has been selected as the first monthly winner (May 2025) of the ART LIMITLESS competition. Sanah was chosen for her exceptional creativity, resilience, and commitment to her craft. As a Film and TV graduate, her artwork reflects a unique perspective, with themes of strength and identity that resonate deeply with audiences. As the first monthly winner, Sanah will be showcased across our social media platforms and is now in the running for the grand prize of €1,000, which will be awarded at the conclusion of the competition in September 2025. Congratulations to Sanah Rauf on this remarkable achievement!

25 176

#BeOpenARCH The 3-to-1 Pavilion by Chinese studio Temp is a sculptural garden retreat in Shanghai that blends minimalist geometry with traditional craftsmanship. Designed as a meditative space for tea, conversation, and quiet reflection, the pavilion unfolds along a triangular plan that guides visitors from open gathering areas to a narrow, contemplative point framing the surrounding landscape. Constructed entirely from charred timber using traditional tenon joints, its louvred walls filter light and shadow throughout the day, creating a dynamic, sensory atmosphere. With its blend of spatial precision and material depth, the pavilion stands as a quiet dialogue between architecture, ritual, and nature. More boundary-pushing garden structures on our blog.

25 176

#BeOpenDESIGN Ninho by Atelier Marko Brajovic is a bio-urban installation that reimagines city life as a shared habitat for humans and wildlife. Installed in São Paulo’s Parque da Água Branca for Casacor 2025, the nest-like structure is crafted from pinewood and recycled plastic, inviting visitors to recline, observe the sky, and reconnect with nature. Inspired by the architectural brilliance of birds and insects, Ninho blends ecological design with gentle provocation, asking us to rethink urban spaces as multispecies ecosystems. Accompanied by the Animal Architects Exhibition, it celebrates non-human intelligence and proposes a future where cities are built not just for people — but with nature. Check out more nest-inspired structures on our blog.

25 176

#BeOpenDESIGN Marc Senar’s Fastener-Free Side Table is a minimalist, multifunctional piece that doubles as a chair, stool, or magazine stand—all without screws, glue, or welding. Made entirely from sheet metal, its spiral form locks into place during assembly, combining clean design with eco-conscious thinking. The piece ships flat, reducing environmental impact, and is easy to assemble or disassemble, making it ideal for flexible, modern living. With its bold yellow finish and thoughtful engineering, it’s a fresh take on sustainable furniture that doesn’t compromise on style or function.

25 176

Nigerian designer Paul Yakubu has created the Umbrella Crate Stall, a modular trading structure designed to optimize space in crowded street markets. Combining an umbrella with adjustable crates, the design allows goods to be displayed at varying angles for better visibility and easy access. The modular system is scalable, enabling traders to add units as their business grows, while the wheels make it easy to transport and store. Developed through research on informal markets in Nigeria and refined during a residency in France, Yakubu's design aims to bring more organization, flexibility, and efficiency to street trading. He is currently testing the prototype in Lagos and seeking partners for mass production. #BeOpenDESIGN

25 176

Designed by architects Benjamin Dillenburger and Michael Hansmeyer, the 30-meter-tall 3D printed Tor Alva in Mulegns, Switzerland, is the tallest of its kind in the region. The tower was created in collaboration with ETH Zurich, using soft concrete and 3D printing to reduce material waste and carbon emissions. Open for guided tours from May, 2025, and hosting performances starting in July, Tor Alva serves as a cultural venue for art, music, and theater. Its modular design allows for future relocation after its five-year presence in Mulegns, blending cutting-edge technology with cultural heritage. #BeOpenARCH

25 176

#BeOpenDESIGN Designer Yves Béhar has partnered with additive manufacturing company Forust to create Vine, a sustainable homeware collection 3D printed from sawdust and natural tree-sap binder. The range—featuring a vessel, bowl, tray, and basket—transforms wood industry waste into durable, wood-like forms using a high-resolution binder jetting process. Unlike conventional woodworking, this method allows for intricate geometries and minimal material waste, marking a shift from subtractive to circular design. Béhar sees the process as a scalable, eco-conscious alternative that could extend to furniture and architectural elements, offering a new paradigm for sustainable, on-demand production.

25 176

#BeOpenART At Clerkenwell Design Week in London, artist Alex Chinneck has unveiled A Week at the Knees—a surreal, freestanding installation that reimagines a Georgian townhouse seemingly bending to sit on its own knees. Located in Charterhouse Square, the 5.5-metre-high, 13.5-metre-long sculpture playfully distorts traditional architecture using 7,000 brick slips and 320 metres of steel, all shaped into rippling forms with bespoke warped windows and pipework. This ambitious work not only pushes material boundaries, but also speaks to themes of creative freedom, urban whimsy, and architectural defiance in an increasingly risk-averse world.

25 176

#BeOpenDESIGN Designed for anyone frustrated by complicated video call controls, Silvia Caracristi’s Google Boomer simplifies remote communication with just four tactile sliders that manage video, microphone, screen-sharing, and volume. By replacing confusing digital menus with intuitive physical switches—complete with printed instructions—this concept makes video conferencing accessible and foolproof, especially for tech-averse users. Check out our blog for more innovative devices that make video calls easier.