Yellow 🟡

Ons is oor die 50... Maar nie oud en oor die muur nie. Leer wat is die METAVERSE. Moenie dat dit net 'n vreemde woord bly nie. Ons toekoms hang van ons kennis af. Ons moet geletterd en ingelig bly. Ps...luister mooi hoe vinnig word 5G genoem. Nou weet ons ook waar pas dit in nê. Sluit gerus by ons "backup" kanaal aan. 👇 🌕

Die videosnit was die mees inspirerendse ooit.... My geïnspireer om AL MY DIGITALE speelgoed in 'n asblik te wil gooi en te HARDLOOP ...ver van die beskawing... Diep in die bos in. Ongelooflik siek. Ek kry my kleinkinders bitter jammer. Zucker verduidelik hoe dit werk... Die satan se woorde drup soos heuning van sy lippe af... Dit word nou eers ingestel met babatreetjies... Die eerste treetjie is die groot bonkige blok hier reg voor jou oë... Teen jou kop vasgemaak. Sal in die volgende plasing die volgende stappe verduidelik. Sluit gerus by ons Backup kanaal aan 👇

the congress is a 2013 animated/live action hybrid that predicted the reason why WGA and SAG-AFTRA went on strike by 10 years with how it depicts movie studios wanting to digitally scan actors. starring robin wright, danny huston, and paul giamatti, the film tackles the theme of the ethics of artificial intelligence in the entertainment industry. i started working on this video in July of last year but had to keep delaying it for one reason or another, so if you enjoy it, please comment, like, subscribe, + join my patreon for more videos on animation! ✧･ﾟ: *✧･ﾟ:*social media*:･ﾟ✧*:･ﾟ✧ • instagram:

• letterboxd:

• twitter:

• patreon:

✧･ﾟ: *✧･ﾟ:*$3 + patrons*:･ﾟ✧*:･ﾟ✧ • gantrell • peter tobin ✧･ﾟ: *✧･ﾟ:*works cited (no i am not putting them in MLA format)*:･ﾟ✧*:･ﾟ✧ • "striking actors say hollywood studios want to perpetually use AI-generated replicas of actors for one day’s pay" from forbes

• "tv and movies are finally celebrating older women" from the new york times

• "disneywar" by james b. stewart

• "video game performers prepared to strike for more pay, protections" from reuters

• "SAG-AFTRA & studios reach tentative new three-year seal on animated films" from deadline

• "future unscripted: the impact of generative artificial intelligence on entertainment industry jobs" from CVL economics

• "taylor swift and no AI fraud act: how congress plans to fight back against AI deepfakes" from ABC news

• "robin williams went above and beyond to stop his image being used" from the guardian

• "A.I. filmmaking is a terrible idea, and one underseen movie shows us why" from /film

✧･ﾟ: *✧･ﾟ:*music*:･ﾟ✧*:･ﾟ✧ • background music: "kalimba" by lofi satoshi • "golden hour" by hiyasu • "clair de lune" by claude debussy, performed by rousseau • "why she is hiding in the other man's eyes" by barcode • "rêverie" by claude debussy, performed by jean-yves thibaudet • "hide" by miscél • "brainjazz reprise" by barcode • "tuesday, 12:40pm" by barcode • "dreams, op. 38 no. 5" by sergei rachmaninoff, performed by earl wild and giovanni doria miglietta • "lily" by eevee • "by myself" by demon gummies • "red moon" by hiyasu • "rainy day" by hiyasu • "gymnopédie no. 1" by erik satie, performed by rousseau • "when i remember this life" jazz cover by kazumi tateishi trio • outro: "lovely" by ryoga "in many ways, the work of a critic is easy. we risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. we thrive on negative criticism, which is fun to write and to read. but the bitter truth we critics must face is that, in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. but there are times when a critic truly risks something, and that is in the discovery and defense of the new. the world is often unkind to new talent, new creations. the new needs friends.” - ratatouille

3 easy homemade bug spray recipes that you can make with ingredients from your garden and pantry. Control bugs without waging heavy duty chemical warfare.

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